If you're living in Germany in the 1930s, it probably isn't. But that's no consolation to Egon Loeser, whose carnal misfortunes will push him from the experimental theatres of Berlin to the absinthe bars of Paris to the physics laboratories of Los Angeles, trying all the while to solve two mysteries: whether it was really a deal with Satan that claimed the life of his hero, the great Renaissance stage designer Adriano Lavicini; and why a handsome, clever, charming, modest guy like him can't, just once in a while, get himself laid. From the author of the acclaimed Boxer, Beetle comes a historical novel that doesn't know what year it is; a noir novel that turns all the lights on; a romance novel that arrives drunk to dinner; a science fiction novel that can't remember what 'isotope' means; a stunningly inventive, exceptionally funny, dangerously unsteady and (largely) coherent novel about sex, violence, space, time, and how the best way to deal with history is to ignore it. LET'S HOPE THE PARTY WAS WORTH IT

    He didn't really know whether he'd seen anything at all, though. Maybe an abduction? Maybe just a stressed-out father.Detective Bart Moy, newly returned to the country town where his ailing, cantankerous father still lives, finds nothing. As far as he can tell no one in Guilderton is missing a small boy. Still, he looks deeper into the butcher's story — after all, he had a son of his own once.But when the boy does turn up, silent, apparently traumatised, things are no clearer. Who is he? Where did he come from and what happened to him?For Moy, gaining the boy's trust becomes central not just to the case but to rebuilding his own life. From the wreckage of his grief, his dead marriage and his fractured relationship with his father may yet come a chance for something new.A mystery, a meditation on fatherhood, a harrowing examination of love and loss: a new departure in literary crime from Stephen Orr.

    Tiff and Kayla are free, which is what they've always wanted, but now summer is nearly at an end and that means life decisions. Tiff is hoping her job at the local paper will lead to something more, but "The Shark" soon puts her straight on what it takes to become a hard-nosed reporter like him. At home, Reggie—the only grandad she's ever known—has quit smoking and diagnosed himself as a cactus, and then Kayla hits her with some big news. And into all this stumbles Davey, who plays rugby but quotes Truman Capote, and is the first boy who has ever really wanted to know her. Tiff is smart with words and rarely does tears, but in one short week she discovers that words don't always get you there; they don't let you say all the stuff from deep in your heart.

    Once Tilly--whose condition is deemed undiagnosable--is kicked out of the last school in the area, her mother Alexandra is out of ideas. The family turns to Camp Harmony and the wisdom of child behavior guru Scott Bean for a solution. But what they discover in the woods of New Hampshire will push them to the very limit. Told from the alternating perspectives of both Alexandra and her younger daughter Iris (the book's Nick Carraway), this is a unputdownable story about the strength of love, the bonds of family, and how you survive the unthinkable.

    Almost teenagers, they already know some things are better left unsaid.Then a newcomer arrived in the Wimmera. Fab reckoned he was a secret agent and he and Ben staked him out. Up close, the man's shoulders were wide and the veins in his arms stuck out, blue and green. His hands were enormous, red and knotty. He looked strong. Maybe even stronger than Fab's dad. Neither realised the shadow this man would cast over both their lives.Twenty years later, Fab is still stuck in town, going nowhere but hoping for somewhere better. Then a body is found in the river, and Fab can't ignore the past any more.

    John Dorn is a classic gumshoe. His woman has left him, he lives in his office, and he drinks too much. His one friend, a lawyer named Demetri, hands Dorn an infinite supply of hopeless cases and lost causes, to which Dorn, ever the champion of the underdog and the oppressed, is drawn to “as a sledgehammer is to a kneecap.” A superlative work of hardboiled literary detective fiction, The Midnight Promise wonderfully evokes the underbelly of contemporary Melbourne, its battlers, its hard men, its victims, and its ill-fated heroes.

    Among them: James Bennett, a synaesthetic art critic for The New York Times whose unlikely condition enables him to describe art in profound, magical ways, and Raul Engales, an exiled Argentinian painter running from his past and the Dirty War that has enveloped his country. As the two men ascend in the downtown arts scene, dual tragedies strike, and each is faced with a loss that acutely affects his relationship to life and to art. It is not until they are inadvertently brought together by Lucy Olliason—a small town beauty and Raul’s muse—and a young orphan boy sent mysteriously from Buenos Aires, that James and Raul are able to rediscover some semblance of what they’ve lost.As inventive as Jennifer Egan's A Visit From The Goon Squad and as sweeping as Meg Wolitzer's The Interestings, Tuesday Nights in 1980 boldly renders a complex moment when the meaning and nature of art is being all but upended, and New York City as a whole is reinventing itself. In risk-taking prose that is as powerful as it is playful, Molly Prentiss deftly explores the need for beauty, community, creation, and love in an ever-changing urban landscape.

    During a hot Melbourne summer Jovan’s cleaning work at a bayside hospital is disrupted by acts of graffiti and violence becoming increasingly malevolent. For Jovan the mysterious words that must be cleaned away dislodge the poetry of the past. He and his wife Suzana were forced to flee Sarajevo and the death of their children. Intensely human, yet majestic in its moral vision, Black Rock White City is an essential story of Australia’s suburbs now, of displacement and immediate threat, and the unexpected responses of two refugees as they try to reclaim their dreams. It is a breathtaking roar of energy that explores the immigrant experience with ferocity, beauty and humour.

    I am the staff trainer. I will call you grasshopper and you will call me sensei and I will give you the good oil. Right? And just so you know, I'm open to all kinds of bribery.'From the moment 15-year-old Amelia begins work on the checkout at Woolworths she is sunk, gone, lost...head-over-heels in love with Chris. Chris is the funny, charming, man-about-Woolies, but he's 21, and the 6-year difference in their ages may as well be 100. Chris and Amelia talk about everything from Second Wave Feminism to Great Expectations and Alien, but will he ever look at her in the way she wants him to? And if he does, will it be everything she hopes?

    But there’s something in Declan’s past that just won’t go away, that pokes and scratches at his thoughts when he’s at his most vulnerable. Declan feels as if nothing will take away that pain that he has buried deep inside for so long. So he makes the only decision he thinks he has left: the decision to end it all. Or does he? As the train approaches and Declan teeters at the edge of the platform, two versions of his life are revealed. In one, Declan watches as his body is destroyed and the lives of those who loved him unravel. In the other, Declan pauses before he jumps. And this makes all the difference.One moment. One pause. One whole new life. From author of The Shadow Girl, winner of the Victorian Premier's Literary Awards 2012 Prize for Writing for Young Adults, comes a breathtaking new novel that will make you reconsider the road you’re travelling and the tracks you’re leaving behind.

    The last thing sixteen-year-old Maisie Martin thought she'd be doing this summer is entering a beauty pageant.Not when she's spent most of her life hiding her body from everyone.Not when her Dad is AWOL for Christmas and her gorgeous older sister has returned to rock Maisie's shaky confidence. And her best friend starts going out with the boy she's always loved.But Maisie's got something to prove.As she writes down all the ways this summer is going from bad to worse in her school-assignment journal, what starts as a homework torture-device might just end up being an account of how Maisie didn't let anything, or anyone, hold her back...

    After all, he’s been able to steal from the same people for years on end—virtually undetected. Of course, this could also be attributed to his unique business model—he takes only items that will go unnoticed by the homeowner. After all, who in their right mind would miss a roll of toilet paper here, a half-used bottle of maple syrup there, or even a rarely used piece of china buried deep within a dusty cabinet? Even though he's never met these homeowners, he's spent hours in their houses, looking through their photo albums and reading their journals. In essence, Martin has developed a friendship of sorts with them and as such, he decides to interfere more in their lives—playing the part of a rather odd guardian angel—even though it means breaking many of his twitchy neurotic rules.  Along the way Martin not only improves the lives of others, but he also discovers love and finds that his own life is much better lived on the edge (at least some of the time) in this hilarious, suspenseful and often profound novel about a man used to planning every second of his life, suddenly forced to confront chaos and spontaneity.

    Nic is a forty-five-year-old trivia buff, amateur nail artist and fairy godmother to the neighbourhood's stray cats. She's also the owner of a decade's worth of daily newspapers, enough clothes and shoes to fill Big W three times over and a pen collection which, if laid end-to-end, would probably circle her house twice. She'd put her theory to the test, if only the pen buckets weren't currently blocked in by the crates of Happy Meal toys and the towers of Vegemite jars, take-away containers and cat food tins.Nic's closest relationship is with her niece Lena. The two of them meet for lunch every Sunday to gossip about the rest of the family and bitch about work (they're both checkout chicks: Lena just for now, Nic until they prise her staff discount card from her cold, dead hands).One Sunday, Nic fails to turn up to lunch and when Lena calls she gets a disconnection message. Arriving at the house she hasn't visited in years ('Too far for you to come, hon. Let's meet in the middle.') she finds her aunt unconscious under an avalanche of stuff.Lena is devastated that her beloved aunt has been living in such squalor all this time. While Nic is in hospital, she gets to work cleaning things up for her. Her first impulse is to call in the bulldozers and start searching Gumtree for a roomy caravan. But with the help of her reluctantly recruited brother, Will, she gets the job done.This heroic effort is not appreciated by the plastered up, crutch-wielding Nic. She returns to an empty, alien place unrecognisable as her home and the unbearable pity of her family who have no idea what they've destroyed. How can she live in this place without safety and peace? And how can she ever forgive the niece who has betrayed her?

    Having lost her husband, Frank, in tragic circumstances three years earlier, 65-year-old Franny copes the only way she knows how: by removing herself completely from the life she had before. Franny lives a life of decadent seclusion, with only her two dogs, Whisky and Soda, a stuffed cat, cocktails and the memory of Frank for company.Then the Salernos move in next door. The troubled but charming trio - beleaguered mother Sallyanne, angry teenager Dee and eccentric eight-year-old Josh - cannot help but pull Franny into the drama of their lives. But despite her fixation with independence, Franny's wisecracks and culinary experiments hide considerable trauma and pain, and when her eccentric behaviour has life-threatening consequences she faces a reckoning of sorts. Yes, Frank is dead, but did the woman he loved have to perish with him?A story about one woman, two dogs and the family next door, Happy Hour is a hilarious and uplifting insight into grief, loss, true love and friendship.

    But coming home to the country stirs shameful memories of the past, including the tragic end-of-school muck up day accident twenty years earlier.Sara, a breast cancer survivor afraid to fall in love; Poppy, a tough, ambitious journo still craving her father’s approval; Amber, a spoilt socialite addicted to painkillers and cosmetic procedures; and Caitlin, a doctor frustrated by her controlling family.At The Dandelion House, the women will discover something about themselves and a secret that ties all four to each other and to the house – forever.Get it as an ebook now https://books2read.com/ap/RWKlqv/Jenn... Also avail in print at https://www.jennjmcleod.com