But in this extraordinary autobiography, Shania reveals that she is so much more. She is Eilleen Twain, one of five children born into poverty in rural Canada, where her family often didn't have enough food to send her to school with lunch. She's the teenage girl who helped her mother and young siblings escape to a battered woman's shelter to put an end to the domestic violence in her family home. And she's the courageous twenty-two-year-old who sacrificed to keep her younger siblings together after her parents were tragically killed in a car accident.Shania Twain's life has evolved from a series of pivotal moments, and in unflinching, heartbreaking prose, Shania spares no details as she takes us through the events that have made her who she is. She recounts her difficult childhood, her parents' sudden death and its painful aftermath, her dramatic rise to stardom, her devastating betrayal by a trusted friend, and her joyful marriage to the love of her life. From these moments, she offers profound, moving insights into families, personal tragedies, making sense of one's life, and the process of healing. Shania Twain is a singular, remarkable woman who has faced enormous odds and downfalls, and her extraordinary story will provide wisdom, inspiration, and hope for almost anyone.

    Johnny Cash's extraordinary career stretched from his days at Sun Records with Elvis Presley and Jerry Lee Lewis to the remarkable creative last hurrah, at age 69, that resulted in the brave, moving "Hurt" video.As music critic for the Los Angeles Times, Hilburn knew Cash throughout his life: he was the only music journalist at the legendary Folsom Prison concert in 1968, and he interviewed both Cash and his wife June Carter just months before their deaths. Drawing upon a trove of never-before-seen material from the singer's inner circle, Hilburn creates an utterly compelling, deeply human portrait of a towering figure in country music, a seminal influence in rock, and an icon of American popular culture. Hilburn's reporting shows the astonishing highs and deep lows that marked the journey of a man of great faith and humbling addiction who throughout his life strove to use his music to lift people's spirits.

    But the road to success wasn't easy. "Drinking with Strangers" takes readers beyond the studio for a rare glimpse into a life that has been defined by raw talent, adversity and a drive for perfection. As a teenager, Walker and his band left Cartersville, Georgia for the mean streets of Los Angeles to try to make it in the rock world. When the fairy tale label dream never quite materialized after many false starts - including a really bad video from the guy who did all the Aerosmith videos - Walker and his band quickly converted to the DIY (do it yourself) approach, touring the country and doing over 250 gigs a year, selling his merch, records, and even tapes out of any van that he happened to be driving that day. There are a lot of life lessons to be learned while out on the road trying to make it as a musician, and Walker is no exception - and here he shares his anecdotes and tales with insight and candor and what it's really like to spend a life of drinking with strangers. Almost a primer for anyone who wants to make it in the music business, "Drinking with Strangers" will be interspersed with lots of Butchisms, including "the world's most depressing pie chart about music publishing"; how in 1984 his production "studio" consisted of a boom box, while today it's a Studer and Pro Tools; how to make a really bad music video and spend 3x what the album cost to make; and of course what all musicians need to know - how and why their A&R guy (or gal) could get fired and leave you and your band in the dust.

    She has never before talked openly about her life, until now. In her unique Tennessee twang, Dolly tells her rags-to-riches story, as only she can--with integrity, insight and her unfailing sense of humor. 32 pages of photos.

    The band themselves have assisted in this official illustrated record, contributing over 400 photographs (many never seen outside the pages of this book), press cuttings, album sleeves and posters. The Who: Maximum R&B also features complete UK and US discographies, including solo work by the individual members.First published in 1982 and now in its fifth edition, The Who: Maximum R&B is a colourful pictorial joyride widely accepted as the best book on the Who. Updated to detail the creative tensions and the chemistry that allowed the group to reform for one more time on their 2002 tour, it describes the untimely death of bassist John Entwistle on that same tour and features an Introduction by songwriter/guitarist Townshend on the loss of his friend and his own recent legal problems.

    But Folds will be the first to tell you he's an unconventional icon, more normcore than hardcore. Now, in his first book, Folds looks back at his life so far in a charming and wise chronicle of his artistic coming of age, infused with the wry observations of a natural storyteller.In the title chapter, "A Dream About Lightning Bugs," Folds recalls his earliest childhood dream--and realizes how much it influenced his understanding of what it means to be an artist. In "Measure Twice, Cut Once" he learns to resist the urge to skip steps during the creative process. In "Hall Pass" he recounts his 1970s North Carolina working-class childhood, and in "Cheap Lessons" he returns to the painful life lessons he learned the hard way--but that luckily didn't kill him.In his inimitable voice, both relatable and thought-provoking, Folds digs deep into the life experiences that shaped him, imparting hard-earned wisdom about both art and life. Collectively, these stories embody the message Folds has been singing about for years: Smile like you've got nothing to prove, because it hurts to grow up, and life flies by in seconds.

    The American Night presents Morrison's previously unpublished work in its truest form. With their nightmarish images, bold associative leaps, and volcanic power of emotion, these works are the unmistakable artifacts of a great, wild voice and heart.

    A deeply spiritual, cerebral powerhouse. A famously outspoken introvert. For her millions of fans, and the few unacquainted, defining rock luminary, Alanis Morissette, is an exercise in dichotomies and nuance. And though her most formidable traits are seemingly at odds with one another, they’re oddly enough, completely emblematic of all of us: complex, conflicting, and most importantly, ever-evolving. But here’s the rub: We don’t like our pop stars that way! Especially when they’re 21, and female, and it’s still the mid 90s. In her courageously raw and musically rich Words + Music, the inimitable Alanis Morissette draws us right into that central supposed paradox, as she opens up about the lifelong process of discovering that her voice is, in fact, composed of a multitude of voices. And despite external forces teaching her to sublimate certain ones as a child (anger, sadness, fear) and later, cultural forces demanding she oughta stick to one as a persona, Alanis has come out on the other side with a sense of peace and gratitude for her—only-human—chorus of coexisting internal voices.With her striking command of language and profound emotional fluency, the now 46-year-old covers an enormous amount of personal ground with listeners, unpacking a lifetime of conscious self-discovery in an evocative rumination on her journey as an artist, celebrity, and woman. Listen closely, as Alanis weaves her fascinating, funny, at times, painful autobiographical story between eight of her most anthemic/kick-ass tracks. If you’re looking for Alanis to perform enthralling new versions of songs like "You Oughta Know," "Ironic," "Thank U," or "Hand in My Pocket," matched with compelling detail about the tunes and her creative process—well, you’re in the right place. And if you’re looking for Alanis to delve even deeper: to mine, examine, and ultimately make sense of seminal moments in her life as a means to inspire and enlighten your own—she again delivers.By the end of her captivating session an impressive truth emerges: While most of us do soul search, only the rarest among us have the courage and discipline to actually cultivate what we discover. Alanis Morissette is such an example: willing to constantly listen to herself and respond in kind. After shaking up the world 25 years ago with Jagged Little Pill, hear her, today‚ as she continues to reach new heights: this time by revealing the range of her own humanity to help connect us with ours.

    However, the gray-haired, grandmotherly Mrs. White is not an ordinary candy maker. Her confections have magical side effects. Purposefully, she invites the kids on a special mission to retrieve a hidden talisman under Mt. Diablo Elementary School.

    Each essay gives a biographical background for its subject and a description of the main strands of their thought, together with summaries of their major works.The thirty-four chronologically-organized essays are a comprehensive introduction to Western philosophy's major figures.Dr Jeremy Stangroom is a founding editor of The Philosophers' Magazine, one of the world's most popular philosophy publications. He has written and/or edited numerous books, including: New British Philosophy, What Philosophers Think and Great Thinkers A-Z (all with Julian Baggini); The Dictionary of Fashionable Nonsense and Why Truth Matters (with Ophelia Benson); and What Scientists Think. He is a frequent contributor to New Humanist magazine, and he is also the editor of the Royal Institute of Philosophy web site.James Garvey teaches philosophy at the University of Nottingham and is Secretary of the Royal Institute of Philosophy.

    All songs are arranged with standard notation and tab for guitar, with chord symbols, full lyrics and chord boxes. Includes a generous selection of color photographs of the band in action and Gerald Scarfe illustrations. Songs include: Another Brick in the Wall * Comfortably Numb * Hey You * In the Flesh? * Is There Anybody Out There? * Mother * Run Like Hell * Young Lust * and more.

    Prince was a musical genius, one of the most talented, beloved, accomplished, popular, and acclaimed musicians in history. He was also a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, the greatest pop star of his era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is composed of the memoir he was writing before his tragic death, pages that brings us into Prince’s childhood world through his own lyrical prose. The second part takes us into Prince’s early years as a musician, before his first album released, through a scrapbook of Prince’s writing and photos. The third section shows us Prince’s evolution through candid images that take us up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, as he retells the autobiography we’ve seen in the first three parts as a heroic journey.The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his short but profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to each of the book’s images. This work is not just a tribute to Prince, but an original and energizing literary work, full of Prince’s ideas and vision, his voice and image, his undying gift to the world.

    Now, at last, the man himself tells us the story of life in the crossfire hurricane.

    This version of the Beatles legend smoothed the rough edges and filled in the fault lines, and for more than forty years this manicured version of the Beatles story has sustained as truth - until now.The product of almost a decade of research, hundreds of unprecedented interviews, and the discovery of scores of never-before-revealed documents, Bob Spitz's The Beatles is the biography fans have been waiting for -- a vast, complete account as brilliant and joyous and revelatory as a Beatles record itself. Spitz begins in Liverpool, a hard city knocked on its heels. In the housing projects and school playgrounds, four boys would discover themselves -- and via late-night radio broadcasts, a new form of music called rock 'n roll.Never before has a biography of musicians been so immersive and textured. Spitz takes us down Penny Lane and to Strawberry Field (John later added the s), to Hamburg, Germany, where -- amid the squalor and the violence and the pep pills -- the Beatles truly became the Beatles. We are there in the McCartney living room when Paul and John learn to write songs together; in the heat of Liverpool's Cavern Club, where jazz has been the norm before the Beatles show up; backstage the night Ringo takes over on drums; in seedy German strip clubs where George lies about his age so the band can perform; on the lonely tours through frigid Scottish towns before the breakthrough; at Abbey Road Studios, where a young producer named George Martin takes them under his wing; at the Ed Sullivan Show as America discovers the joy and the madness; and onward and upward: up the charts, from Shea to San Francisco, through the London night, on to India, through marmalade skies, across the universe...all the way to a rooftop concert and one last moment of laughter and music.It is all here, raw and right: the highs and the lows, the love and the rivalry, the awe and the jealousy, the drugs, the tears, the thrill, the magic never again to be repeated. Open this book and begin to read -- Bob Spitz's masterpiece is, at long last, the biography the Beatles deserve.

    144 pp. Ages 14 and up. Pub: 3/98.