There’s nothing to do, and he misses his friends in the city. But he doesn’t have a choice. His mother’s job is in Mason County now, so David and his mom are too, and he has to make the best of it.At first, the only redeeming feature of David’s new home is the swimming hole across the field from his house. Then David meets Benjamin Killinger, and suddenly life stops being so dull.Benjamin is Amish, and cooling off in the swimming hole is one of the few liberties he and his brothers enjoy. A friendship with an English boy is not—but that doesn’t stop him and David from getting to know each other, as long as it's on the neutral ground by the creek. After David risks his life to save Benjamin’s father, the boys’ friendship is tolerated, then accepted. But before long, Benjamin’s feelings for David grow beyond the platonic. Benjamin's family and the rest of the community will never allow a love like that, and a secret this big can’t stay secret forever...Gay Contemporary Young Adult/Juvenile

    She’s captain of the Number Ninjas, her schedule is perfect, and her best friend Jacqueline Flores is going to be right by her side for all of it. But on the first day back at Dearington, Jac throws a wrench in Anabelle’s tidy plans. Not only has she rearranged her classes and dropped Number Ninjas, she’s joined the Girls who Like Girls Program, leaving Anabelle’s entire schedule in upheaval. Jac is never around anymore, and when she is, she’s got new friends (who Anabelle hates) or she’s running off to a lecture on alternative footwear. Anabelle is left to deal with the changes on her own, and suddenly, Jac’s inability to keep their dorm room tidy is the very least of Anabelle’s problems.

    It centers around a young Nigerian woman, Ada, who develops separate selves within her as a result of being born "with one foot on the other side." Unsettling, heartwrenching, dark, and powerful, Freshwater is a sharp evocation of a rare way of experiencing the world, one that illuminates how we all construct our identities.Ada begins her life in the south of Nigeria as a troubled baby and a source of deep concern to her family. Her parents, Saul and Saachi, successfully prayed her into existence, but as she grows into a volatile and splintered child, it becomes clear that something went terribly awry. When Ada comes of age and moves to America for college, the group of selves within her grows in power and agency. A traumatic assault leads to a crystallization of her alternate selves: Asụghara and Saint Vincent. As Ada fades into the background of her own mind and these selves--now protective, now hedonistic--move into control, Ada's life spirals in a dark and dangerous direction.Narrated by the various selves within Ada and based in the author's realities, Freshwater dazzles with ferocious energy and serpentine grace, heralding the arrival of a fierce new literary voice.

    Through his eyes we encounter the composer Robert Christian Gustafson, an Iowa preacher's son whose good looks constitute both a mythic draw and a major limitation, and Angelina "Alabama" Byrnes, a failed deb, five feet tall but bristling with outsized talent.  These friends shelter each other, promote each other's work, and compete erotically.  When tragedy strikes, this circle grows up fast, somehow finding, at the worst of times, the truest sort of family.Funny and heartbreaking, as eventful as Dickens and as atmospheric as one of Fitzgerald's parties, Plays Well with Others combines a fable's high-noon energy with an elegy's evening grace.  Allan Gurganus's celebrated new novel is a lovesong to imperishable friendship, a hymn to a brilliant and now-vanished world.

    Newly divorced and eager to escape her bleak life in upstate New York, where she moved as an adult, she arrives with her two teenagers to discover a city that has become an unrecognizable ghost town. The move fractures the siblings' close relationship, as Michael, free to be gay, takes to looting empty houses and partying with wannabe anarchists, while Adela, fascinated with the horrors of the Holocaust, buries herself in books and finds companionship in a previously unknown cousin. Over time, the town itself changes--from dismantled city to refugee haven and neo-Nazi hotbed, and eventually to a desirable seaside resort town. In the midst of that change, two episodes of devastating, fateful violence come to define the family forever.Moving seamlessly through decades and between the thoughts and lives of several unforgettable characters, Thomas Grattan's spellbinding novel is a multigenerational epic that illuminates what it means to leave home, and what it means to return. Masterfully crafted with humor, gorgeous prose, and a powerful understanding of history and heritage, The Recent East is the profoundly affecting story of a family upended by displacement and loss, and the extraordinary debut of an empathetic and ambitious storyteller.

    An only child, he lives alone with Emilie, the mother he adores but who treats him with bitter severity. He begins an intense friendship with a Jewish boy his age, talented and mercurial Anton Zweibel, a budding concert pianist. Moving backward to the war years and the painful repercussions of an act of conscience, and forward through the lives and careers of two men, The Gustav Sonata explores the passionate love of childhood friendship as it is lost, transformed, and regained over a lifetime. Moving between the 1930s and the 1990s, this fierce and beautifully orchestrated novel explores the vast human issues of racism and tolerance, flight and refuge, cruelty and tenderness. It is a powerful and deeply moving addition to the beloved oeuvre of one of our greatest contemporary novelists.

    We follow Paul Lemoyne on a rake's progress, from low-life prostitution at the stage door of the Palace of Varieties to the salons and studios of Mayfair; from the bath-houses of Bermondsey to the rarefied circles of modern art. And behind it all lurks the mysterious figure of Albert Abbott, his lover, corrupter and Svengali.

    Two days after his birthday, a momentous first date with the man of his dreams convinces Aaron he's in love and ready for marriage. However, Aaron must first address the damage he suffered from a difficult childhood. “You aren’t super macho. More like…sweet and hot.” That‘s how Aaron’s friend and neighbor Michelle, the smartest girl in the class, describes him. She promises he’ll meet someone soon.Aaron is skilled at ignoring an unhappy childhood that left him serene on the outside and insecure, vulnerable and anxious on the inside. From middle school on, he concentrated on getting good grades and running faster but also gained more than enough experience with hopeless crushes on really nice straight classmates. Now, at the start of his last semester of high school, he’s ready for a real romance. With help from Michelle and a pooch named Daisy, he meets three seriously good-looking guys who invite him to join their running club. Daniel, Justin and Matthew are a few years older than Aaron but they quickly accept him into their social group. Life has programmed Aaron to be pessimistic but he gets his hopes up and for the first time he makes a connection with another gay guy. Aaron knows “the course of true love never did run smooth,” but he lets himself forget and believe that it will for him. Naturally, when it doesn’t he blames himself. There Was a Boy recounts a pivotal time when a teenager enters adulthood sooner than he’s ready, meets the man of his dreams and falls in love. Aaron has a lot to learn about sex and love. He’s positive he’s found the right teacher but an additional lesson awaits him and he must confront the wounds of his childhood before he can graduate to his new life.

    The liaison is caged by strict rules and rigid emotional distance. Nonetheless, it’s all too easy to surrender to an attraction so powerful she finds herself erased, abandoning even her own name in favor of a new one: Lilith.As Lilith grows closer to Matt, she begins to recognize the dark undertow of obsession and jealousy that her presence has created between Matt and Frances, and finds herself balancing on a knife’s edge between pain and pleasure, the promise of the future and the crushing isolation of the present. With stripped-down prose and unflinching clarity, Nash examines madness in the wreckage of love, and the loss of self that accompanies it. Nash's work has been featured in Cosmopolitan, Elle, Marie Claire and others.

    These thirty-three short stories and poems, crafted with a deliberate delicacy, each capture the candid, private moments of women in love.Together, these stories and the women who inhabit them reveal an illuminating portrait of the sacred female romance, with all its nuances, complexities, burdens, and triumphs revealed. Violence, sickness, chaos, tenderness, beauty, and freedom adorn these pages in a mosaic of unforgettable moments, including a lesbian granddaughter discovering unexpected commonalities with her grandmother, a teenager’s tryst with her friend after disenchanting sex with a boy, and an old couple’s dreamy Sunday-morning ritual.Sweeping nearly every major Brazilian literary prize in 2016—including the Prêmio Jabuti and Prêmio Açorianos de Literatura—Amora has propelled Natália Borges Polesso to the forefront of the international literary world.

    It isn't long before social services figures out that Dusty's parents are more myth than reality, and he and his siblings are shipped off to live in Vermont with an uncle and aunt they've never met.Dusty's new life is a struggle. His brother and sister don't seem to need him anymore, and he can't stand his aunt and uncle. At school, one hockey player develops a personal vendetta against him, while Emmitt, another hockey player, is making it hard for Dusty to keep pretending he's straight. Problem is, he's pretty sure Emmitt’s not gay. Then, just when Dusty thinks things can't get any worse, his mother reappears, looking for a second chance to be a part of his life.Somehow Zebulon Pike still got the mountain named after him, so Dusty's determined to persevere—but at what point in life do you keep climbing, and when do you give up and turn back?

    I left this book bruised yet somehow better for it.” – Tayari Jones.“Brutal, haunting, redemptive and...beautiful.” – Jojo Moyes. This extraordinary debut set in South Africa reveals legacies of abuse and redemption exploring the extraordinary strength of the human spirit - from the Boer War in 1901 to brutal camps for teenage boys now. There is always darkness but there is always light in it if we just look.South Africa, 1901 - the height of the second Boer War. Sarah van der Watt and her six-year-old son Fred are forced from their home on Mulberry Farm by British troops. As the polite invaders welcome them to Bloemfontein Concentration Camp they promise Sarah and Fred that they will be safe there.2010. Sixteen-year-old Willem is an outsider. Hoping he will become the man she wants him to be, his Ma and her boyfriend send Willem away to the New Dawn Safari Training Camp where they are proud to 'make men out of boys'. They promise Willem he will be safe there.You Will Be Safe Here is a powerful and urgent novel of two connected South African stories with universal relevance. Inspired by real events, it uncovers a hidden colonial history, reveals a dark contemporary secret, and explores the legacy of violence and our drive to survive and to love. An Observer, Guardian, Financial Times, Irish Times, Irish Independent and Big Issue Pick of the Year

    Instead, he ended up staying in France for thirteen months, working under the veil of a legitimate relief organization to procure false documents, amass emergency funds, and set up an underground railroad that led over the Pyrenees, into Spain, and finally to Lisbon, where the refugees embarked for safer ports. Among his many clients were Hannah Arendt, Franz Werfel, André Breton, Max Ernst, Marcel Duchamp, and Marc Chagall.The Flight Portfolio opens at the Chagalls' ancient stone house in Gordes, France, as the novel's hero desperately tries to persuade them of the barbarism and tragedy descending on Europe. Masterfully crafted, exquisitely written, impossible to put down, this is historical fiction of the very first order, and resounding confirmation of Orringer's gifts as a novelist.

    The Carnivorous Lamb, originally written in French, won the Prix Hermes, and this, its 1984 English translation, was widely acclaimed.

    Cliffy, black, and Noah, Jewish, are teens of their time, segregated by neighborhood, skin color and opportunity, yet neither boy has ever had a friend like the other.