Offers a detailed account of the Battle of Shiloh, a turning point when both the Union and the Confederacy realized the grand scale of the conflict, the large number of casualties to be expected, and that the war would not end quickly.

    Henry Clay, Daniel Webster, Dolley Madison, Henry James as a boy with his father, Horace Greeley, Edgar Allan Poe, the Prince of Wales, and Jenny Lind were among the dignitaries photographed in Mathew Brady's studio. But it was during the Civil War that he became the founding father of what is now called photojournalism and his photography became an enduring part of American history.The Civil War was the first war in history to leave a detailed photographic record, and Mathew Brady was the war's chief visual historian. Previously, the general public had never seen in such detail the bloody particulars of war--the strewn bodies of the dead, the bloated carcasses of horses, the splintered remains of trees and fortifications, the chaos and suffering on the battlefield. Brady knew better than anyone of his era the dual power of the camera to record and to excite, to stop a moment in time and to draw the viewer vividly into that moment.He was not, in the strictest sense, a Civil War photographer. As the director of a photographic service, he assigned Alexander Gardner, James F. Gibson, and others to take photographs, often under his personal supervision; he also distributed Civil War photographs taken by others not employed by him. Ironically, Brady had accompanied the Union army to the first major battle at Bull Run, but was so shaken by the experience that throughout the rest of the war he rarely visited battlefields, except well before or after a major battle. The famous Brady photographs at Antietam were shot by Gardner and Gibson.Few books about Brady have gone beyond being collections of the photographs attributed to him, accompanied by a biographical sketch. MATHEW BRADY will be the biography of an American legend--a businessman, an accomplished and innovative technician, a suave promoter, a celebrated portrait artist, and, perhaps most important, a historian who chronicled America during its finest and gravest moments of the 19th century.

    Fearless spy for the Confederacy, glittering Washington hostess, legendary beauty and lover, Rose Greenhow risked everything for the cause she valued more than life itself. In this superb portrait, biographer Ann Blackman tells the surprising true story of a unique woman in history. “I am a Southern woman, born with revolutionary blood in my veins,” Rose once declared–and that fiery spirit would plunge her into the center of power and the thick of adventure. Born into a slave-holding family, Rose moved to Washington, D.C., as a young woman and soon established herself as one of the capital’s most charming and influential socialites, an intimate of John C. Calhoun, James Buchanan, and Dolley Madison. She married well, bore eight children and buried five, and, at the height of the Gold Rush, accompanied her husband Robert Greenhow to San Francisco. Widowed after Robert died in a tragic accident, Rose became notorious in Washington for her daring–and numerous–love affairs.But with the outbreak of the Civil War, everything changed. Overnight, Rose Greenhow, fashionable hostess, become Rose Greenhow, intrepid spy. As Blackman reveals, deadly accurate intelligence that Rose supplied to General Pierre G. T. Beauregard written in a fascinating code (the code duplicated in the background on the jacket of this book). Her message to Beauregard turned the tide in the first Battle of Bull Run, and was a brilliant piece of spycraft that eventually led to her arrest by Allan Pinkerton and imprisonment with her young daughter. Indomitable, Rose regained her freedom and, as the war reached a crisis, journeyed to Europe to plead the Confederate cause at the royal courts of England and France. Drawing on newly discovered diaries and a rich trove of contemporary accounts, Blackman has fashioned a thrilling, intimate narrative that reads like a novel. Wild Rose is an unforgettable rendering of an astonishing woman, a book that will stand with the finest Civil War biographies.

    In this gripping and affecting novel, three young Confederates and an entire town come face-to-face with the prison’s atrocities and will learn the cost of compassion, when withheld and when given.Sentry Dance Pickett has watched, helpless, for months as conditions in the camp worsen by the day. He knows any mercy will be seen as treason. Southern belle Violet Stiles cannot believe the good folk of Americus would knowingly condone such barbarism, despite the losses they’ve suffered. When her goodwill campaign stirs up accusations of Union sympathies and endangers her family, however, she realizes she must tread carefully. Confederate corporal Emery Jones didn’t expect to find camaraderie with the Union prisoner he escorted to Andersonville. But the soldier’s wit and integrity strike a chord in Emery. How could this man be an enemy? Emery vows that their unlikely friendship will survive the war—little knowing what that promise will cost him.As these three young Rebels cross paths, Emery leads Dance and Violet to a daring act that could hang them for treason. Wrestling with God’s harsh truth, they must decide, once and for all, Who is my neighbor?

    She assumed the responsibility informally at the age of 39 and eventually over 15,000 patients came under her direct care during the war. Pember remained at Chimborazo until the Confederate surrender in April 1865. She published her memoir soon after the war, in March 1866, serialized in a Baltimore magazine called The Cosmopolite as "Reminiscences of A Southern Hospital. By Its Matron." The memoir would later be published in book form as A Southern Woman's Story: Life in Confederate Richmond, in 1879. The memoir, which details her daily life through anecdotes of the war years, remains one of the best sources for understanding the experiences and ideas of upper-class Southern Jewish women before and during the Civil War.