ever-present, phantom thing; My slave, my comrade, and my king' Some of Emily Brontë's most extraordinary poems Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Emily Brontë (1818-1848). Brontë's Wuthering Heights and The Complete Poems are available in Penguin Classics

    I think I have under control the reluctance I feel in having to share Pessoa with the public he should have had all along in America: until now, only the poets, so far as I can tell, have even heard of him, and delighted and exulted in him. He is, in some ways, the poet of modernism, the only one willing to fracture himself into the parcels of action, anguish, and nostalgia which are the grounds of our actual situation." —C. K. Williams"Pessoa is one of the great originals (a fact rendered more striking by his writing as several distinct personalities) of the European poetry of the first part of this century, and has been one of the last poets of comparable stature, in the European languages, to become known in English. Edwin Honig's translations of Spanish and Portuguese poetry have been known to anyone who cares about either, since his work on Lorca in the forties, and his Selected Poems of Pessoa (1971) was a welcome step toward a long-awaited larger colection." — W. S. Merwin"Fernando Pessoa is the least known of the masters of the twentieth-century poetry. From his heteronymic passion he produced, if that is the word, two of our greatest poets, Alberto Caeiro and Álvaro de Campos, and a third, Ricardo Reis, who isn't bad. Pessoa is the exemplary poet of the self as other, of the poem as testament to unreality, proclamation of nothingness, occasion for expectancy. In Edwin Honig's and Susan Brown's superb translations, Pessoa and his "others" live with miraculous style and vitality." —Mark StrandFernando Pessoa is Portugal’s most important contemporary poet. He wrote under several identities, which he called heteronyms: Albet Caeiro, Alvaro de Campos, Ricardo Reis, and Bernardo Soares. He wrote sublime poetry under his own name as well, and each of his “voices” is completely different in subject, temperament, and style. This volume brings back into print the comprehensive collection of his work published by Ecco Press in 1986.

    late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse.Stanley Lombardo's translations give us a virtuoso embodiment of Sappho's voice, whose telltale charm, authority, immediacy, directness, intensity, and sudden changes of tone are among the hallmarks of his masterly translation.Pamela Gordon introduces us to the world of Sappho, discusses questions surrounding the transmission of her manuscripts, offers advice on reading these texts, and concludes with an enlightening discussion of same-sex desire in Sappho.

    Then they came to Earth and amnesia set in: they forgot they were from different planets.Based on years of successful counseling of couples and individuals, Men Are from Mars, Women Are from Venus has helped millions of couples transform their relationships. Now viewed as a modern classic, this phenomenal book has helped men and women realize how different they really are and how to communicate their needs in such a way that conflict doesn't arise and intimacy is given every chance to grow!!!!

    Based on the myth of the blind prophet Tiresias, Hold Your Own is a riveting tale of youth and experience, sex and love, wealth and poverty, community and alienation. Walking in the forest one morning, a young man disturbs two copulating snakes - and is punished by the goddess Hera, who turns him into a woman. This is only the beginning of his journey . . . Weaving elements of classical myth, autobiography and social commentary, Tempest uses the story of the gender-switching, clairvoyant Tiresias to create four sequences of poems: 'childhood', 'manhood', 'womanhood' and 'blind profit'. The result is a rhythmically hypnotic tour de force - and a hugely ambitious leap forward for one of the UK's most talented and compelling young writers.

    Now, for the first time, all of the poems in his ten collections–from Sun Out, poems of the 1950s, to Thank You, published in 1962, to A Possible World, published in 2002, the year of the poet’s death–are gathered in one volume.Celebrating the pleasures of friendship, art, and love, the poetry of Kenneth Koch has been dazzling readers for fifty years. Charter member–along with Frank O’Hara, John Ashbery, and James Schuyler–of the New York School of poets, avant-garde playwright and fiction writer, pioneer teacher of writing to children, Koch gave us some of the most exciting and aesthetically daring poems of his generation.These poems take sensuous delight in the life of the mind and the heart, often at the same time: “O what a physical effect it has on me / To dive forever into the light blue sea / Of your acquaintance!” (“In Love with You”).Here is Koch’s early work: love poems like “The Circus” and “To Marina” and such well-remembered comic masterpieces as “Fresh Air,” “Some General Instructions,” and “The Boiling Water” (“A serious moment for the water is when it boils”). And here are the brilliant later poems–“One Train May Hide Another,” the deliciously autobiographical address in New Addresses, and the stately elegy “Bel Canto”–poems that, beneath a surface of lightness and wit, speak with passion, depth, and seriousness to all the most important moments in one’s existence.Charles Simic wrote in The New York Review of Books that, for Koch, poetry “has to be constantly saved from itself. The idea is to do something with language that has never been done before.” In the ten exuberant, hilarious, and heartbreaking books of poems collected here, Kenneth Koch does exactly that.

    Modern day matchmaking is tough – people are busy, their hearts are harder to hit and he’s had enough of wall-to-wall romance. And St Valentine has noticed…Annelise is a Lost Cause. She runs a dating agency but her heart is colder than a penguin’s feet. She thinks love is about compatibility and has no time for passion.Can Cupid prove to St Valentine that he hasn’t lost his touch by melting Annelise’s heart? Or is it curtains for Cupid?A romantic comedy novella - 23,000 words long'Gorgeously romantic, unputdownable and utterly delicious!' Miranda Dickinson, Sunday Times Bestseller (Fairytale of New York, It Started With A Kiss, When I Fall In Love)'A completely charming, fantastically funny, romantic romp, perfect reading for a sunny afternoon.' Scarlett Bailey (Married by Christmas, The Night Before Christmas, Santa Maybe)

    But in a matter of a year’s time, everything she’d counted on fell apart, leaving her devastated. Seven years later, she’s stable again. She has a supportive boyfriend, fulfilling career, and close friends. She keeps her past heartache where it belongs—in her rearview mirror. Until the man who broke her heart finds his way back to Big Prairie.Craig Erikson had it all—popularity, success, and the love of his high school coach’s daughter. But after a year of mistakes that ended in a tragic accident, he’d left Big Prairie—the place he’d thought to always call home—hoping that without his antagonizing presence, Brenna would be able to heal. Now his mother desperately needs him, as do two young boys in her care. Craig has little choice but to return for good.Unsure that she can forgive him, Brenna does her best to avoid him. Irritated that she ignores him as if they’d never meant anything to each other, Craig becomes determined not to allow it. Life in a small town forces their interaction, making them confront their unresolved issues and igniting emotions that have smoldered for seven years. As Craig and Brenna are pushed together, can they endure the hard places still littering their lives? If so, is it possible to find their way back to love and home again?

    She's fresh out of a relationship that ended badly, and all she wants to do now is find a new place to live, finish college, and move on with her life.Jake is a surly bar manager and student who lives with his closest friends and doesn't particularly like change. A new female roommate definitely counts as "change." Fink, Damian, and Libby don't have much in common - except for their friends, Miriam and Jake.Set in and around Denton, Texas, Love Thy Roommate is a tale of five unlikely friends coming together to create an unconventional family unit over time. What does the post-graduate future hold for these individuals? Read Love Thy Roommate to find out.

    Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. "What am I supposed to say: I'm free?" the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.

    Her life was everything she wanted it to be; until one fateful night changed everything – leaving her broken and without direction. Nearly a year later, she still has little faith in anyone or anything. Desperate to reclaim her life’s ambition, she takes an unexpected offer that promises to solve all her problems. But as Mia moves forward, she’s faced with obstacles she couldn’t have foreseen. The biggest of them lies within the mystery of Ethan Fitzgerald; a man who affects her like no other, but who she should avoid pursuing, at all costs. On a mission himself, Ethan Fitzgerald didn’t care who he pissed off on his road to fulfill his mother’s dying wish. He relied on himself, and was closed off to the world around him – until Mia Ryan walked through his door. Normally one to avoid messy emotions, Ethan’s world is turned upside down by Mia, and he can’t seem to get enough of her. There are lines you can cross that will change the course of your life forever …