But she doesn’t consider herself lonely. She has two dogs, a wide network of friends and the support of her best friend, Sophie.When an old acquaintance, Aiden Beck, needs somewhere to stay for a while, Sarah’s cottage seems ideal; and renewing her relationship with Aiden gives her a reason to smile again. It’s supposed to be temporary, but not everyone is comfortable with the arrangement: her children are wary of his motives, and Will Brewer, an old friend of her son’s, seems to have taken it upon himself to check up on Sarah at every opportunity. Even Sophie has grown remote and distant.After Sophie disappears, it’s clear she hasn’t been entirely honest with anyone, including Will, who seems more concerned for Sarah’s safety than anyone else. As the weather closes in, events take a dramatic turn and Kitty too goes missing. Suddenly Sarah finds herself in terrible danger, unsure of who she can still trust.But she isn’t facing this alone; she has Aiden, and Aiden offers the protection that Sarah needs. Doesn’t he?

    "Others have observed the natural man in the American condition before, but nobody has done it with such good humor. Ed McClanahan's good humor both sharpens his eye and gentles his vision. I don't know where else, now, you would find workmanship that is at once so meticulous and so exuberant" - Wendell Berry.

    He was thinking about the lynx. The way it had looked at him, acknowledging his existence, then passing out of his life like smoke. . . It was the first thing—the only thing—that had managed, if only for a moment, to displace from his mind the image of the child. He had carried that image with him for a year now, and it had been a weight so great that sometimes he could hardly stand. Mary Lawson’s beloved novels, Crow Lake and The Other Side of the Bridge, have delighted legions of readers around the world. The fictional, northern Ontario town of Struan, buried in the winter snows, is the vivid backdrop to her breathtaking new novel.  Roads End brings us a family unravelling in the aftermath of tragedy: Edward Cartwright, struggling to escape the legacy of a violent past; Emily, his wife, cloistered in her room with yet another new baby, increasingly unaware of events outside the bedroom door; Tom, their eldest son, twenty-five years old but home again, unable to come to terms with the death of a friend; and capable, formidable Megan, the sole daughter in a household of eight sons, who for years held the family together but has finally broken free and gone to England, to try to make a life of her own.  Roads End is Mary Lawson at her best. In this masterful, enthralling, tender novel, which ranges from the Ontario silver rush of the early 1900s to swinging London in the 1960s, she gently reveals the intricacies and anguish of family life, the push and pull of responsibility and individual desire, the way we can face tragedy, and in time, hope to start again.

    Her surprisingly attractive new neighbor, Hector, warns her to stay out of the basement at night. Tenants have reported strange noises after midnight—laughter, clinking glasses, jazz piano—even though the space has been empty for decades. Back in the Roaring Twenties, the place hid a speakeasy.In 1924, Geneva "Gin" Kelly, a smart-mouthed flapper from the hills of western Maryland, is a regular at this Village hideaway known as the Christopher Club. Caught up in a raid, Gin becomes entangled with Prohibition enforcement agent Oliver Anson, who persuades her to help him catch her stepfather Duke Kelly, one of Appalachia’s most notorious bootleggers.Headstrong and independent, Gin is no weak-kneed fool. So how can she be falling in love with the taciturn, straight-arrow Revenue agent when she’s got Princeton boy Billy Marshall, the dashing son of society doyenne Theresa Marshall, begging to make an honest woman of her? While anything goes in the Roaring Twenties, Gin’s adventures will shake proper Manhattan society to its foundations, exposing secrets that shock even this free-spirited redhead—secrets that will echo from Park Avenue to the hollers of her Southern hometown.As Ella discovers more about the basement speakeasy, she becomes inspired by the spirit of her exuberant predecessor, and decides to live with abandon in the wicked city too. . . .

    Fast. Determined to find a willing husband for Ina, Edinburgh’s most powerful matchmaker, Moira Sullivan, quickly realizes that the solution to Ina’s problem might be right in front of her. Ina’s best friend, Gavin Barrett, has a secret no one knows: he’s loved her for years. As the second son of a baronet, however, he knows he has little chance with his brilliant, beautiful friend. All that changes when Moira convinces Ina to propose a marriage of convenience to Gavin to save her from ruin. Ina only wants two things from him in return: a vow she can continue to sculpt and a promise they’ll remain in Edinburgh. After a rocky start, happiness—and maybe passion—seems on the horizon for the newlyweds until a twist of fate bestows the title of Sir Barrett on Gavin and forces him to assume responsibilities he’s never wanted. Forced to mold herself into the perfect baronet’s wife, Ina must choose between her dreams and the man she’s learning to love.

    One waiter, one customer. The overnight fry cook rambles up to the pie case to take his nightly hit of dessert-topping propellant. It’s not a complete surprise when he falls to the floor; the stuff gives him the spins. That’s the point. It’s a bad moment for the boss to arrive, though. It’s worse when the cook turns out to be dead - from a bullet no one heard. For the waiter, it’s the start of the the worst few months of his life, and before it’s done he’ll be neck-deep in drug deals, romances with a faithless minx and an unintelligible Russian teacher - and a plot by campus radicals to blow something big. It’s 1980, after all. No shortage of things to deplore. They’re not too concerned with disco, though; that seems to be on the way out. “Graveyard Special” is another humorous mystery by the author of “Falling Up the Stairs,” and the first in a series of interconnected mysteries that span six decades.

    She takes a part-time job from 83-year-old librarian Abigail Boyles, who asks Lauren to transcribe the journal entries of her ancestor Mercy Hayworth, a victim of the Salem witch trials.Almost immediately, Lauren finds herself drawn to this girl who lived and died four centuries ago. As the fervor around the witch accusations increases, Mercy becomes trapped in the worldview of the day, unable to fight the overwhelming influence of snap judgments and superstition, and Lauren realizes that the secrets of Mercy's story extend beyond the pages of her diary, living on in the mysterious, embittered Abigail.The strength of her affinity with Mercy forces Lauren to take a startling new look at her own life, including her relationships with Abigail, her college roommate, and a young man named Raul. But on the way to the truth, will Lauren find herself playing the helpless defendant or the misguided judge? Can she break free from her own perceptions and see who she really is?

    Maggy--Flamboyant mistress of  Mistral's youth, the toast of Paris in the '20s.  Her luminous flesh was immortalized in the  paintings that made Mistral legendary. Teddy--Maggy's  daughter, the incomparable cover girl who lived fast  and left as her legacy Mistral's dazzling love  child. Fauve--Mistral's daughter, the headstrong,  fearless glory girl whose one dark secret drove her  to rule the world of high fashion and to risk  everything in a feverish search for love. From the  '20s Paris of Chanel, Colette, Picasso and Matisse to  New York's sizzling new modeling agencies of the  '50s, to the model ward of the '70s,  Mistral's Daughter captures the explosive  glamour of life at the top of the worlds of art and  high fashion. Judith Krantz has given us a  glittering international tale as spellbinding as her  other celebrated best-sellers,  Scruples, Princess Daisy, I'll Take  Manhattan, Till We Meet Again,  Scruple s Two,  Dazzle, and Lovers.

    Determined to never again risk her heart, she throws herself into running the family’s small boutique resort on the Florida coast, a place so full of romance that it’s a reminder every day of what she’ll never have. But when renowned artist Grant Ellington shows up to paint a mural on the wall of the resort, she’s swept away by her response to the artist. Suddenly, every time he looks at her, Cali finds it harder than she ever thought possible to keep her heart protected. Grant Ellington loves his ranch, his horses, and his life as a sought-after artist. But after walking away from a plane crash that killed his best friend and the young pilot, he’s still struggling with survivor’s guilt as he heads to Windswept Bay. Painting a sea life mural at the resort started out as a favor to his neighbor, but one meeting with the beautiful Cali and he feels alive again—and determined to spend time on the moonlit beaches with her in his arms… But, like him, Cali has her own emotional scars—can they learn to trust the love that sparks between them and move forward from this moment on?