Handsome and charismatic, he was known to frequent the dive bars and gin joints of the Five Points, the most dangerous neighborhood in maritime Manhattan. For years, he operated out of the public eye, rambling from crime to crime, working on the water, in ships, sleeping in the nickel-a-night flops, drinking in barrooms where rat-baiting and bear-baiting were great entertainments.Hicks's criminal career reached its peak in 1860, when he was hired, under an alias, as an extra hand on an oyster sloop. His plan was to rob the ship, make his getaway, and disappear in the teeming streets of lower Manhattan, as he'd done numerous times before. But the plan went awry, and the voyage turned into a massacre. In the straits of Coney Island, on a foggy night, the ghost sloop, adrift and unmanned, was rammed by another vessel. When police boarded the ship to investigate, they found blood and gore everywhere, no bodies, only the grisly signs of struggle. A manhunt was launched for the mysterious merchant seaman on the manifest.Long fascinated by gangster legends, Rich Cohen tells the story of this notorious underworld figure for the first time, from his humble origins to his incarnation as a demon who terrorized the Five Points and became the gangster most feared by other gangsters, at a time when pirates anchored off of 14th street.

    They were responsible for one of the most evocative legends in English folk history - Jack the Ripper. Best of all - for the myth-makers, that is - he was never caught, and there has never been a convincing identification of this man or, as some suggest, woman, who stabbed and disembowelled a succession of East End prostitutes, and left them bleeding in the gaslit streets of Victorian London. This book now lays out all the known evidence in a sumary of the facts and theories that have been written and spoken about the Ripper.

    Resolved to fix up the place, Sorel began pulling up the linoleum on his kitchen floor, tearing away layer after layer until he discovered a hidden treasure: issues of the New York Daily News and Daily Mirror from 1936, each ablaze with a scandalous child custody trial taking place in Hollywood and starring the actress Mary Astor. Sorel forgot about his kitchen and lost himself in the story that had pushed Hitler and Franco off the front pages.At the time of the trial, Mary Astor was still only a supporting player in movies, but enough of a star to make headlines when it came out that George S. Kaufman, then the most successful playwright on Broadway and a married man to boot, had been her lover. The scandal revolved around Mary’s diary, which her ex-husband, Dr. Franklyn Thorpe, had found when they were still together. Its incriminating contents had forced Mary to give up custody of their daughter in order to obtain a divorce. By 1936 she had decided to challenge the arrangement, even though Thorpe planned to use the diary to prove she was an unfit mother. Mary, he claimed, had not only kept a tally of all her extramarital affairs but graded them—and he’d already alerted the press. Enraptured by this sensational case and the actress at the heart of it, Sorel began a life-long obsession that now reaches its apex.Featuring over sixty original illustrations, Mary Astor's Purple Diary narrates and illustrates the travails of the Oscar-winning actress alongside Sorel’s own personal story of discovering an unlikely muse. Throughout, we get his wry take on all the juicy details of this particular slice of Hollywood Babylon, including Mary's life as a child star—her career in silent films began at age fourteen—presided over by her tyrannical father, Otto, who "managed" her full-time and treated his daughter like an ATM machine. Sorel also animates her teenage love affair with probably the biggest star of the silent era, the much older John Barrymore, who seduced her on the set of a movie and convinced her parents to allow her to be alone with him for private "acting lessons."Sorel imbues Mary Astor's life with the kind of wit and eye for character that his art is famous for, but here he also emerges as a writer, creating a compassionate character study of Astor, a woman who ultimately achieved a life of independence after spending so much of it bullied by others.Featuring ribald and rapturous art throughout, Mary Astor's Purple Diary is a passion project that becomes the masterpiece of one of America’s greatest illustrators.

    The paint is the blood that splatters on the walls and floors. In the course of nearly five years of recorded interviews Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and for his friend Hoffa. Sheeran learned to kill in the U.S. Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler and hit man, working for legendary crime boss Russell Bufalino. Eventually he would rise to a position of such prominence that in a RICO suit then-U.S. Attorney Rudy Giuliani would name him as one of only two non-Italians on a list of 26 top mob figures. When Bufalino ordered Sheeran to kill Hoffa, he did the deed, knowing that if he had refused he would have been killed himself. Sheeran's important and fascinating story includes new information on other famous murders, and provides rare insight to a chapter in American history. Charles Brandt has written a page-turner that is destined to become a true crime classic.

    Simpson, the evidence in the case, and the role of the prosecution and defense.

    A right wing survivalist amasses a cache of weapons and resists calls to surrender. A drug trafficker barricades himself and his family in a railroad car, and begins shooting. A cult leader in Waco, Texas faces the FBI in an armed stand-off that leaves many dead in a fiery blaze. A sniper, claiming to be God, terrorizes the DC metropolitan area. For most of us, these are events we hear about on the news. For Gary Noesner, head of the FBI’s groundbreaking Crisis Negotiation Unit, it was just another day on the job. In Stalling for Time, Noesner takes readers on a heart-pounding tour through many of the most famous hostage crises of the past thirty years. Specially trained in non-violent confrontation and communication techniques, Noesner’s unit successfully defused many potentially volatile standoffs, but perhaps their most hard-won victory was earning the recognition and respect of their law enforcement peers.Noesner pursued his dream of joining the FBI all the way to Quantico, where he not only became a Special Agent, but also—in the course of a distinguished thirty-year career—the FBI’s Chief Negotiator. Gaining respect for the fledgling art of crisis negotiation in the hard-boiled culture of The Bureau, where the shadow of J. Edgar Hoover still loomed large, was an uphill battle, educating FBI and law enforcement leaders on the job at an incident, and advocating the use of psychology rather than force whenever possible. Noesner’s many bloodless victories rarely garnered as much media attention as the notorious incident management blunders like the Branch Davidian disaster in Waco and the Ruby Ridge tragedy.Noesner offers a candid as well as fascinating look back at his years as a rebel in the ranks and a pioneer on the front lines. Whether vividly recounting showdowns with the radical Republic of Texas militia, the terrorist hijackers of the cruise ship Achille Lauro, and self-styled messiah David Koresh, or clashes with colleagues and superiors that expose the internal politics and power-plays of America’s premier law enforcement agency, Stalling for Time crackles with breathtaking suspense and insight in equal measure. Case by case, minute by minute, it’s a behind the scenes view of a visionary crime-fighter in action.

    That obsession led Renner to a successful career as an investigative journalist. It also gave him post-traumatic stress disorder. In 2011, Renner began researching the strange disappearance of Maura Murray, a University of Massachusetts student who went missing after wrecking her car in rural New Hampshire in 2004. Over the course of his investigation, he uncovered numerous important and shocking new clues about what may have happened to Murray but also found himself in increasingly dangerous situations with little regard for his own well-being. As his quest to find Murray deepened, the case started taking a toll on his personal life, which began to spiral out of control. The result is an absorbing dual investigation of the complicated story of the All-American girl who went missing and Renner's own equally complicated true-crime addiction.True Crime Addict is the story of Renner's spellbinding investigation, which has taken on a life of its own for armchair sleuths across the web. In the spirit of David Fincher's Zodiac, it's a fascinating look at a case that has eluded authorities and one man's obsessive quest for the answers.

    Carrie Davies, an 18-year-old domestic servant, quickly confessed. But who was the victim here? Charles “Bert” Massey, a scion of a famous family, or the frightened, perhaps mentally unstable Carrie, a penniless British immigrant? When the brilliant lawyer Hartley Dewart, QC, took on her case, his grudge against the powerful Masseys would fuel a dramatic trial that pitted the old order against the new, wealth and privilege against virtue and honest hard work. Set against a backdrop of the Great War in Europe and the changing faceof a nation, this sensational crime is brought to vivid life for the first time.As in her previous bestselling book, Gold Diggers—now in production as a Discovery Television miniseries—multi-award-winning historian and biographer Charlotte Gray has created a captivating narrative rich in detail and brimming with larger-than-life personalities, as she shines a light on a central moment in our past.

    The policeman gaped in horror as the woman held out her hand before collapsing into the mud, muttering “let me die” and slipping into a coma. Five days later, she died, her identity still unknown.Within hours of her discovery on Kidbrooke Lane scores of the officers of Greenwich Division were involved in the investigation, and Scotland Yard had sent one of its top detectives, John Mulvany, to lead it. After five days of gathering evidence, the police discovered the girl’s identity: Jane Maria Clouson, a maid in the house of the renowned Pook family . . . and she was two months’ pregnant with Edmund Pook’s child when she died.Murphy carefully reviews the evidence in the light of 21st century forensic science in order to identify Jane’s killer as Edmund Walter Pook. Using a surprisingly abundant collection of primary sources, Murphy aims to recreate the drama of the case as it unfolded, with its many twists and turns, from the discovery of the body to the final crack of the gavel—and beyond.

    The detective who checked it out soon discovered she was a welfare cheat who drove a Cadillac to collect ill-gotten government checks. And that was just the beginning: Taylor, it turned out, was also a kidnapper, and possibly a murderer. A desperately ill teacher, a combat-traumatized Marine, an elderly woman hungry for companionship; after Taylor came into their lives, all three ended up dead under suspicious circumstances. But nobody--not the journalists who touted her story, not the police, and not presidential candidate Ronald Reagan--seemed to care about anything but her welfare thievery.Growing up in the Jim Crow South, Taylor was made an outcast because of her color. As she rose to infamy, the press and politicians manipulated her image to demonize poor black women. Part social history, part true-crime investigation, Josh Levin's mesmerizing book, the product of six years of reporting and research, is a fascinating account of American racism and an expose of the "welfare queen" myth, one that fueled political debates that reverberate to this day. The Queen tells, for the first time, the fascinating story of what was done to Linda Taylor, what she did to others, and what was done in her name.

    A plantation owned for generations by a rich family. So much history. And a dead body.Just after dawn, Caren walks the grounds of Belle Vie, the historic plantation house in Louisiana that she has managed for four years. Today she sees nothing unusual, apart from some ground that has been dug up by the fence bordering the sugar cane fields. Assuming an animal has been out after dark, she asks the gardener to tidy it up. Not long afterwards, he calls her to say it's something else. Something terrible. A dead body. At a distance, she missed her. The girl, the dirt and the blood. Now she has police on site, an investigation in progress, and a member of staff no one can track down. And Caren keeps uncovering things she will wish she didn't know. As she's drawn into the dead girl's story, she makes shattering discoveries about the future of Belle Vie, the secrets of its past, and sees, more clearly than ever, that Belle Vie, its beauty, is not to be trusted. A magnificent, sweeping story of the south, The Cutting Season brings history face-to-face with modern America, where Obama is president, but some things will never change. Attica Locke once again provides an unblinking commentary on politics, race, the law, family and love, all within a thriller every bit as gripping and tragic as her first novel, Black Water Rising.

    It also shed light on the guarded world of Hollywood and stripped away the façade of Christina's relentless, alcoholic abuser: her adoptive mother, movie star Joan Crawford. Christina was a young girl shown off to the world as a fortunate little princess. But at home, her lonely, controlling, even ruthless mother made her life a nightmare. A fierce battle of wills, their relationship could be characterized as an ultimately successful, for Christina, struggle for independence. She endured and survived, becoming the voice of so many other victims who suffered in silence, and giving them the courage to forge a productive life out of chaos.

    To that mix, add glamorous personalities, prominent Texas businessmen, gangland reprobates, and a whole parade of medical experts. At once a documentary account of events and a novelistic reconstruction of encounters among the cast of colorful characters, this anatomy of murder first chronicles the suspicious circumstances surrounding the death in 1969 of Joan Robinson--the pampered daughter of a Texas oil millionaire and the wife of plastic surgeon Dr. John Hill--then examines the bizarre consequences that followed it. For in 1972, having been charged by his father-in-law with Joan's death and having survived a mistrial, John Hill himself was killed, supposedly by a robber. So was the robber, by a cop, supposedly for resisting arrest. From the exclusive haunts of Houston's super-rich to the city's seamy underworld of prostitutes, pimps, and punks, author and investigative journalist Thomas Thompson tracks down all the leads and clues. And in a brutal tale of blood and money he uncovers some shocking and bitter truths.

    The community was outraged: How could a woman commit such an act of violence? Firsthand accounts describe the victim, John Hossack, as a cruel and unstable man. Perhaps Margaret Hossack was acting out of fear. Or perhaps the story she told was true—that an intruder broke into the house, killed her husband while she slept soundly beside him, and was still on the loose. Newspapers across the country carried the story, and community sentiment was divided over her guilt. At trial, Margaret was convicted of murder, but later was released on appeal. Ultimately, neither her innocence nor her guilt was ever proved. Patricia Bryan and Thomas Wolf examine the harsh realities of farm life at the turn of the century and look at the plight of women—legally, socially, and politically—during that period. What also emerges is the story of early feminist Susan Glaspell, who covered the Hossack case as a young reporter and later used it as the basis for her acclaimed work A Jury of Her Peers.Midnight Assassin expertly renders the American character and experience: our obsession with crime, how justice is achieved, and the powerful influence of the media.

    It might also have been the most jinxed. Among its stars, James Dean was soon killed in a car crash, Sal Mineo died several years later, murdered by an unknown assailant, and the beautiful Natalie Wood died mysteriously when she fell from a docked pleasure boat and drowned. This heavily illustrated book recounts these and many other tragic events that have haunted the Hollywood movie community from its early-twentieth-century beginnings to the present day. Here are accounts of the sudden, premature deaths of stars like Rudolph Valentino, Montgomery Clift, and Peter Sellers. Here too are stories about celebrities who died young because of alcohol or drug-related problems--John Belushi and Elvis Presley among many others--and of the tragic 1998 murder of comedian Phil Hartman. Car wrecks, plane crashes, and other deadly accidents sent Jayne Mansfield, Grace Kelly, and Carole Lombard, to untimely deaths, and accidents occurring during film production have taken several lives, perhaps the most dramatic being the helicopter crash that killed Vic Morrow in 1983. The tragic stories of many Hollywood personalities are told in Cut!, the definitive volume on the fleeting lives of movie celebrities, some of whom became more famous in death than they had been in life. Hundreds of photos, many in color.