But when the festival lights go down and the palace slumbers, Katya chases traitors to the crown and protects the kingdom’s greatest secret: the royal Umbriels are part Fiend. When Katya thwarts an attempt to expose the king’s monstrous side, she uncovers a plot to let the Fiends out to play.Starbride has no interest in being a courtier. Ignoring her mother’s order to snare an influential spouse, she comes to court only to study law. But a flirtatious rake of a princess proves hard to resist, and Starbride is pulled into a world of secrets that leaves little room for honesty or love, a world neither woman may survive.

    But it all comes crashing down when her fiancée dumps her after realizing that Morgan’s job will always come first. And, while Morgan still has the job and friends, her heart is broken into a million tiny pieces.Emilia Russo is a burned-out shelter vet. When the unexpected death of her father triggers a mental breakdown that hastens the end of her relationship, she retreats to his house in Seal Cove, Maine. She plans on spending the summer renovating it while she figures out how to pull the pieces of her life back together. But when she runs into Morgan at the dock where her father’s sailboat is moored, her plans for a quiet summer of healing and reflection sink like a stone—the attraction is immediate and obvious, and Emilia finds herself slipping seamlessly into Morgan’s world.Each woman knows this fling will end when Emilia returns to Boston at the end of the summer, but they’re unprepared for the intensity and depth of their attraction. And, as the gales of fall begin to drive leaves like spindrift upon Seal Cove, Morgan and Emilia must each come to terms with how much they’re willing to give up to stay together.

    Finally, in her stunning new collection, Felicity, we can immerse ourselves in Oliver’s love poems. Here, great happiness abounds.  Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes—with joy—the strangeness and wonder of human connection.  As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver honors love, life, and beauty.

    When they fall apart, they unwittingly take the same path to heal from their breakup, seeking answers in the lands of their ancestors. From Tbilisi, Georgia to the war sites of Germany, they discover what can break and what can mend when you look to the past to understand your present.Willa's darkness enters Hesper's light late one night in Brooklyn. Theirs is a whirlwind romance until Willa starts to know Hesper too well, to crawl into her hidden spaces, and Hesper shuts her out. She runs, following her fractured family back to her grandfather's hometown of Tbilisi, Georgia, looking for the origin story that he is no longer able to tell. But once in Tbilisi, cracks appear in her grandfather's history-and a massive flood is heading toward Georgia, threatening any hope for repair.Meanwhile, heartbroken Willa is desperate to leave New York that she joins a group trip for Jewish twentysomethings to visit Holocaust sites in Germany and Poland, hoping to override her emotional state. When it proves to be more fraught than home, she must come to terms with her past-the ancestral past, her romantic past, and the past that can lead her forward.Told from alternating perspectives, and ending in the shadow of Trump's presidency, WILLA & HESPER is a deeply moving, cerebral, and timely debut.

    When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater—and then another—especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole—and cast lantern light on two girls, finding each other on a stage set for tragedy.

    But a chance meeting by the river soon becomes an intense, exhilarating, and all-consuming affair. After their camp duties are fulfilled, the pair spend a dreamlike few weeks camping in the countryside, bonding over an illicit copy of James Baldwin’s Giovanni’s Room. Inhabiting a beautiful natural world removed from society and its constraints, Ludwik and Janusz fall deeply in love. But in their repressive communist and Catholic society, the passion they share is utterly unthinkable.Once they return to Warsaw, the charismatic Janusz quickly rises in the political ranks of the party and is rewarded with a highly-coveted position in the ministry. Ludwik is drawn toward impulsive acts of protest, unable to ignore rising food prices and the stark economic disparity around them. Their secret love and personal and political differences slowly begin to tear them apart as both men struggle to survive in a regime on the brink of collapse.Shifting from the intoxication of first love to the quiet melancholy of growing up and growing apart, Swimming in the Dark is a potent blend of romance, post-war politics, intrigue, and history. Lyrical and sensual, immersive and intense, Tomasz Jedrowski has crafted an indelible and thought-provoking literary debut that explores freedom and love in all its incarnations.

    In the process they form a deep connection and an unexpected relationship begins to develop.In her follow up to the critically acclaimed The End of Summer, Tillie Walden tells the story of a small love that can make you feel like the biggest thing around, and how it’s possible to find another person who understands you when you thought no-one could."

    It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?

    The formidable Barbara, of unknown parentage and tied to the barony for secretive reasons, is a feared duelist, capable of defending her charges with efficient, deadly force.Equally perplexing is that while she is now a highly eligible heiress, Margerit did not also inherit the Saveze title, and the new baron eyes the fortunes he lost with open envy. Barbara, bitter that her servitude is to continue, may be the only force that stands between Margerit and the new Baron’s greed—and the ever deeper layers of intrigue that surround the ill-health of Alpennia’s prince and the divine power from rituals known only as The Mysteries of the Saints.At first Margerit protests the need for Barbara’s services, but soon she cannot imagine sending Barbara away—for reasons of state and reasons of the heart.Heather Rose Jone debuts with a sweeping story rich in intrigue and the clash of loyalties and love.

    Set in the 1980s against the backdrop of a swiftly gentrifying Manhattan, The Lost Language of Cranes tells the story of twenty-five-year-old Philip, who realizes he must come out to his parents after falling in love for the first time with a man. Philip's parents are facing their own crisis: pressure from developers and the loss of their longtime home. But the real threat to this family is Philip's father's own struggle with his latent homosexuality, realized only in his Sunday afternoon visits to gay porn theaters. Philip's admission to his parents and his father's hidden life provoke changes that forever alter the landscape of their worlds.

    And then one day this closest of friendships grows into something more.But then we fast forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question, what happened in the years between?This is almost a love story. But it's not as simple as that.

    Then the strip-mall calm of Nowhere, Ohio, is shattered by the sudden, simultaneous appearance of Renni Ramirez—hyper-competent star of the beloved Rising Evil B-movie franchise—and actual ZOMBIES, leaving Ashbee’s hapless staff and Renni trapped behind an automatic door they can’t lock.Can failed creative-writing student/apprentice store manager/eagle-eyed markswoman Devin escape the besieged furniture store to rescue her girlfriend? Will Renni’s experience slaughtering motion-captured CGI monsters save the day before the army bombs the town? Once bitten, how many zombies can a person expect to take out before succumbing to infection? Who is the mysterious Deus Ex Machina, and what is he doing with that bone saw?All of these questions and more whisper behind the scream of the single most important thing Devin needs to know in order to survive: is Renni a top or a bottom?

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    Kenney is usually the one who comes up with things to do -- her flair for the dramatic can make even boring old Greensboro seem interesting. And if she is a little controlling, Aurin and Fred just look the other way.Aurin has no intention of throwing off their established equilibrium. But when Neila joins their circle, Aurin realizes that she and Neila are becoming more than friends. Aurin and Neila are happy in their developing relationship, but Kenney feels left out. Can Aurin manage to mend things with an increasingly possessive Kenney, without letting her control this aspect of her life?In this stunning debut novel, Tea Benduhn looks at a teen making decisions about her future while trying not to lose her past.

    They've shared everything for four years. Then one night at a drunken party, Kate leaned in to kiss Lissa, and Lissa kissed her back. And now Kate is pretending Lissa doesn't exist. Confused and alone, Lissa's left questioning everything she thought she knew about herself, and about life. But with the help of a free-spirit new friend, Lissa's beginning to find the strength to realize that sometimes falling in love with the wrong person is the only way to find your footing.