When her latest client, Nadia Denham, a curio shop owner, dies from an apparent suicide, Mickie honors the old woman’s last wish and begins curating her peculiar objets d’art. A music box, a hair clip, a key chain―twelve mementos in all that must have meant so much to Nadia, who collected them on her flea market scavenges across the country.But these tokens mean a lot to someone else, too. Mickie has been receiving threatening messages to leave Nadia’s past alone.It’s becoming a mystery Mickie is driven to solve. Who once owned these odd treasures? How did Nadia really come to possess them? Discovering the truth means crossing paths with a long-dormant serial killer and navigating the secrets of a sinister past. One that might, Mickie fears, be inescapably entwined with her own.

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    It’s a place where most of the population will likely die blocks from where they were born; where gossip spreads like wildfire, and the big entertainment on weekends is the inevitable fight at the local bar. But recently, something out of the ordinary—perhaps even supernatural—has been stirring in Brewster. While packs of coyotes gather on back roads and the news spreads that a baby has been stolen from Memorial Hospital (and replaced in its bassinet by a snake), a series of inexplicably violent acts begins to confound Detective Woody Potter and the local police—and inspire terror in the hearts and minds of the locals.From award-winning author Stephen Dobyns comes a sardonic yet chillingly suspenseful novel: the literary equivalent of a Richard Russo small-town tableau crossed with a Stephen King thriller. The Burn Palace is a darkly funny, twisted portrait of chaos and paranoia, with an impressive host of richly rendered, larger-than-life characters and a thrilling plot that will keep readers guessing until the final pages.

    . .FOREVER.A serial killer on the loose, a woman being stalked, and a homicide detective who must find the connection between the two before she becomes his next victim.He collects women. He imprisons them, plays with them, tortures them. Until they bore him. Then he removes a souvenir. They call him the Sandman.Meagan McInnis is being plagued with late night calls, yet when she answers, no one is there. Then one night she makes a grisly discovery in her own backyard.The caller is silent no more.Homicide Detective, J.J. Thomas, realizes Meagan is the key to finding the Sandman. Now not only must he protect her, but he must find the connection between Meagan and the killer before she becomes his next victim.DON'T FORGET TO PICK UP MORE SPINE TINGLING THRILLERS FROM MORGAN HANNAH MACDONALD. SPIRITS IN THE TREES- THE SPIRITS TRILOGY #1AND SPIRITS AMONG US- THE SPIRITS TRILOGY #2AVAILABLE NOW!

    The sheriff, desperate for more positive press, makes Eve the youngest female homicide detective in the department’s history.Now Eve, with a lot to learn and resented by her colleagues, has to justify her new badge. Her chance comes when she and her burned-out, soon-to-retire partner are called to the blood-splattered home of a missing single mother and her two kids. The horrific carnage screams multiple murder—but there are no corpses.Eve has to rely on her instincts and tenacity to find the bodies and capture the vicious killer, all while battling her own insecurities and mounting pressure from the media, her bosses, and the bereaved family. It’s a deadly ordeal that will either prove her skills…or totally destroy her.

    Until disgraced ex-teacher Emily Swanson moves into the couple’s former home.Emily’s life is in ruins and she’s meant to be making a fresh start. But when she learns about the missing nurse, she sees a chance for redemption. Because finding Alina could help right the wrongs of Emily’s past. It could even mark the start of a new career in private investigation.But what Emily doesn’t know is that Alina had a horrifying secret. One about the care foundation where she worked. And the closer Emily gets to uncovering the truth, the closer she gets to terrible danger.Inspired by a shocking true crime, Next To Disappear introduces a thrilling, twist-filled series and a refreshingly different take on the private investigator genre.Revised edition: Previously published as Lost Lives.

    Merrily Watkins had never wanted a picture-perfect parish — or a huge and haunted vicarage. Nor had she wanted to walk straight into a local dispute over a controversial play about a strange 17th-century clergyman accused of witchcraft. But this is Ledwardine, steeped in cider and secrets. And, as Merrily and her daughter Jane discover, it is a village where horrific murder is an age-old tradition.

     In the year 1780, Harriet Westerman, the willful mistress of a country manor in Sussex, finds a dead man on her grounds with a ring bearing the crest of Thornleigh Hall in his pocket. Not one to be bound by convention or to shy away from adventure, she recruits a reclusive local anatomist named Gabriel Crowther to help her find the murderer, and historical suspense's newest investigative duo is born. For years, Mrs. Westerman has sensed the menace of neighboring Thornleigh Hall, seat of the Earl of Sussex. It is the home of a once- great family that has been reduced to an ailing invalid, his whorish wife, and his alcoholic second son, a man haunted by his years spent as a redcoat in the Revolutionary War. The same day, Alexander Adams is slain by an unknown killer in his London music shop, leaving his children orphaned. His death will lead back to Sussex, and to an explosive secret that has already destroyed one family and threatens many others. Instruments of Darkness combines the brooding atmosphere of Anne Perry with the complex, compelling detail of Tess Gerritsen, moving from drawing room to dissecting room, from coffee house to country inn. Mrs. Westerman and Mr. Crowther are both razor-sharp minds and their personalities breathe spirit into this gripping historical mystery.

    But after suffering a fractured skull in a vicious mugging, he reluctantly accepts the fact that he has a long and brutal recovery to face—and his closest of kin can provide him with the time and place to do it. Now, Jeff is haunted by unexplained visions of a heinous crime—a banker, stalked, killed, and eviscerated like a ten-point buck. When Matt Sumner’s murder is discovered, a still-recovering Jeff realizes this was what he had seen. Jeff must not only convince himself of his new-found psychic ability, but also his skeptical brother Richard Alpert. Since Sumner was Richard’s banker, both brothers have a stake in finding out what happened. With Richard’s reluctant help, Jeff’s investigation leads him to Sumner’s belligerent family and hard-nosed business associates, none of whom want him snooping around. When Jeff discovers a second victim, he knows he must relentlessly chase his quarry even if it means risking his brother’s life.

    Help! Help me, please.Daphne Mayfield sought a moment of quiet in a park—a break from city life, a tense relationship, and chronic overwork—but then an elderly woman makes a desperate plea. Daphne is reluctant to get involved when she’s not sure what’s happening, but she wants to help the stranger. Is the rambling old lady the victim of a crime or a victim of dementia?As her unease grows, Daphne can’t let go of the encounter. No matter what her boyfriend or her friends say. No matter what the retired homicide detective warns. Though she knows she’s meddling in other people’s lives, her instincts scream that the danger is real.With each increasingly bold intervention, Daphne involves herself in someone else’s crisis until she’s in too deep to turn back. She’s not just fighting for a stranger’s life…she’s fighting for her own.

    To that moment when the masked man appeared from the doorway of the church and looked into his eyes.‘Is there anything distinctive, Sarge?’ asks Nielsen.‘Yes’, he says, with the sudden sense that memory is important.‘There were tears in his eyes.’DS Aector McAvoy is a man with a troubled past. His unwavering belief in justice has made him an outsider in the police force he serves.When three seemingly unconnected people are brutally murdered in the weeks before Christmas, the police must work quickly to stop more deaths. It is only McAvoy who can see the connection between the victims. A killer is playing God – and McAvoy must find a way to stop the deadly game.

    Lack of public interest in finding his murderer, or the killer of several other transient Native American men, has left Julie with a bone-deep cynicism she counters with tequila, cigarettes, and dangerous men. The one bright spot in her mundane life is the time she spends working part-time as a PI with her childhood friend, Kevin Wells. When the body of a sixteen-year old white girl is discovered in nearby Rapid Creek, Julie believes this victim will receive the attention others were denied. Then she learns Kevin has been hired, mysteriously, to find out where the murdered girl spent her last few days. Julie finds herself drawn into the case against her better judgment, and discovers not only the ugly reality of the young girl’s tragic life and brutal death, but ties to her and Kevin’s past that she is increasingly reluctant to revisit. On the surface the situation is eerily familiar. But the parallels end when Julie realizes some family secrets are best kept buried deep. Especially those serious enough to kill for.

    But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. "You are not the first. And you will certainly not be the last." Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.

     A teenage girl is brutally murdered in an idyllic lake community. In over his head, the local sheriff calls upon the Behavior Analysis Unit’s best profiler, Scarlett Bell, to find the murderer. Is a serial killer stalking Coral Lake? Now Scarlett faces a killer unlike any she’s encountered. Bloodthirsty. Cunning. Insane. Another girl goes missing, and the special agent must stop the killer before time runs out. But the killer is a ghost, a phantom hiding in plain sight, and Scarlett must untangle a confusing web of evidence if she hopes to track him down. If she fails, the girl dies. The body count will grow. Scarlett should beware. The killer is coming for her now.