Originally published in 1946 and hailed by critics as a masterwork, The Street was Ann Petry's first novel, a beloved bestseller with more than a million copies in print. Its haunting tale still resonates today.

    A shock wave breaks over the Oval as its longtime members grapple with the changing face of its community.With elegant, luminous prose, Dorothy West crowns her literary career by illustrating one family's struggle to break the shackles of race and class.

    Happy in her marriage, she tries to look the other way when her genial husband, Alec, takes to the bottle. When Elspeth, Margaret's sister, comes to live with them, the young woman is immediately captivated by the beauty and vitality of the farm, and by the affection she receives from those around her. But as summer turns into fall, and the friendship between Alec and Elspeth deepens, Margaret finds her spirit tested by a series of events that seem as cruel and inevitable as the endless prairie winters.Long out of print, Remembering Laughter (1937) marked Wallace Stegner's brilliant literary debut.

    The family house is in the small Far West town of Fingerbone set on a glacial lake, the same lake where their grandfather died in a spectacular train wreck, and their mother drove off a cliff to her death. It is a town "chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere." Ruth and Lucille's struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transience.

    Set in a place beyond good and evil - literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul - it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis and stunning in the still-startling intensity of its prose.

    Sula Peace has rejected the life Nel has embraced, escaping to college, and submerging herself in city life. When she returns to her roots, it is as a rebel and a wanton seductress. Eventually, both women must face the consequences of their choices. Together, they create an unforgettable portrait of what it means and costs to be a black woman in America.

    At the beginning of this novel, she drives back to her family ranch in the foothills of the Sierras to attend the wedding of her identical twin, Judith, to a nice young doctor from Connecticut. Cassandra, however, is hell-bent on sabotaging the wedding. Dorothy Baker's entrancing tragicomic novella follows an unpredictable course of events in which her heroine appears variously as conniving, self-aware, pitiful, frenzied, absurd, and heartbroken—at once utterly impossible and tremendously sympathetic. Cassandra reckons with her complicated feelings about the sister who she feels owes it to her to be her alter ego; with her father, a brandy-soaked retired professor of philosophy; and with the ghost of her dead mother, as she struggles to come to terms with the only life she has. First published in 1962, Cassandra at the Wedding is a book of enduring freshness, insight, and verve. Like the fiction of Jeffrey Eugenides and Jhumpa Lahiri, it is the work of a master stylist with a profound understanding of the complexities of the heart and mind.

    Contains the American novelist's greatest short novels: Spotted Horses, Old Man, and The Bear.

    Powell sets a see-saw in motion when Olliver is swept up by the tasteless publishing tycoon, Tyson Bricker, and his new book makes its way onto to the bestseller lists just as Lyle's Broadway career is coming apart.

    The two families – once linked in the past – meet again, with the result that Rebecca becomes drawn into the strange complications of the old lady’s life.

    In the telling of her life, Stacey rediscovers for us all the richness of the commonplace, the pain and beauty in being alive, and the secret music that dances in everyone’s soul.

    Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten.Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four.The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason.A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time.Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.Source: john-irving.com

    Kate Lambert, a grieving, semi-alcoholic film student, invites an elderly woman to take part in an oral-history documentary. The woman, Jean Culver, declines, but makes her a bizarre counter-offer: if Kate can stay sober for four days, she will tell her a story. And if she can stay sober beyond that, there will be another, and then another, amounting to the entire history of one family’s life.Though still shattered by the death of her father, and by the desultory abuse imposed by Laurits, her enigmatic collaborator and erstwhile lover – Kate is soon drawn into a Scheherazade-like matrix of tales, some painfully final, some still unfinished, in which Jean gradually offers a heartbreaking account, not only of one family, but of the American century itself, from World War II to Vietnam and the Weather Underground.A profound, mysterious, deeply moving novel – a meeting of love and grief, like water on arid soil – Ashland & Vine is the story of an unlikely friendship that transcends time, age and the limits of narrative to reveal the unexpected grace that comes of listening to another’s history, while telling, as carefully as we can, what we know of our own.

    Here, Barbara Mary Crampton Pym sails off into a wickedly comedic farce, focusing on the unsuitable romantic entanglements of a curate and a pretty young girl, both of whom live in the same rooming house, and a starry-eyed university professor and his female student.

    The first half of this posthumously published novel describes George's evolution from small-town southern boy to struggling New York novelist and attempts to answer the brooding protagonist's question, "What is it that a young man wants?" The second half is devoted to his tempestuous affair with a sophisticated married woman. Ultimately, George, repulsed by the frivolous lifestyle of his wealthy mistress and her circle, retreats to Europe. But, once again, his idealism is shattered as Hitler rises to power in Germany. Disillusioned, George dreams of returning to the South of his childhood but realizes that "you can't go home again."