Then he makes a shocking discovery: the naked, frozen body of a teenage girl, her skin as white as the snow around her. Even dead, she is the most beautiful girl he’s ever seen. It is a moment that will forever change his life and the lives of everyone around him. The mysterious dead girl–the “Virgin of Small Plains”–inspires local reverence. In the two decades following her death, strange miracles visit those who faithfully tend to her grave; some even believe that her spirit can cure deadly illnesses. Slowly, word of the legend spreads.But what really happened in that snow-covered field? Why did young Mitch Newquist disappear the day after the Virgin’s body was found, leaving behind his distraught girlfriend, Abby Reynolds? Why do the town’s three most powerful men–Dr. Quentin Reynolds, former sheriff Nathan Shellenberger, and Judge, Tom Newquist–all seem to be hiding the details of that night? Seventeen years later, when Mitch suddenly returns to Small Plains, simmering tensions come to a head, ghosts that had long slumbered whisper anew, and the secrets that some wish would stay buried rise again from the grave of the Virgin. Abby–never having resolved her feelings for Mitch–is now determined to uncover exactly what happened so many years ago to tear their lives apart. Three families and three friends, their worlds inexorably altered in the course of one night, must confront the ever-unfolding consequences in award-winning author Nancy Pickard’s remarkable novel of suspense. Wonderfully written and utterly absorbing, The Virgin of Small Plains is about the loss of faith, trust, and innocence . . . and the possibility of redemption.From the Hardcover edition.

    But the slain lawyer's notoriety—and his taste for illicit midday trysts—makes the case front-page news in every local paper except the Star, which crashed and burned before Abramowitz did.A former Star reporter who knows every inch of this town—from historic Fort McHenry to the crumbling projects of Cherry Hill—now-unemployed journalist Tess Monaghan also knows the primary suspect: cuckolded fiancé Darryl "Rock" Paxton. The time is ripe for a career move, so when rowing buddy Rock wants to hire her to do some unorthodox snooping to help clear his name, Tess agrees. But there are lethal secrets hiding in the Charm City shadows. And Tess's own name could end up on the ever-expanding list of Baltimore dead.

     In the year 1780, Harriet Westerman, the willful mistress of a country manor in Sussex, finds a dead man on her grounds with a ring bearing the crest of Thornleigh Hall in his pocket. Not one to be bound by convention or to shy away from adventure, she recruits a reclusive local anatomist named Gabriel Crowther to help her find the murderer, and historical suspense's newest investigative duo is born. For years, Mrs. Westerman has sensed the menace of neighboring Thornleigh Hall, seat of the Earl of Sussex. It is the home of a once- great family that has been reduced to an ailing invalid, his whorish wife, and his alcoholic second son, a man haunted by his years spent as a redcoat in the Revolutionary War. The same day, Alexander Adams is slain by an unknown killer in his London music shop, leaving his children orphaned. His death will lead back to Sussex, and to an explosive secret that has already destroyed one family and threatens many others. Instruments of Darkness combines the brooding atmosphere of Anne Perry with the complex, compelling detail of Tess Gerritsen, moving from drawing room to dissecting room, from coffee house to country inn. Mrs. Westerman and Mr. Crowther are both razor-sharp minds and their personalities breathe spirit into this gripping historical mystery.

    Yet Nell is determined to elude the duties and restrictions of matrimony. So when she finds herself pregnant at the age of 17, she refuses to divulge the name of the father and even her childhood friend Martin is kept in the dark.Nell's stepfather Hiram sends Nell to live at the Poor Farm of which he is a governor, to await the day when her baby can be discreetly adopted. Nell is ready to go along with Hiram's plans until an unused padded cell is opened and two small bodies fall out.Nell is the only resident of the Poor Farm who is convinced that the unwed mother and her baby were murdered, and the incident prompts her to rethink her decision to abandon her own child to her fate. But the revelations to which her questions lead make her realize that even if she manages to escape the Poor Farm with her baby, she may have no safe place to run to.

    BUT SOME RIVALS DO.Juliet Townsend is used to losing. Back in high school, she lost every track team race to her best friend, Madeleine Bell. Ten years later, she’s still running behind, stuck in a dead-end job cleaning rooms at the Mid-Night Inn, a one-star motel that attracts only the cheap or the desperate. But what life won’t provide, Juliet takes. Then one night, Maddy checks in. Well-dressed, flashing a huge diamond ring, and as beautiful as ever, Maddy has it all. By the next morning, though, Juliet is no longer jealous of Maddy—she’s the chief suspect in her murder.To protect herself, Juliet investigates the circumstances of her friend’s death. But what she learns about Maddy’s life might cost Juliet everything she didn’t realize she had.

    She's headed for the bright lights and big times of Biloxi, and even she knows she needs help getting there. But help's not hard to come by when you look like Fay. There's a highway patrolman who gives her a lift, with a detour to his own place. There are truck drivers who pick her up, no questions asked. There's a crop duster with money for a night or two on the town. There's a strip-joint bouncer who deals on the side. And in the end, there are five dead bodies stacked in Fay's wake. Fay is a novel that could only have been written by Larry Brown, whom the Boston Globe called "one of our finest writers -- honest, courageous, unflinching."

    The result is a deeply original tour de force that springs from Twain’s classic novel but takes on a fully realized life of its own.Finn sets a tragic figure loose in a landscape at once familiar and mythic. It begins and ends with a lifeless body–flayed and stripped of all identifying marks–drifting down the Mississippi. The circumstances of the murder, and the secret of the victim’s identity, shape Finn’s story as they will shape his life and his death.Along the way Clinch introduces a cast of unforgettable characters: Finn’ s terrifying father, known only as the Judge; his sickly, sycophantic brother, Will; blind Bliss, a secretive moonshiner; the strong and quick-witted Mary, a stolen slave who becomes Finn’s mistress; and of course young Huck himself. In daring to re-create Huck for a new generation, Clinch gives us a living boy in all his human complexity–not an icon, not a myth, but a real child facing vast possibilities in a world alternately dangerous and bright.Finn is a novel about race; about paternity in its many guises; about the shame of a nation recapitulated by the shame of one absolutely unforgettable family. Above all, Finn reaches back into the darkest waters of America’s past to fashion something compelling, fearless, and new.

    Detective Jake Brogan is investigating a possible serial killer that may be hunting down Boston's young women under the city's bridges. As the body count rises and election looms closer, it becomes clear to Jane and Jake that their cases are connected...and that they may be facing a ruthless killer who will stop at nothing to silence a scandal. Dirty politics, dirty tricks, and a barrage of final twists, The Other Woman is the first in an explosive new series from Hank Phillipi Ryan. Seduction, betrayal, and murder—it'll take a lot more than votes to win this election.

    Now, at nineteen, Paul must bear witness against his friend to avoid prison. Louisa's own dark secrets led her to flee a desperate infatuation gone wrong many years before. Now she spends her days steeped in history, renovating the grounds of a crumbling Elizabethan garden. But her fragile peace is shattered when she meets Paul; he's the spitting image of the one person she never thought she'd see again.These two, scarred and solitary, begin a secret affair. Louisa starts to believe she can again find the happiness she had given up on. But neither of them can outrun his violent past.A story of secrets and guilt set among the ruins of a sixteenth- century English garden, The Dark Rose explores the extremes of obsessive love and loyalty, devotion and desperation. Like Kelly's critically acclaimed debut novel, The Poison Tree, this fantastically creepy, atmospheric novel thrills until the final shocking moments.

    The Great War is over, Prohibition is in full swing, the Depression still years away, and Newport, Rhode Island's glittering "summer cottages" are inhabited by the gloriously rich families who built them.Attorney Adrian De la Noye is no stranger to Newport, having sheltered there during his misspent youth. Though he'd prefer to forget the place, he returns to revise the will of a well-heeled client. Bennett Chapman's offspring have the usual concerns about their father's much-younger fiancee. But when they learn of the old widower's firm belief that his first late wife, who "communicates" via seance, has chosen the beautiful Catherine Walsh for him, they're shocked. And for Adrian, encountering Catherine in the last place he saw her decades ago proves to be a far greater surprise.Still, De la Noye is here to handle a will, and he fully intends to do so--just as soon as he unearths every last secret, otherworldly or not, about the Chapmans, Catherine Walsh . . . and his own very fraught history.A skillful alchemy of social satire, dark humor, and finely drawn characters, Newport vividly brings to life the glitzy era of the 1920s.

    It is the world's most famous murder. But the Bible is silent about one key detail: the weapon Cain used to kill his brother. That weapon is still lost to history. In 1932, Mitchell Siegel was killed by three gunshots to his chest. While mourning, his son dreamed of a bulletproof man and created the world's greatest hero: Superman. And like Cain's murder weapon, the gun used in this unsolved murder has never been found.Today in Fort Lauderdale, Florida, Cal Harper comes face-to-face with his own family tragedy: his long-missing father has been shot with a gun that traces back to Mitchell Siegel's 1932 murder. But soon after their surprising reunion, Cal and his father are attacked by a ruthless killer tattooed with the ancient markings of Cain.So begins the chase for the world's first murder weapon. It is a race that will pull Cal back into his own past even as it propels him forward through the true story of Cain and Abel, an eighty-year-old unsolvable puzzle, and the deadly organization known for the past century as the Leadership.What does Cain, history's greatest villain, have to do with Superman, the world's greatest hero? And what do two murders, committed thousands of years apart, have in common? This is the mystery at the heart of Brad Meltzer's new thriller.

    Her charming hosts offer Ava a chance to relax at their idyllic ancestral estate, Woodburn Hall, while working on her first novel. But Woodburn is anything but quiet: Ancient feuds lurk just beneath its placid surface, and modern-day rivalries emerge as Ava finds herself caught between the competing attentions of Will and his black-sheep cousin Jake. Fascinated by the family’s impressive history—their imposing house filled with treasures, and their mingling with literary lions Fitzgerald, Hemingway, and Faulkner—Ava stumbles onto rumors about the darker side of the Woodburns’ legacy. Putting aside her planned novel, she turns her creative attentions to the eccentric and tragic clan, a family with more skeletons (and ghosts) in their closets than anyone could possibly imagine. As Ava struggles to write the true story of the Woodburns, she finds herself tangled in the tragic history of a mysterious Southern family whose secrets mirror her own.

    She's brilliant, but she's also a young black woman working in an old boys' club. Her career has stalled out, she's overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she's given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic, revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes. Yes, even though she secretly admires the work Thomas is doing for his country. Yes, even though she is still grieving over the mysterious death of her sister, whose example led Marie to this career path in the first place. Yes, even though a furious part of her suspects she's being offered the job because of her appearance and not her talent.In the year that follows, Marie will observe Thomas, seduce him, and ultimately have a hand in the coup that will bring him down. But doing so will change everything she believes about what it means to be a spy, a lover, a sister, and a good American.Inspired by true events -- Thomas Sankara is known as “Africa's Che Guevara” -- this novel knits together a gripping spy thriller, a heartbreaking family drama, and a passionate romance. This is a face of the Cold War you've never seen before, and it introduces a powerful new literary voice.

    An arsonist, a covetous nurse, and the endearing village idiot are among the few who have ever seen Mary.Newcomers to Mill River -- a police officer and his daughter and a new fourth grade teacher -- are also curious about the reclusive old woman. But only Father Michael O’Brien knows Mary and the secret she keeps -- one that, once revealed, will change all of their lives forever.

    Perfect for any reader of Sarah Waters or Antonia Hodgson. 'With this intricately woven tale of trust, self-trust and deceit, Anna Mazzola brings a gritty realism to Victorian London. Beautifully written and cleverly plotted, this is a stunning debut, ranked amongst the best' MANDA SCOTT After Sarah petitions for mercy, Edmund Fleetwood is appointed to investigate and consider whether justice has been done. Idealistic, but struggling with his own demons, Edmund is determined to seek out the truth. Yet Sarah refuses to help him, neither lying nor adding anything to the evidence gathered in court. Edmund knows she's hiding something, but needs to discover just why she's maintaining her silence. For how can it be that someone would willingly go to their own death?