Now available in a single volume, Batman: Strange Apparitions featuring an introduction by Englehart and a new cover by Marshall Rogers and Terry Austin. Reprinting Detective Comics #469-476, #478, and #479 (which also includes work by writer Len Wein and artist Walter Simonson), these stories chroniclize Batman's struggles with a corrupt city government headed by "Boss" Rupert Thorne along with battling classic villians such as Hugo Strange, the Penguin, Deadshot, Clayface, Dr Phosphorus, and the Joker. This classic run was the blueprint for the first Tim Burton Batman movie and Batman: The Animated Series.Originally published in single magazine form as DETECTIVE COMICS #469-479.

    Wells novel, 'War of the Worlds'. The after-effects of this war are obvious throughout the course of the story, as alien technology is evident everywhere you turn.

    Eerie magazine, like its killer kin Creepy, features work from many of the masters of comics storytelling. For fans of spectacular spookiness, mind-bending sci-fi, and astonishing artwork, the Eerie Archives library is a must have!

    Known for his moody, shadowy illustrations, Colan was a natural fit as artist on Batman when he came to DC in the 1980s. His run of stories in the pages of both BATMAN and DETECTIVE COMICS included appearances by some of Batman’s greatest foes, including Man-Bat, The Monk, Rupert Thorne and more.

    Clayton is just trying to stay alive when he encounters an elite platoon of.... simian soldiers ? This squad of chain-smoking chimps is the most dangerous fighting force in the jungle... but whose side are they on?

    A mysterious deity called Rama Kushna gives Boston Brand the chance to revisit the land of the living as Deadman, with the mission of finding his murderer.DEADMAN features spectacular, bravura artwork by Neal Adams, then leading the field with an amazing, hyper-realistic style and trompe-l’oeil unlike anything seen in comics before or since.

    ...read Kilgore Trout ...opened a successful optometry business ...built a loving family ...witnessed the firebombing of Dresden ...traveled to the planet Tralfamadore ...met Kurt Vonnegut ...come unstuck in time.   Billy Pilgrim’s journey is at once a farcical look at the horror and tragedy of war where children are placed on the frontlines and die (so it goes), and a moving examination of what it means to be fallibly human.

    These gorgeous, painted pages originally appeared in Epic from 1979 to 1982, and introduced audiences to Vance Dreadstar and the other characters whose saga would be continued in the Dreadstar series.

    On the island of Tenedos, just off the coast of Troy, Achilles leads the attack. When the dust settles, Achilles finds himself one step closer to his tragic fate. Meanwhile, the Trojans prepare their defenses and gather allies. Agamemnon's offer of a peace embassy to King Priam reassures few. War appears inevitable. Even Helen dreads to face what lies ahead for her and everyone she loves or once loved.

    Don’t miss these stories brought to you by series creators Scott Snyder and Rafael Albuquerque, as well as other awesome comics talent like Becky Cloonan (BATMAN), Gabriel Ba and Fabio Moon (DAYTRIPPER), Jeff Lemire (SWEET TOOTH), Greg Rucka (The Punisher, BATWOMAN), Gail Simone (BATGIRL) and many more!

    But Kyle Baker's comic book version of King David renders that classic confrontation in 17 wordless pages, comprising one of the freshest, most suspenseful and thrilling descriptions of its subject that you are likely to find. King David is a biblically accurate, freewheeling, color-saturated biography of the boy who rose to become king of Israel. David begins the book as a scruffyDennis-the-Menace-like kid and ends the book as a vain, hunky womanizer; King Saul is a glam-rock tyrant; his son Jonathan is a skinny punk rebel. (When he asks to borrow Saul's chariot and the king asks, "Where are you going, Jonathan?" he shoots back, "Out.") Many parents will deem the book's bloody battle scenes inappropriate for young readers. King David's candor, however, is a virtue. This is real religious literature: it describes David's relationship with God in a style that's fully alive for readers today. --Paul Power

    Presented in a special collector's edition hardcover of the Disney classic! One of Disney's all-time best-selling books!

    From cosmic horrors gibbering in the night to uneasy stirrings in the boundless depths beneath the seas, Lovecraft's stories have never lost their power to amaze and unnerve. This graphic anthology breathes new life into classic works of weird fiction.

    In Civil War: Choosing Sides, five stories shine a spotlight on the wildcards and impact players whose part in the Civil War has yet to be told - including Daredevil/Iron Fist, U.S.Agent, the Irredeemable Ant-Man, Venom and even... Howard the Duck? Then in Winter Soldier: Winter Kills, James Buchanan Barnes, Captain America's one-time partner Bucky, faces his first Christmas of the 21st century - and the truth of the terrible things he was forced to do as the Winter Soldier. And with Cap caught in a conflict he can neither take a side of - or understand - what moves can he make to try to redeem himself? Later, in Civil War: The Return, two of the universe's greatest heroes are confronted with pasts they can't leave behind in two heart-rendering tales. On Earth, the Sentry confronts his inner demons as the shadows of past and future battles tear him apart. Within The Negative Zone, the walls of 42 are pulled back to reveal the return of one of the Marveldom's greatest heroes. And in She-Hulk, Civil War threatens the rights of every American super hero. So whose side will Marvel's top superhuman lawyer fight for? And how can she possibly choose, when she feels one way as She-Hulk, and another as Jen Walters? Collects Winter Soldier: Winter Kills, Civil War: Choosing Sides, Civil War: The Return and She-Hulk #8

    Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that he would do a take off of Adam and Eve, Crumb became so fascinated by the Bible’s language, “a text so great and so strange that it lends itself readily to graphic depictions,” that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible.As Crumb writes in his introduction, “the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself.” Crumb’s Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of detail and storytelling.