Spandex. Drugs. Hair spray. . . . Welcome to heavy metal rock ’n’ roll, circa 1980, when all you needed was the right look, burning ambition, and a chance. Stephen Pearcy and supergroup Ratt hit the bull’s-eye. What they did with their fame and fortune is a riotous tale of . . .SEX, DRUGS, RATT & ROLLPearcy was a scrawny, horny, thrill-seeking teenager with an electric guitar who had graduated from backyard parties in San Diego to half-empty dives in Los Angeles before he and his band broke through at Whiskey a Go Go. Cranking out metal just as metal got hot, Ratt was the perfect band at the perfect time, and their hit single “Round and Round” became a top-selling anthem. The bigger Ratt got, the more excessive Pearcy and his “pussy pirates” became. There was nothing these guys wouldn’t snort, drink, bed, or break. And the fans were just as bad, as husbands and mothers offered up nubile wives and daughters as tribute to their rock ’n’ roll idols.On a journey that could happen only in America, Pearcy met everyone from Michael Jackson to Drew Barrymore (at age twelve, at a New York nightclub, at 2 a.m.) to Rodney Dangerfield. His infamous partner-in-crime, Ratt guitarist Robbin Crosby, a blond Viking with an unsurpassed appetite for drugs and women, cuts a towering and tragic figure throughout.As Ratt scrambled up a wall of fame and wealth, so they experienced the gut-wrenching free fall, after too many hours in buses, planes, and limos; too many women; too many drugs; and all the personality clashes and ego trips that marked the beginning of the end. Pearcy offers a stunningly honest selfportrait of a man running on the fumes of ambition and loneliness as the party crashed. His rock ’n’ roll confessional, by turns incredible, hilarious, and lyrical, is a story of survival—and a search for the things that matter most.

    At the time of my arrest, I was a thirty-seven year old Harvard graduate with medical and post-doctoral degrees. I attended one of the finest residency and fellowship training programs in the world at the University of California, San Francisco. I played two sports in college, earned awards at every level of education and training, had wonderful friends and a beautiful three-year-old daughter. Having grown up the son of a restaurant manager and a housewife, I had transcended the humble beginnings of a small Midwestern town to become the quintessential American Dream.Or so I thought. But with my arrest on felony importation charges, everything I had worked so hard for was swept away and the entire trajectory of my life was indelibly altered. I would embark on a three year battle not only for my medical license, but also for my freedom. This journey would lead to intense personal introspection, and in that process, I would discover with ugliness, there was also beauty, and with punishment, mercy.There are many reasons I have written this manuscript, with one of the most important being that I hoped my story would resonate with others who have gone through difficult circumstances as a consequence of a dark side of their personality. With this book, I hope to inspire others to accept and embrace the good and bad, while continually striving for improved self-understanding and acceptance.I have changed names primarily for legal purposes, but the facts are unchanged. Although the events described in the book occurred more than ten years ago, I think about them nearly every day. The shame and humiliation are ever-present. Any simple Google search of my name reveals the truth, and that truth has affected me over and over, despite the years, as it probably should. As the judge told me that day in a federal courtroom, "You have betrayed the public's trust." This is my confessional.

    Creedence Clearwater Revival is one of the most important and beloved bands in the history of rock, and John Fogerty wrote, sang, and produced their instantly recognizable classics: "Proud Mary," "Bad Moon Rising," "Born on the Bayou," and more. Now he reveals how he brought CCR to number one in the world, eclipsing even the Beatles in 1969. By the next year, though, Creedence was falling apart; their amazing, enduring success exploded and faded in just a few short years. Fortunate Son takes readers from Fogerty's Northern California roots, through Creedence's success and the retreat from music and public life, to his hard-won revival as a solo artist who finally found love.

    Among his peers from California the self-taught Hawes was second only to Oscar Peterson. At the time of his celebration as New Star of the Year by downbeat magazine (1956), Hawes was already struggling with a heroin addiction that would lead to his arrest and imprisonment, and the interruption of a brilliant career. In 1963 President John F. Kennedy granted Hawes an Executive Pardon. In eloquent and humorous language Hampton Hawes tells of a life of suffering and redemption that reads like an improbable novel. Gary Giddins has called it "a major contribution to the literature of jazz." This book includes a complete discography and eight pages of photographs.

    Over four nights Paul Kelly performed, in alphabetical order, one hundred of his songs from the previous three decades. In between songs he told stories about them, and from those little tales grew How to Make Gravy, a memoir like no other. Each of its hundred chapters, also in alphabetical order by song title, consists of lyrics followed by a story, the nature of the latter taking its cue from the former. Some pieces are confessional, some tell Kelly's personal and family history, some take you on a road tour with the band, some form an idiosyncratic history of popular music, some are like small essays, some stand as a kind of how-to of the songwriter's art – from the point of inspiration to writing, honing, collaborating, performing, recording and reworking.Paul Kelly is a born storyteller. Give him two verses with a chorus or 550 pages, but he won't waste a word. How to Make Gravy is a long volume that's as tight as a three-piece band. There isn't a topic this man can't turn his pen to – contemporary music and the people who play it, football, cricket, literature, opera, social issues, love, loss, poetry, the land and the history of Australia … there are even quizzes. The writing is insightful, funny, honest, compassionate, intelligent, playful, erudite, warm, thought-provoking. Paul Kelly is a star with zero pretensions, an everyman who is also a renaissance man. He thinks and loves and travels and reads widely, and his musical memoir is destined to become a classic – it doesn't have a bum note on it.

    Ellyse Perry is among the all-time cricket greats, and the only player, female or male, to represent Australia in both cricket and football World Cups, making her international debut in both sports at the age of 16.PERSPECTIVE is about sitting back from the world you're involved in and evaluating what it means to you. What are the important things that you know make experiences special? What are the things that motivate you? What are the things that give you joy? The things that challenge you but, ultimately, make you a better person? Most importantly, who are the people whose unwavering help and support you couldn't go without?From the lessons of a high-performance athlete's career to appreciating the small things in life, this inspiring illustrated book features stories and reflections from Ellyse's childhood and career on the themes of dreaming, belief, work, resilience, appreciation, opportunity, balance and perseverance - and their importance in everything we do. This empowering book is a unique view from one of Australia's most admired sports stars about what it is to be an elite athlete.

    She’s a radical, self-styled hippie, and he is New York’s famous district attorney, a legal luminary of the establishment; she’s a prizewinning New York Times journalist who has chained herself to fences, bloodied draft files, and otherwise broken the law for her beliefs, and he is a secret iconoclast who could have put her in jail.     Timeless: Love, Morgenthau, and Me is the memoir of their triumph against the odds, their ongoing thirty-five-year marriage, a union between two people so deeply in love but so different—and with so many decades separating them—that their family and friends fought to keep them apart.     Franks offers a confidential tour of their marriage, as well as the never-revealed, behind-the-scenes details of Morgenthau’s famous cases. We see a red-faced Ronald Lauder storm into Morgenthau’s office after the DA seizes a priceless Egon Schiele painting from the walls of the Museum of Modern Art; we witness the CIA dismissing Morgenthau’s discovery of the growing terrorist cell in New York that would become al-Qaeda headquarters. This is an unusually close look at the privates lives of two well-known people who have always refused to reveal themselves to the public.

    When he released his debut album, Dice, in 1989, the parental advisory label simply read “Warning: This album is offensive.” His material stretched the boundaries of decency and good taste to their breaking point, and in turn he became the biggest stand-up comic in the world.In The Filthy Truth, Dice chronicles his remarkable rise, fall, and triumphant return. Brooklyn-born Andrew Clay Silverstein started out at Pips Comedy Club in Sheepshead Bay and eventually made a name for himself a decade later with a breakout appearance on the Rodney Dangerfield HBO special Nothing Goes Right. With that single TV appearance he became the new king of comedy, and Dicemania was born. He was the first and only comedian to sell out over three hundred sports arenas across the country to an audience of more than twelve million people. He was also the first comedian to sell out Madison Square Garden two nights in a row.But Dice’s meteoric rise and spectacular fame brought on a furious backlash from the media and critics. Billboards for his album produced by Rick Rubin and for his movie The Adventures of Ford Fairlane were defaced and ripped down as fast as they were put up. By the mid-nineties, though still playing to packed audiences, the turmoil in his personal life, plus attacks from every activist group imaginable, led him to make the decision to step out of the spotlight and put the focus on raising his boys.The Diceman was knocked down, but not out. Taking inspiration from what Frank Sinatra once told him—“You work for your fans, not the media. The media gets their tickets for free”—Dice is now back with critically acclaimed roles in HBO’s Entourage and Woody Allen’s Blue Jasmine, and is once again playing to sold-out audiences.Filled with no-holds-barred humor and honesty, The Filthy Truth sets the record straight and gives fans plenty of never-before-shared stories from his career and his friendships with Howard Stern, Sam Kinison, Mickey Rourke, Sylvester Stallone, Axl Rose, and countless others.

    Now, in her memoir, Cash writes compellingly about her upbringing in Southern California as the child of country legend Johnny Cash, and of her relationships with her mother and her famous stepmother, June Carter Cash. In her account of her development as an artist she shares memories of a hilarious stint as a twenty-year-old working for Columbia Records in London, recording her own first album on a German label, working her way to success, her marriage to Rodney Crowell, a union that made them Nashville's premier couple, her relationship with the country music establishment, taking a new direction in her music and leaving Nashville to move to New York. As well as motherhood, dealing with the deaths of her parents, in part through music, the process of songwriting, and the fulfillment she has found with her current husband and musical collaborator, John Leventhal. Cash has written an unconventional and compelling memoir that, in the tradition of M. F. K. Fisher's The Gastronomical Me and Frank Conroy's Stop-Time, is a series of linked pieces that combine to form a luminous and brilliant whole.

    By the age of twenty-three, he was on his first tour of America, facing an astonished audience in his tight silver hotpants, bare legs and a T-shirt with ROCK AND ROLL emblazoned across it in sequins. Elton John had arrived and the music world would never be the same again.His life has been full of drama, from the early rejection of his work with song-writing partner Bernie Taupin to spinning out of control as a chart-topping superstar; from half-heartedly trying to drown himself in his LA swimming pool to disco-dancing with the Queen; from friendships with John Lennon, Freddie Mercury and George Michael to setting up his AIDS Foundation. All the while, Elton was hiding a drug addiction that would grip him for over a decade.In Me Elton also writes about getting clean and changing his life, about finding love with David Furnish and becoming a father.

    Written with his wife, Christian singer Julianna Zobrist, and MikeYorkey, best-selling author of Every Man's Battle and Linspired: The Remarkable Rise of Jeremy Lin, the book gives fans a first look into the heart of an athlete whose talent and devotion to God, family, and baseball make him one of the most loveable figures in the Major League today.

    This startlingly honest, laugh-out-loud memoir vividly describes life on tour, in the studio, at the legendary parties—and every raucous moment in between.From teenage model to hard-partying rock 'n' roll devotee, through motherhood, marriage, breakdown, and the challenge of starting over again, Jo Wood has had a roller-coaster ride of a life. At the age of sixteen, Jo burst onto the British modeling scene and became a fixture at London's most glamorous parties. A few years later, just twenty-two years old and a single mom, she met Ronnie Wood and her life changed forever.Holding nothing back, Jo paints an astonishing picture of the sex, drugs, booze, groupies, and—above all—the fun that filled her thirty years as a member of the Stones' inner circle. Telling never-before-heard stories about what life on the road with the Stones was really like, she offers intimate portraits of the band's legendary cast of characters, including Mick Jagger, Keith Richards, Jerry Hall, and Patti Hansen. She recalls the excitement of getting to know international A-list celebrities like Kate Moss, Andy Warhol, Johnny Depp, and Slash.Jo also opens up about her family life with Ronnie: their passionate love affair, the demands of being a mother by day and a wild child by night, and eventually coping with Ronnie's increasingly difficult behavior as his addictions consumed him. For the first time, she reveals her heartbreaking account of what happened when Ronnie left her for an eighteen-year-old waitress, explaining how she was able to forgive, live without bitterness or regret, and find new happiness as an entrepreneur and organic beauty expert.Including never-before-seen photographs from Jo's personal collection, It's Only Rock 'n' Roll is a compelling piece of rock 'n' roll history from a woman with a backstage pass and front-row seat. Enchanting, candid, and moving, this page-turning fairy tale of fame and fortune has the best of the era's many euphoric and reckless moments within its pages.

    Updated with an insightful introduction and a revised discography, both written by celebrated music writer David Ritz.Lady Sings the Blues is the fiercely honest, no-holds-barred autobiography of Billie Holiday, the legendary jazz, swing, and standards singing sensation. Taking the reader on a fast-moving journey from Holiday’s rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem’s club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie’s life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of “Strange Fruit”; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday’s tart, streetwise style and hip patois that makes it read as if it were written yesterday.