There are no superficial scares here; these are stories that will make you think even as they keep you on the edge of your seat. From bloody horror to supernatural creatures to unsettling, all-too-possible realism, this collection has something for any reader looking for a thrill.Fans of TV’s The Walking Dead, True Blood, and American Horror Story will tear through tales by these talented authors:Stefan BachmannLeigh BardugoKendare BlakeA. G. HowardJay KristoffMarie LuJonathan MaberryDanielle PaigeCarrie RyanMegan ShepherdNova Ren SumaMcCormick TemplemanApril Genevieve TucholkeCat Winters

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    The afterword explains where the ideas for the stories came from.

    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

    Both sides of Bradbury's vaunted childhood nostalgia are also on display, in the celebratory "Uncle Einar," and haunting "The Lake," the latter a fine elegy to childhood loss. This edition features a new introduction by Bradbury, an invaluable essay on writing, wherein the author tells of his "Theater of Morning Voices," and, by inference, encourages you to listen to the same murmurings in yourself. And has any writer anywhere ever made such good use of exclamation marks!? (Illustrated by Joe Mugnaini.)Contents:· The Dwarf · ss Fantastic Jan/Feb ’54 · The Next in Line · nv Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Watchful Poker Chip of H. Matisse · ss Beyond Fantasy Fiction Mar ’54 · Skeleton · ss Weird Tales Sep ’45 · The Jar · ss Weird Tales Nov ’44 · The Lake · ss Weird Tales May ’44 · The Emissary · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · Touched with Fire [“Shopping for Death”] · ss Maclean’s Jun 1 ’54 · The Small Assassin · ss Dime Mystery Magazine Nov ’46 · The Crowd · ss Weird Tales May ’43 · Jack-in-the-Box · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Scythe · ss Weird Tales Jul ’43 · Uncle Einar · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Wind · ss Weird Tales Mar ’43 · The Man Upstairs · ss Harper’s Mar ’47 · There Was an Old Woman · ss Weird Tales Jul ’44 · The Cistern · ss Mademoiselle May ’47 · Homecoming · ss Mademoiselle Oct ’46 · The Wonderful Death of Dudley Stone · ss Charm Jul ’54

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    They're spoken of in stories and superstitions, relics of an unenlightened age, old wives' tales, passed down through generations. And yet, no matter how wary and jaded we have become, as individuals or as a society, a part of us remains vulnerable to them. Werewolves and wendigos, poltergeists and vampires, angry elves and vengeful spirits.In this beautifully illustrated volume, the host of the hit podcast Lore serves as a guide on a fascinating journey through the history of these terrifying creatures, and explores not only the legends but what they tell us about ourselves. Aaron Mahnke invites us to the desolate Pine Barrens of New Jersey, where the notorious winged, red-eyed Jersey Devil dwells. Mahnke delves into harrowing accounts of cannibalism-some officially documented, others the stuff of speculation . . . perhaps. He visits the dimly lit rooms where séances take place, the European villages where gremlins make mischief, and Key West, Florida, home of a haunted doll named Robert.The monsters of folklore have become not only a part of our language but a part of our collective psyche. Whether these beasts and bogeymen are real or just a reflection of our primal fears, we know, on some level, that not every mystery has been explained, and that the unknown still holds the power to strike fear deep in our hearts and souls. As Aaron Mahnke reminds us, sometimes the truth is even scarier than the lore...

    David Hobbs, vacationing with his wife Miriam, inadvertently stumbles upon a small cloth 'keepsake' bag and a broken tooth. A human tooth. Miriam begs David to hand the bag and tooth over to park officials, but he ignores his wife's pleas and secretly keeps the 'harmless' items. The action opens a doorway that had been closed for nearly a hundred years and unleashes hell on earth, or at least hell in the lives of David and Miriam.Following the brutal murder of his best friend in Denver, and an aborted attack on his oldest son, David desperately seeks to understand why a mysterious teenage girl has chosen to terrorize him and the males closest to him. To prevent further devastation to his family and end the wanton bloodshed, he returns to the enchanted hills of eastern Tennessee, where a terrible truth awaits discovery...one that forces him to face the consequences for the unpaid sins of his ancestors.

    . . When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But with her husband dead just weeks after their marriage, her new servants resentful, and the local villagers actively hostile, Elsie has only her husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure —a silent companion —-that bears a striking resemblance to Elsie herself. The residents of The Bridge are terrified of the figure, but Elsie tries to shrug this off as simple superstition--that is, until she notices the figure's eyes following her.A Victorian ghost story that evokes a most unsettling kind of fear, this is a tale that creeps its way through the consciousness in ways you least expect--much like the silent companions themselves.

    P. Lovecraft's "Pickman's model" - was nominated for a World Fantasy Award, while "Proboscis" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

    He was so impressed with the entries that he recommended they be published together in one book, which Cemetery Dance Publications and Hodder & Stoughton are pleased to report has become a reality. The six stories are: WILD SWIMMING by Elodie Harper EAU-DE-ERIC by Manuela Saragosa THE SPOTS by Paul Bassett Davies THE UNPICKING by Michael Button LA MORT DE L'AMANT by Stuart Johnstone THE BEAR TRAP by Neil Hudson Reader beware: the stories will make you think twice before cuddling up to your old soft toy, dipping your toe into the water or counting the spots on a leopard…

    . . .This collection of tales transports the reader to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind, or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each story is illustrated with exquisitely eerie artwork in this special gift edition featuring an embossed textured case and a ribbon marker.Oh, Whistle, and I'll Come to You, My Lad - M.R. JamesThe Old Nurse's Story - Elizabeth GaskellThe Signalman - Charles DickensThe Body-Snatcher - Robert Louis StevensonThe Captain of the Pole-Star - Arthur Conan DoyleThe Phantom Coach - Amelia B. EdwardsThe Screaming Skull - Francis Marion Crawford

    Here you will find the secrets of eternal youth, souls that exchange bodies, and ancient Englishmen and Romans newly thawed out of ice. In addition to several stories by Mary Shelley, this volume also features a brand new story by renowned science fiction author Michael Bishop, which serves as a narrative introduction for this collection. Mary Shelley's considerable reputation rests squarely on the shoulders of her one great novel - Frankenstein, or the Modern Prometheus, published anonymously in 1818 and revised under her own byline in 1831. Her powerful tale of blasphemous creation is perhaps more familiar to modern readers through its many film adaptations as it is from the book itself. From Boris Karloff's electrifying performance as Frankenstein to Kenneth Branaugh's latest directorial rendering, the story has received numerous interpretations which have renewed interest in the book time and time again. However, Shelley's other works have not fared as well as Frankenstein. She wrote just a handful of novels, of which only The Last Man (1826) has remained sporadically in print. A precursor to such disaster novels as George R. Stewart's Earth Abides and Richard Jeffries' After London, The Last Man follows its protagonist Lionel Verney through a distant future world which has been depopulated by plague. The shorter works of Mary Shelley have remained difficult to find. During her lifetime, she published just over two-dozen stories, only three of which were of interest to readers of science fiction and fantasy. In addition to these three supernaturally-themed stories, two additional stories were published after Shelley's death. "Roger Dodsworth: The Reanimated Englishman," was printed in a volume of reminisces by a magazine editor who had commissioned the story thirty years earlier. "Valerius: The Reanimated Roman," a story in a similar vein to "Roger Dodsworth," remained unpublished until 1976, when both stories were discovered by Charles E. Robinson, a Shelley scholar and professor of English at the University of Delaware.Contents"The Unexpected Visit of a Reanimated Englishwoman": Introduction by Michael Bishop"The Mortal Immortal: A Tale""Transformation""Roger Dodsworth: The Reanimated Englishman""The Dream""Valerius: The Reanimated Roman"

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    His stories are powerfully charged explorations of psychical violence, their effects heightened by detailed character studies graced with a powerful poetic elegance. In simple terms Oliver Onions goes for the cerebral rather than the jugular. However, make no mistake, his ghost stories achieve the desired effect. They draw you in, enmeshing you in their unnerving and disturbing narratives.This collection contains such masterpieces as The Rosewood Door, The Ascending Dream, The Painted Face and The Beckoning Fair One, a story which both Algernon Blackwood and H. P. Lovecraft regarded as one of the most effective and subtle ghost stories in all literature. Long out of print, these classic tales are a treasure trove of nightmarish gems.