Well, maybe there are harder things in life…but being an adult is difficult! So Grace Helbig has written a guide that’s perfect for anyone who is faced with the daunting task of becoming an adult.Infused with her trademark saucy, sweet, and funny voice, Grace’s Guide is a tongue-in-cheek handbook for millennials, encompassing everything a young or new (or regular or old) adult needs to know, from surviving a breakup to recovering from a hangover. Beautifully illustrated and full-color, Grace’s Guide features interactive elements and exclusive stories from Grace’s own misadventures—like losing her virginity solely because her date took her to a Macaroni Grill—and many other hilarious lessons she learned the hard way.Amusing and unexpectedly educational, this refreshing and colorful guide proves that becoming an adult doesn’t necessarily mean you have to grow up.

    Judith tells of her family’s struggles with language and money, and what it was like to be a German refugee in London during the war.We see her early attempts at drawing and writing; her sketches and work from art school, and her textile designs from her first job. We hear of her life-changing meeting with her future husband, the scriptwriter Nigel Kneale, and her time at the BBC, first as a reader and then as a scriptwriter herself.Judith’s career as a children’s book writer and illustrator began after she had children, and over forty years on she is still producing classic picture books. She is a rare and wonderful talent and this is a fascinating insight into the person behind the books that have been enjoyed by generations.

    Chief among them was Harriette Wilson, whose patrons included most of the distinguished men of the day, from the Duke of Wellington to Lord Byron. She held court in a box at the opera, attended by statesmen, poets, national heroes, aristocrats, members of the beau monde, and students who hoped to be immortalized by her glance. She wrote these memoirs in middle age, when she had fallen out of favor, and she advised her former lovers that 200 of them would be edited out. The result is an elegant, zestful, unrepentant memoir, which offers intimately detailed portraits of the Regency demimonde.

    She kept extensive diaries of her life and loves, written partly in code. Made up of Greek letters mingled with other symbols of her own devising, Anne referred to the code as her "crypthand," and the use of it allowed her the freedom to describe her intimate life in great detail. Her diaries have been edited by Helena Whitbread, who spent years decoding and transcribing them.

    What is beauty? Umberto Eco, among Italy’s finest and most important contemporary thinkers, explores the nature, the meaning, and the very history of the idea of beauty in Western culture. The profound and subtle text is lavishly illustrated with abundant examples of sublime painting and sculpture and lengthy quotations from writers and philosophers. This is the first paperback edition of History of Beauty, making this intellectual and philosophical journey with one of the world’s most acclaimed thinkers available in a more compact and affordable format.From the Trade Paperback edition

    Whistler not only refused to tolerate misunderstanding by critics and the so-called art-loving public — but launched vicious counterattacks as well. His celebrated passages-at-arms with Oscar Wilde and Swinburne, the terse and penetrating "letters to the editor," his rebuttals to attacks from critics, and biting marginal notes to contemptuous comments on his paintings and hostile reviews (which are also reprinted) are all part of this record of the artist's vendettas.Whistler's most famous battle began when critic John Ruskin saw one of the artist's "Nocturnes" exhibited in Grosvenor Gallery. "I have seen, and heard," wrote Ruskin, "much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler was incensed with this criticism, and initiated the famous libel case "Whistler vs. Ruskin." Extracts from the resultant trial record are among the highlights of this book, with Whistler brilliantly annihilating his Philistine critics, but winning only a farthing in damages.The Gentle Art, designed by Whistler himself, is a highly entertaining account of personal revenges, but it is also an iconoclast's plea for a new and better attitude toward painting. As a historical document, it is the best statement of the new aesthetics versus the old guard academics, and it helped greatly in shaping the modern feeling toward art.

    In it the artist discusses his own paintings, his life, his sorrow and hopes; the paintings and sculptures of Rubens, Michelangelo, Constable, Bonington and others: old and new literature and the music of Mozart, Rossini and Chopin, the events of his time.This revival of a famous Phaidon series brings together in an elegant format some of the best-known writings of renowned artists, critics and interpreters of our cultural tradition. Each book, an acknowledged classic, provides insights not only into the worlds of the arts and cultural history, but also into the creative and intellectual preoccupations of its author and his time. These Phaidon editions have an introduction and notes by a distinguished editor and a wide range of illustrations specially chosen to complement the text.

    Sean Shesgreen, a foremost authority on Hogarth, has consistently selected the best states of the plates to be used in this edition and has carefully introduced them, commenting upon the artist's milieu and the importance of plot, character, time, setting, and other dimensions. A most important aspect of this book, found in no other Hogarth edition, is the positioning of the editor's commentary on each plate on a facing page. With the incredible and sometimes overwhelming amount of detail and action going on in these engravings, this is a most helpful feature.

    But Emma Hamilton had been born to the poverty of a coal-mining town and spent her teenage years working as a prostitute. From the brothels of London to the glittering court of Naples and the pretentious country estate of the most powerful admiral in England, British debut historian Kate Williams captures the life of Emma Hamilton with all its glamour and heartbreak.In lucid, engaging prose, Williams brings to life a complex and intelligent woman. Emma is sensuous, generous, artistic, at once shamelessly seductive and recklessly ambitious. Willing to do anything for love and fame, she sets out to make herself a star–and she succeeds beyond even her wildest dreams. By the age of twenty-six, she leaves behind the precarious life of a courtesan to become Lady Hamilton, wife of Sir William Hamilton–the aging, besotted, and probably impotent British ambassador to the court of Naples.But everything changes when Lord Nelson steams into Naples harbor fresh from his triumph at the Battle of the Nile and literally falls into Emma’s adoring arms. Their all-consuming romance–conducted amid the bloody tumult of the Napoleonic Wars–makes Emma an international celebrity, especially when she returns to England pregnant with Nelson’s baby.With a novelist’s flair and an historian’s eye for detail, Williams conjures up the world that Emma Hamilton conquered by the sheer force of her charisma. All but inventing the art of publicity, Emma turned herself into a kind of flesh-and-blood goddess–celebrated by wits and artists, adored by thousands, and, for a time, very rich. Yet Emma was willing to throw it all away for the man she adored. After four years of archival research and making use of hundreds of previously undiscovered letters and documents, Kate Williams sets the record straight on one of the most fascinating and ravishing women in history. England’s Mistress captures the relentless drive, the innovative style, and the burning passion of a true heroine.

    From Robert Capa's stark photograph of a Loyalist soldier being shot in the head during the Spanish Civil War to Eve Arnold's astonishingly intimate portraits of well-known faces - from Joan Crawford to Malcolm X - Magnum has changed how we perceive our political leaders, social crises, and the communities next door.Magnum's photographers are some of the most talented, brave, and resourceful in the world: the founders, Robert Capa, David Seymour, George Rodger, and Henri Cartier-Bresson; and recruits, including Eve Arnold, Bruce Davidson, Mary Ellen Mark, Susan Meiselas, Inge Morath, James Nachtwey, Eugene Richards, and Sebastiao Salgado. Magnum follows them on assignment, facing bodyguards and visa troubles and taking to the risk-filled trenches of several wars for the perfect shot. Full of wonderful stories and heroic feats, Magnum is an essential volume for anyone interested in photography or photojournalism.

    After settling down in Texas, Anousheh built a computer technology firm from the ground up, which eventually realized a net worth of $750 million and ultimately allowed her to achieve her childhood dream of spaceflight. In her groundbreaking role as the first-ever female commercial spaceflight participant, her story became politicized and fraught with the prejudices and obstacles she had to overcome as an Iranian woman, culminating in a debate over whether she would be allowed to display both the American and Iranian flags on the sleeve of her spacesuit.After her return to Earth, Anousheh started The Ansari Foundation, a quickly growing nonprofit which supports social entrepreneurship, and is especially committed to ensuring the freedom of women around the world and supporting female entrepreneurs. Ultimately, this evocative story shows the triumph of a woman who has become a role model to people around the globe struggling to overcome economic and cultural barriers, as well as those dreamers who look upon the stars and wish to soar among them.

    Denis, Agnes de Mille, and Martha Graham.Documenting Duncan's own life as a dancer and as a woman—from her enchantment with classical music and poetry as a child in San Francisco and her intense study of classical Greek art in Athens, through the great strides she made in teaching, founding schools, performing, and collaborating with international artists, to her notorious love affairs and the tragic deaths of her own children—My Life reissued here is still as extraordinary as the woman who wrote it more than sixty years ago.

    Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.For the first time in many years the book has been completely redesigned. The illustrations, now in colour throughout, have all been improved and reoriginated, and include six fold-outs. The text has been revised and updated where appropriate, and a number of significant new artists have been incorporated. The bibliographies have been expanded and updated, and the maps and charts redrawn. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur.

    For many, filing the suit was a radicalizing act that empowered them to "find themselves" and stake a claim. Others lost their way in a landscape of opportunities, pressures, discouragements, and hostilities they weren't prepared to navigate.With warmth, humor, and perspective, the book also explores why changes in the law did not change everything for today's young women.

    Peggy's visionary Art of This Century gallery in New York, which brought together the European surrealist artists with the American abstract expressionists, was an epoch-shaking "happening" at the center of its time. Dearborn's unprecedented access to the Guggenheim family, friends, and papers contributes rich insight to Peggy's traumatic childhood in German-Jewish "Our Crowd" New York, her self-education in the ways of art and artists, her caustic battles with other art-collecting Guggenheims, and her legendary sexual appetites: her lovers included Max Ernst, Samuel Beckett, and Marcel Duchamp, to name a mere few. Here too is a poignant portrait of Peggy's last years as l'ultima dogaressa -- the last duchess -- in her palazzo in Venice, where her collection still draws thousands of visitors every year. Mistress of Modernism is the first definitive biography of a woman whose wit, passion, and provocative legacy come compellingly to life.