Then one day, Kathy discovers a suspicious number on her husband’s phone. Six years before, Kathy accused Robert of infidelity—a charge he vehemently denied—and almost destroyed their marriage in the process.Now Kathy must decide whether to follow her suspicions at the risk of losing everything, or trust the man with whom she’s entwined her past, present, and future. As she grapples with that choice, she is confronted with surprising truths not just about her relationship, but about her friends, family, and her own motivations.

    His friend Maggie sits with him every day; she holds his hand and she listens to the story of his life, to his regrets and to his secrets. And then he tells her about the children he has never met and never will. He talks of them wistfully. His legacy, he calls them. Lydia, Dean and Robyn don't know each other. Yet. And they are all facing difficult changes. Lydia is still wearing the scars from her traumatic childhood and although she is wealthy and successful, her life is lonely and disjointed. Dean is a young man, burdened with unexpected responsibility, whose life is going nowhere. And Robyn wants to be a doctor, just like her father - a man she's never met. But is her whole life built on an illusion? Three people leading three very different lives. All lost. All looking for something. But when they slowly find their way into each other's lives, everything starts to change ...

    That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max; same smile, same eyes, same age, same adorable bump in his nose; he could be Max's long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.As outrageous as Paolo's claims seem; how could her husband be alive? And if he is, why hasn't he looked her up? Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down; if it is really Max and along the way, Shelley recounts the European package tour where they had met. As she relives Max's stories of bloody Parisian barricades, medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her "happily ever after." And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.

    Of course it wasn’t. But if she’d just grasped harder, run faster, lunged quicker, she might have saved him. And Edward doesn’t really blame her, though his bitter words at the time still haunt her, and he can no more take them back than she can halt the car that killed their son.Two years on, every day is a tragedy. Edward knows they should take healing steps together, but he’s tired of being shut out. For Zoe, it just seems easier to let grief lead the way.A weekend in Paris might be their last hope for reconciliation, but mischance sees them separated before they’ve even left Gare du Nord. Lost and alone, Edward and Zoe must try to find their way back to each other—and find their way back to the people they were before. But is that even possible?

    The airline pilot opens his carry-on to find a beautiful leather-bound notebook: a diary. Inside its intricate pages, he discovers a captivating series of erotic encounters that progress from naive to reckless to ravenously sexy.He reads the diary from cover to cover more than a few times, and his obsession leads to a question: How can he possibly find this incredible stewardess? As Charlie crisscrosses the globe in his search, he finds his own opportunities to expand his sexual experiences. But can he ever find the one woman who sets his appetite on fire?If you like smoking-hot voyeurism, innovative storytelling, and sensual scenes that break hetero bounds, then you’ll love S.M. Pratt’s sizzling tale.

    . . We're taking a break.''A city-with-fancy-food sort of break?'If only.Amy's husband Hugh says he isn't leaving her.He still loves her, he's just taking a break - from their marriage, their children and, most of all, from their life together. Six months to lose himself in south-east Asia. And there is nothing Amy can say or do about it.Yes, it's a mid-life crisis, but let's be clear: a break isn't a break up - yet . . .However, for Amy it's enough to send her - along with her extended family of gossips, misfits and troublemakers - teetering over the edge.For a lot can happen in six-months. When Hugh returns if he returns, will he be the same man she married? And will Amy be the same woman?Because if Hugh is on a break from their marriage, then isn't she?The Break isn't a story about falling in love but about staying in love. It is Marian Keyes at her funniest, wisest and brilliant best.

    They've got a two hundred year-old house, an autistic son obsessed with the Titanic, and 17 chickens, at last count. It's the kind of paradise where stay-at-home moms team up to cook the school's "hot lunch," dads grill grass-fed burgers, and, as Lucy observes, "chopping kale has become a certain kind of American housewife's version of chopping wood."When friends at a wine-soaked dinner party reveal they've made their marriage open, sensible Lucy balks. There's a part of her, though – the part that worries she's become too comfortable being invisible-that's intrigued. Why not try a short marital experiment? Six months, clear ground rules, zero questions asked. When an affair with a man in the city begins to seem more enticing than the happily-ever-after she's known for the past nine years, Lucy must decide what truly makes her happy – "real life," or the "experiment?"

    By a stroke of fate, Leah is drawn to the Southern hospitality of a small caf�, looking for a warm meal but finding so much more. Lulu, the owner, offers her a job, a place to stay and a new lease on life. Through Lulu's tenacious warmth and generosity, Leah quickly finds herself embraced by the quaint community as she tries to put herself back together. Given she's accustomed to cruelty, the kindness is overwhelming.Soon Leah meets Crowley Mason, the most eligible bachelor in town. A lawyer and friend of Lulu's, Crowley is wary of Leah's sudden, mysterious arrival. Despite his reserve, something sparks between them that can't be denied. But after all she's been through, can Leah allow herself to truly love and be loved, especially when her first urge is to run?Exploring the resiliency of both the heart and the spirit, Lulu's Caf� gorgeously illustrates how old scars can finally heal no matter how deep they seem.

    Katie’s life fell apart almost a decade earlier, during an idyllic summer at her family’s cabin on Eagle Lake when her best friend accused her father of sexual assault. Throughout his trial and imprisonment, Katie insisted on his innocence, dodging reporters and clinging to memories of the man she adores.Now he’s getting out. Yet when Katie returns to the shuttered lakeside cabin, details of that fateful night resurface: the chill of the lake, the heat of first love, the terrible sting of jealousy. And as old memories collide with new realities, they call into question everything she thinks she knows about family, friends, and, ultimately, herself. Now, Katie’s choices will be put to the test with life-altering consequences.

    When she finally emerges from the fog of her life, it dawns on her that something is amiss in the way her husband died. As Brea searches for answers, she discovers things she never knew... and things she's not sure she wants to know. Delving into unsolved mysteries brings several questions to the forefront of Brea's thoughts, and she must decide if moving forward can erase the heartache and mistakes.

    . . just in time for his wife to learn the extent of his affair. Rudderless and remorseful, Richard embarks on a series of misguided attempts to win Anne back while focusing his creative energy on a provocative art piece to prove that he's still the man she once loved.Skillfully balancing biting wit with a deep emotional undercurrent, debut novelist Courtney Maum has created the perfect portrait of an imperfect family-and a heartfelt exploration of marriage, love, and fidelity.

    The Summer That Made Us is an unforgettable story about a family learning to accept the past, to forgive and to love each other again.That was then…For the Hempsteads, two sisters who married two brothers and had three daughters each, summers were idyllic. The women would escape the city the moment school was out to gather at the family house on Lake Waseka. The lake was a magical place, a haven where they were happy and carefree. All of their problems drifted away as the days passed in sun-dappled contentment. Until the summer that changed everything.This is now…After an accidental drowning turned the lake house into a site of tragedy and grief, it was closed up. For good. Torn apart, none of the Hempstead women speak of what happened that summer, and relationships between them are uneasy at best to hurtful at worst. But in the face of new challenges, one woman is determined to draw her family together again, and the only way that can happen is to return to the lake and face the truth.

    They decide to take a year off in the hopes of finding a way to fall in love again. One year apart, and only one rule: they cannot contact each other. Aside from that, anything goes.Lauren embarks on a journey of self-discovery, quickly finding that her friends and family have their own ideas about the meaning of marriage. These influences, as well as her own healing process and the challenges of living apart from Ryan, begin to change Lauren’s ideas about monogamy and marriage. She starts to question: When you can have romance without loyalty and commitment without marriage, when love and lust are no longer tied together, what do you value? What are you willing to fight for?

    Connie's had recent worries of her own, and the two depart for a summer on Nantucket in an attempt to heal. But the island can't offer complete escape, and they're plagued by new and old troubles alike. When Connie's brother Toby - Meredith's high school boyfriend - arrives, Meredith must reconcile the differences between the life she is leading and the life she could have had. Set against the backdrop of a Nantucket summer, Elin Hilderbrand delivers a suspenseful story of the power of friendship, the pull of love, and the beauty of forgiveness.

    The wrong one. The one you couldn’t let go of. The one you’ll never forget.Lucy Albright is far from her Long Island upbringing when she arrives on the campus of her small California college, and happy to be hundreds of miles from her mother, whom she’s never forgiven for an act of betrayal in her early teen years. Quickly grasping at her fresh start, Lucy embraces college life and all it has to offer—new friends, wild parties, stimulating classes. And then she meets Stephen DeMarco. Charming. Attractive. Complicated. Devastating. Confident and cocksure, Stephen sees something in Lucy that no one else has, and she’s quickly seduced by this vision of herself, and the sense of possibility that his attention brings her. Meanwhile, Stephen is determined to forget an incident buried in his past that, if exposed, could ruin him, and his single-minded drive for success extends to winning, and keeping, Lucy’s heart. Alternating between Lucy’s and Stephen’s voices, Tell Me Lies follows their connection through college and post-college life in New York City. Deep down, Lucy knows she has to acknowledge the truth about Stephen. But before she can free herself from this addicting entanglement, she must confront and heal her relationship with her mother—or risk losing herself in a delusion about what it truly means to love. With the psychological insight and biting wit of Luckiest Girl Alive, and the yearning ambitions and desires of Sweetbitter, this keenly intelligent and staggeringly resonant novel chronicles the exhilaration and dilemmas of young adulthood, and the difficulty of letting go, even when you know you should.