In this environment, where the everyday rights of people are under attack, homosexuality is a dangerous transgression to be punished. And yet Romina, Flaca, Anita "La Venus," Paz, and Malena--five cantoras, women who "sing"--somehow, miraculously, find one another. Together, they discover an isolated, nearly uninhabited cape, Cabo Polonio, which they claim as their secret sanctuary. Over the next thirty-five years, their lives move back and forth between Cabo Polonio and Montevideo, the city they call home, as they return, sometimes together, sometimes in pairs, with lovers in tow, or alone. And throughout, again and again, the women will be tested--by their families, lovers, society, and one another--as they fight to live authentic lives. A genre-defining novel and De Robertis's masterpiece, Cantoras is a breathtaking portrait of queer love, community, forgotten history, and the strength of the human spirit. At once timeless and groundbreaking, Cantoras is a tale about the fire in all our souls and those who make it burn.

    Pronounced ‘cheena’: designation for female, from the Quechua. Iron: The English word for Fierro, reference to the gaucho Martín Fierro, from José Hernández’s epic poem.) This is a riotous romp taking the reader from the turbulent frontier culture of the pampas deep into indigenous territories. It charts the adventures of Mrs China Iron, Martín Fierro’s abandoned wife, in her travels across the pampas in a covered wagon with her new-found friend, soon to become lover, a Scottish woman named Liz. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina’s richly diverse flora and fauna, cultures and languages, as well as to its national struggles. After a clash with Colonel Hernández (the author who ‘stole’ Martín Fierro’s poems) and a drunken orgy with gauchos, they eventually find refuge and a peaceful future in a utopian indigenous community, the river- dwelling Iñchiñ people. Seen from an ox-drawn wagon, the narrative moves through the Argentinian landscape, charting the flora and fauna of the Pampas, Gaucho culture, Argentinian nation-building and British colonial projects. In a unique reformulation of history and literary tradition, Gabriela Cabezón Cámara, with humour and sophistication, re-writes Martín Fierro from a feminist, LGBT, postcolonial point of view. She creates a hilarious novel that is nevertheless incisive in its criticism of the way societies come into being, and the way they venerate mythical heroes.

    And in handsome twin brothers Ramón and Inocente—both in love with Ana—she finds a way to get there. She marries Ramón, and in 1844, just eighteen, she travels across the ocean to a remote sugar plantation the brothers have inherited on the island. Ana faces unrelenting heat, disease and isolation, and the dangers of the untamed countryside even as she relishes the challenge of running Hacienda los Gemelos. But when the Civil War breaks out in the United States, Ana finds her livelihood, and perhaps even her life, threatened by the very people on whose backs her wealth has been built: the hacienda’s slaves, whose richly drawn stories unfold alongside her own. And when at last Ana falls for a man who may be her destiny—a once-forbidden love—she will sacrifice nearly everything to keep hold of the land that has become her true home.This is a sensual, riveting tale, set in a place where human passions and cruelties collide: thrilling history that has never before been brought so vividly and unforgettably to life.

    Rafael Trujillo, the depraved ailing dictator whom Dominicans call the Goat, controls his inner circle with a combination of violence and blackmail. In Trujillo's gaudy palace, treachery and cowardice have become the way of life. But Trujillo's grasp is slipping away. There is a conspiracy against him, and a Machiavellian revolution already underway that will have bloody consequences of its own. In this 'masterpiece of Latin American and world literature, and one of the finest political novels ever written' ("Bookforum"), Mario Vargas Llosa recounts the end of a regime and the birth of a terrible democracy, giving voice to the historical Trujillo and the victims, both innocent and complicit, drawn into his deadly orbit.

    Drawn to what lies beyond the range of reason, they all reach for the beautiful and fleeting, whether through humor, music, poetry, or unspoken words. Across his encounters with each of them, the narrator—a Guatemalan literature professor and writer named Eduardo Halfon—pursues his most enigmatic subject: himself.Mapping the geography of identity in a world scarred by a legacy of violence and exile, The Polish Boxer marks the debut of a major new Latin American voice in English.Eduardo Halfon has been cited as among the best young Latin American writers by the Hay Festival of Bogotá and is the recipient of Spain’s prestigious José María de Pereda Prize for the Short Novel. In 2011 he received a Guggenheim Fellowship to continue the story of The Polish Boxer, which is his first novel to be published in English. He travels frequently to his native Guatemala and lives in Nebraska.

    Her investigative partner is photographer Francisco Leal, the son of impoverished Spanish Marxist émigrés. Together, they form an unlikely but inseparable team—and Francisco quickly falls in love with the fierce and loyal Irene. When an assignment leads them to a young girl whom locals believe to possess miraculous powers, they uncover an unspeakable crime perpetrated by an oppressive regime. Determined to reveal the truth in a nation overrun by terror and violence, each will risk everything to find justice—and, ultimately, to embrace the passion and fervor that binds them.Profoundly moving and ultimately uplifting, Of Love and Shadows is a tale of romance, bravery, and tragedy, set against the indelible backdrop of a country ruled with an iron fist—and peopled with those who dare to challenge it.

    Jane is an American journalist who has traveled to Africa, hoping to give a voice to children like Esther and to find her center after a series of failed relationships. In unflinching prose, Minot interweaves their stories, giving us razor-sharp portraits of two extraordinary young women confronting displacement, heartbreak, and the struggle to wrest meaning from events that test them both in unimaginable ways.  With mesmerizing emotional intensity and stunning evocations of Africa's beauty and its horror, Minot gives us her most brilliant and ambitious novel yet.

    Sixteen year old Teresita, illegitimate but beloved daughter of the wealthy and powerful rancher Don Tomas Urrea, wakes from the strangest dream - a dream that she has died. Only it was not a dream. This passionate and rebellious young woman has arisen from the dead with the power to heal - but it will take all her faith to endure the trials that await her and her family now that she has become the Saint of Cabora.The Hummingbird's Daughter is a vast, hugely satisfying novel of love and loss, joy and pain. Two decades in the writing, this is the masterpiece that Luis Alberto Urrea has been building up to.

    What they have lost - and what they find - is revealed in the fifteen interconnected stories that make up this exquisite novel from one of the premier novelists of our time.

    Alone, except for harried undertakers, she buries her mother–the only family Adelaida has ever known.Numb with grief, Adelaida returns to the apartment they shared. Outside the window that she tapes shut every night—to prevent the tear gas raining down on protesters in the streets from seeping in. When looters masquerading as revolutionaries take over her apartment, Adelaida resists and is beaten up. It is the beginning of a fight for survival in a country that has disintegrated into violence and anarchy, where citizens are increasingly pitted against each other. But as fate would have it, Adelaida is given a gruesome choice that could secure her escape.Filled with riveting twists and turns, and told in a powerful, urgent voice, It Would Be Night in Caracas is a chilling reminder of how quickly the world we know can crumble.

    Hannah's encounter with Taylor ultimately triggers a series of events whose momentum catches Hannah's family in its grip and forces her to make a heartrending choice.

    Now, at the height of his powers, Zambra returns with a book that is the natural extension of these qualities: Multiple Choice.   Written in the form of a standardized test, Multiple Choice invites the reader to complete virtuoso language exercises and engage with short narrative passages via multiple-choice questions that are thought-provoking, usually unanswerable, and often absurd. It offers a new kind of reading experience, one where the reader participates directly in the creation of meaning. Full of humor, melancholy, and anger, Multiple Choice is about love and family; privacy and the limits of closeness; how a society is affected by the legacies of the past; and the conviction that, rather than learning to think, we are trained to obey and repeat. Serious in its literary ambition but playful in its execution, Multiple Choice confirms Alejandro Zambra as one of the most important writers working in any language.

    It is 1975, a perfect spring in Istanbul. Kemal, scion of one of the city’s wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie—a world, as he lovingly describes it, with opulent parties and clubs, society gossip, restaurant rituals, picnics, and mansions on the Bosphorus, infused with the melancholy of decay—until finally he breaks off his engagement to Sibel. But his resolve comes too late. For eight years Kemal will find excuses to visit another Istanbul, that of the impoverished backstreets where Füsun, her heart now hardened, lives with her parents, and where Kemal discovers the consolations of middle-class life at a dinner table in front of the television. His obsessive love will also take him to the demimonde of Istanbul film circles (where he promises to make Füsun a star), a scene of seedy bars, run-down cheap hotels, and small men with big dreams doomed to bitter failure. In his feckless pursuit, Kemal becomes a compulsive collector of objects that chronicle his lovelorn progress and his afflicted heart’s reactions: anger and impatience, remorse and humiliation, deluded hopes of recovery, and daydreams that transform Istanbul into a cityscape of signs and specters of his beloved, from whom now he can extract only meaningful glances and stolen kisses in cars, movie houses, and shadowy corners of parks. A last change to realize his dream will come to an awful end before Kemal discovers that all he finally can possess, certainly and eternally, is the museum he has created of his collection, this map of a society’s manners and mores, and of one man’s broken heart.A stirring exploration of the nature of romantic attachment and of the mysterious allure of collecting, The Museum of Innocence also plumbs the depths of an Istanbul half Western and half traditional—its emergent modernity, its vast cultural history. This is Orhan Pamuk’s greatest achievement.

    The city is covered in ash. Three children of ex-militants are facing a past they can neither remember nor forget. Felipe sees dead bodies on every corner of the city, counting them up in an obsessive quest to square these figures with the official death toll. He is searching for the perfect zero, a life with no remainder. Iquela and Paloma, too, are searching for a way to live on. When the body of Paloma’s mother gets lost in transit, the three take a hearse and a bottle of pisco up the cordillera for a road trip with a difference. Intense, intelligent, and extraordinarily sensitive to the shape and weight of words, this remarkable debut presents a new way to count the cost of a pain that stretches across generations.

    I always had. In 1976, Tomás Oriilla is a medical student in Buenos Aires, where he's moved in hopes of reuniting with Isabel, a childhood crush. But the reckless passion that has always drawn him is leading Isabel ever deeper into the ranks of young insurgents fighting an increasingly oppressive regime. As its thuggish milicos begin to disappear more and more people like her, she presents Tomás with a way to prove himself. As always, he'll do anything for Isabel. But what exactly is he proving, and at what cost to them both?It will be years before a summons back arrives for Tomás, now living as Thomas Shore in New York. But it isn't a homecoming that awaits him so much as an odyssey into the past, an encounter with the ghosts that lurk there, and a reckoning with the fatal gap between who he's become and who he once aspired to be. Raising profound questions about the sometimes impossible choices we make in the name of love, Hades, Argentina is a gripping, brilliantly narrated literary debut.