'A work of genius ... jaw-dropping' Daily Express.Ends with one of the most reverberating shocks in modern crime fiction' Sunday TimesThis is the story of thirteen days that begin with one murder and end with another. Jérôme Morval, a man whose passion for art was matched only by his passion for women, has been found dead in the stream that runs through the gardens at Giverny, where Monet did his famous paintings. In Jérôme's pocket is a postcard of Monet's Water Lilies with the words: Eleven years old. Happy Birthday. Entangled in the mystery are three women: a young painting prodigy, the seductive village schoolteacher and an old widow who watches over the village from a mill by the stream. All three of them share a secret. But what do they know about the discovery of Jérôme Morval's corpse? And what is the connection to the mysterious Black Water Lilies, a rumoured masterpiece by Monet that has never been found...'This elegant crime mystery shimmers as delicately as the paintings of Claude Monet that lie at its heart . . . A bestseller in France, it is a dazzling, unexpected and haunting masterpiece' Daily MailAn enchanting tale that kept me absolutely hooked as Bussi cleverly breaks all the perceived rules of plotting in a story containing riddles within riddles . . . stunning' Daily Express

    When her locked door is finally broken down by her father and a servant, they find the woman on the floor, badly hurt and bleeding. No one else is in the room. There is no other exit except through a barred window. How did the attacker escape?First published in 1907, this intriguing and baffling tale is a classic of early 20th-century detective fiction. At the heart of the novel is a perplexing mystery: How could a crime take place in a locked room which shows no sign of being entered? Nearly a century after its initial publication, Leroux's landmark tale of foul play, deception, and unbridled ambition remains a blueprint for the detective novel genre. Written by the immortal author of The Phantom of the Opera, this atmospheric thriller is still a favorite of whodunit fans everywhere."The finest locked room tale ever written." — John Dickson Carr, author of The Hollow Man.

    They promised to stay true to one another and swore that nothing would break their bond. But people and circumstances change. Ugo and Manu have been drawn into the criminal underworld of Europe's toughest, most violent and vibrant city. When Manu is murdered and Ugo returns from abroad to avenge his friend's death, only to be killed himself, it is left to the third in this trio, Detective Fabio Montale, to ensure justice is done. Despite warnings from both his colleagues in law enforcement and his acquaintances in the underworld, Montale cannot forget the promise he once made Manu and Ugo. He's going to find their killer even if it means going too far.In Izzo's novels, Marseilles is explosive, tragic, breathtakingly beautiful and deadly. Asked to explain the astounding success of his now legendary Marseilles triology, Izzo credits his beloved native city: "Essentially, I think I have been rewarded for having depicted the real beauty of Marseilles, its gusto, its passion for life, and the ability of its inhabitants to drink life down to the last drop." Fabio Montale is the perfect protagonist in this city of melancholy beauty. A disenchanted cop with an inimitable talent for living who turns his back on a police force marred by corruption and racism and, in the name of friendship, takes the fight against the mafia into his own hands.

    Intrigued and unnerved, she turns to her neighbours: Vandoosler, an ex-cop, and three impecunious historians, Mathias, Marc and Lucien - the three evangelists. They agree to dig around the tree and see if something has been buried there. They find nothing but soil.A few weeks later, Sophia disappears and her body is found burned to ashes in a car. Who killed the opera singer? Her husband, her ex-lover, her best friend, her niece? They all seem to have a motive.Vandoosler and the three evangelists set out to find the truth.

    But Ferdinand has another lover, Lucienne, an ambitious doctor, and together the adulterers have devised a murderous plan. Drugging Mireille, the pair drown her in a bathtub, but in the morning, before the "accidental" death can be discovered, the corpse is gone--so begins the unraveling of Ferdinand's plot, and his sanity... This classic of French noir fiction was adapted for the screen by Henri-Georges Clouzot as Les Diaboliques (The Devils), starring Simone Signoret and Véra Clouzot, the film which in turn inspired Alfred Hitchcock's Psycho. A second movie version, Diabolique, followed in 1996, starring Sharon Stone.

    Most people struggle to get by; Frank takes it easy in his mother's whorehouse, which caters to members of the occupying forces. But Frank is restless. He is a pimp, a thug, a petty thief, and, as Dirty Snow opens, he has just killed his first man. Through the unrelenting darkness and cold of an endless winter, Frank will pursue abjection until finally there is nowhere to go.Hans Koning has described Dirty Snow as "one of the very few novels to come out of German-occupied France that gets it exactly right." In a study of the criminal mind that is comparable to Jim Thompson's The Killer Inside Me, Simenon maps a no man's land of the spirit in which human nature is driven to destruction—and redemption, perhaps, as well—by forces beyond its control.

    His conventional life knocked off the rails, Gerfaut turns the tables and sets out to track down his pursuers. Along the way, he learns a thing or two about himself. . . . Manchette—masterful stylist, ironist, and social critic—limns the cramped lives of professionals in a neoconservative world."Manchette has appropriated and subverted the classic thriller [with] descriptions of undiluted action, violence and suspense [and] a perspective on evil, a disenchanted world of manipulation and fury . . . ." —Times Literary Supplement"The petty exigencies of the classic thriller find themselves summarily reduced to cremains by the fiery blue jets of Jean-Patrick Manchette's concision, intelligence, tension, and style." —Jim Nisbet, author of Lethal Injection and Prelude to a Scream"Manchette is a must for the reading lists of all noir fans. . . . Manchette deserves a higher profile among noir fans." —Publishers Weekly"Manchette . . . performs miracles within this simple story. His style is very matter of fact, stark and almost cool like the jazz his hero or anti-hero Gerfaut devours at every opportunity. Yet in this short novel there is no lack of atmosphere, excitement, characters or descriptive writing, it is just the total lack of unnecessary material that makes the story seem so lean and mean." —Norman Price, EuroCrime"A social satire cum suspense equally interested in dissecting everyday banalities and manufacturing thrills. Writing with economy, deadpan irony, and an eye for the devastating detail, Manchette spins pulp fiction into literature." —Kirkus Reviews"While there isn’t much that’s obviously moral—in the good-versus-evil sense—[this novel] demonstrate[s] why Manchette is hailed as the man who kicked the French crime novel or “polar” out of the apolitical torpor into which it had fallen by the time he started publishing his “neo-polars” in the 1970s. . . . Grim and cerebral as they feel, it’s remarkable how comic—in an absurdist, laugh-or-you’ll-cry way—these books are, as if Manchette had decided that poking fun at the products of the capitalist system were the fittest way to attack the system itself." —Jennifer Howard, Boston Review"The pace is fast, the action sequences are superb, and the effect is just as striking as it must have been when the book was first published in 1976." —Laura Wilson, The Guardian"[T]he novel is brilliantly written, replete with allusions to art, literature, and music, papered with the very texture and furniture of our lives. Manchette is Camus on overdrive, at one and the same time white-hot, ice-cold. He deserves much the same attention." —James Sallis, Review of Contemporary FictionJean-Patrick Manchette (1942—1995) rescued the French crime novel from the grip of stodgy police procedurals — restoring the noir edge by virtue of his post-1968 leftism. Today, Manchette is a totem to the generation of French mystery writers who came in his wake. Jazz saxophonist, political activist, and screen writer, Manchette was influenced as much by Guy Debord as by Gustave Flaubert. City Lights has published more of work, including The Gunman.

    They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family's chic apartment in Paris's upscale tenth arrondissement, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau.

    She calls herself Julie, says she’s from California, and slips back to a rented room at night. Regularly, furtively, she checks the hometown paper on the Internet. Home is Garland, Tennessee, and there, two young men have just been paroled. One, she married; the other, she’s in love with. Both were jailed for a crime that Grace herself planned in exacting detail. The heist went bad—but not before she was on a plane to Prague with a stolen canvas rolled in her bag. And so, in Paris, begins a cat-and-mouse waiting game as Grace’s web of deception and lies unravels—and she becomes another young woman entirely.Unbecoming is an intricately plotted and psychologically nuanced heist novel that turns on suspense and slippery identity. With echoes of Alfred Hitchcock and Patricia Highsmith, Rebecca Scherm’s mesmerizing debut is sure to entrance fans of Gillian Flynn, Marisha Pessl, and Donna Tartt.

    Losing her beloved husband after only seven years of marriage, heartbroken widow Nathalie steels herself against emotional attachments until she unexpectedly falls in for her offbeat, guileless co-worker, Markus, who represents the opposite of everything.

    Among the witnesses are the only two cops in the city not on the take, but within moments one is murdered and his partner, Sonchai Jitpleecheep—a devout Buddhist and the son of a Thai bar girl and a long-gone Vietnam War G.I.—is hell-bent on wreaking revenge. On a vigilante mission to capture his partner’s murderer, Sonchai is begrudgingly paired with a beautiful FBI agent named Jones and captures her heart in the process. In a city fueled by illicit drugs and infinite corruption, prostitution and priceless art, Sonchai’s quest for vengeance takes him into a world much more sinister than he could have ever imagined.

    Her father has skipped bail on charges that he ran a crystal meth lab, and the Dollys will lose their house if he doesn't show up for his next court date.Ree's father has disappeared before. The Dolly clan has worked the shadowy side of the law for generations, and arrests (and attempts to avoid them) are part of life in Rathlin Valley. But the house is all they have, and Ree's father would never forfeit it to the bond company unless something awful happened. With two young brothers depending on her and a mother who's entered a kind of second childhood, Ree knows she has to bring her father back, dead or alive, or else see her family turned out into the unforgiving cold.Sixteen-year-old Ree, who has grown up in the harsh poverty of the Ozarks, learns quickly that asking questions of the rough Dolly clan can be a fatal mistake. She perseveres past obstacles of every kind and finally confronts the top figures in the family's hierarchy.Along the way to a shocking revelation, Ree discovers unexpected depths in herself and in a family network that protects its own at any cost.

    Widowed after the sudden death of her husband, Patience is now wedged between university fees for her grown-up daughters and nursing home costs for her aging mother.Happening upon an especially revealing set of police wiretaps ahead of all other authorities, Patience makes a life-altering decision that sees her intervening in — and infiltrating — the machinations of a massive drug deal. She thus embarks on an entirely new career path: Patience becomes The Godmother.This is not the French idyll of postcards and stock photos. With a gallery of traffickers, dealers, police officers, and politicians, The Godmother casts its sharp and amusing gaze on everyday survival in contemporary France. With an unforgettable woman at its center, Hannelore Cayre’s bestselling novel reveals a European criminal underground that has rarely been seen.

    to learn her fate. Instead, she is surprised to be told that she is to head up a new police squad, working on solving old cold cases.Though relived to still have a job, Capestan is not overjoyed by the prospect of her new role. Even less so when she meets her new team: a crowd of misfits, troublemakers and problem cases, none of whom are fit for purpose and yet none of whom can be fired.But from this inauspicious start, investigating the cold cases throws up a number a number of strange mysteries for Capestan and her team: was the old lady murdered seven years ago really just the victim of a botched robbery? Who was behind the dead sailor discovered in the Seine with three gunshot wounds? And why does there seem to be a curious link with a ferry that was shipwrecked off the Florida coast many years previously?

    There's nothing in the bag to indicate who it belongs to, although there's all sorts of other things in it. Laurent feels a strong impulse to find the owner and tries to puzzle together who she might be from the contents of the bag. Especially a red notebook with her jottings, which really makes him want to meet her. Without even a name to go on, and only a few of her possessions to help him, how is he to find one woman in a city of millions?The Red Notebook has already been sold in twelve different languages. French TV is making a film of The President's Hat and the movie rights of The Red Notebook have been sold to UGC.Antoine Laurain was born in Paris. He is the author of five novels, including The President's Hat.