And yet nature remains deeply ingrained in our language, culture and consciousness. For centuries, we have acted on an intuitive sense that we need communion with the wild to feel well. Now, in the moment of our great migration away from the rest of nature, more and more scientific evidence is emerging to confirm its place at the heart of our psychological wellbeing. So what happens, asks acclaimed journalist Lucy Jones, as we lose our bond with the natural world--might we also be losing part of ourselves?Delicately observed and rigorously researched, Losing Eden is an enthralling journey through this new research, exploring how and why connecting with the living world can so drastically affect our health. Travelling from forest schools in East London, to the Svalbard Global Seed Vault, via Poland's primeval woodlands, Californian laboratories and ecotherapists' couches, Jones takes us to the cutting edge of human biology, neuroscience and psychology, and discovers new ways of understanding our increasingly dysfunctional relationship with the earth. Urgent and uplifting, Losing Eden is a rallying cry for a wilder way of life - for finding asylum in the soil and joy in the trees - which might just help us to save the living planet, as well as ourselves, from a future of ecological grief.

    In The Imperial Tea Party, Frances Welch draws back the curtain on those fraught encounters, which had far-reaching consequences for 20th-century Europe and beyond.Russia and Britain were never natural bedfellows. But the marriage, in 1894, of Queen Victoria’s favourite granddaughter, Alicky, to the Tsarevich Nicholas marked the beginning of an uneasy Anglo-Russian entente that would last until the Russian Revolution of 1917.The three extraordinary meetings that took place during those years, although generally hailed as successes, were beset by misunderstandings and misfortunes. The Tsar and Tsarina complained bitterly about the weather when staying at Balmoral, while British courtiers later criticised the Russians’ hospitality, from the food to the music to the slow service.In this wonderfully sharp account, Frances Welch presents a vivid snapshot of two dynasties at a time of social unrest. The families could not know, as they waved each other fond goodbyes from their yachts at Cowes in 1909, that they would never meet again.

    But how did the Italians come to eat so well? The answer lies amid the vibrant beauty of Italy's historic cities. For a thousand years, they have been magnets for everything that makes for great eating: ingredients, talent, money, and power. Italian food is city food. From the bustle of medieval Milan's marketplace to the banqueting halls of Renaissance Ferrara; from street stalls in the putrid alleyways of nineteenth-century Naples to the noisy trattorie of postwar Rome: in rich slices of urban life, historian and master storyteller John Dickie shows how taste, creativity, and civic pride blended with princely arrogance, political violence, and dark intrigue to create the world's favorite cuisine. Delizia! is much more than a history of Italian food. It is a history of Italy told through the flavors and character of its cities. A dynamic chronicle that is full of surprises, Delizia! draws back the curtain on much that was unknown about Italian food and exposes the long-held canards. It interprets the ancient Arabic map that tells of pasta's true origins, and shows that Marco Polo did not introduce spaghetti to the Italians, as is often thought, but did have a big influence on making pasta a part of the American diet. It seeks out the medieval recipes that reveal Italy's long love affair with exotic spices, and introduces the great Renaissance cookery writer who plotted to murder the Pope even as he detailed the aphrodisiac qualities of his ingredients. It moves from the opulent theater of a Renaissance wedding banquet, with its gargantuan ten-course menu comprising hundreds of separate dishes, to the thin soups and bland polentas that would eventually force millions to emigrate to the New World. It shows how early pizzas were disgusting and why Mussolini championed risotto. Most important, it explains the origins and growth of the world's greatest urban food culture. With its delectable mix of vivid storytelling, groundbreaking research, and shrewd analysis, Delizia! is as appetizing as the dishes it describes. This passionate account of Italy's civilization of the table will satisfy foodies, history buffs, Italophiles, travelers, students -- and anyone who loves a well-told tale.

    Women’s vital part in the shaping of the world has been consistently undervalued or ignored. Rosalind Miles now offers a fundamental reappraisal that sets the record straight. Stunning in its scope and originality, The Women’s History of the World challenges all previous world histories and shatters cherished illusions on every page.Starting with women in pre-history the author looks beyond the myth of ‘Man the Hunter’ to reveal women’s central role in the survival and evolution of the human race. She follows their progress from the days when God was a woman through to the triumphs of the Amazons and Assyrian war queens: she looks at the rise of organised religion and the growing oppression of women: she charts the long slow struggle for women’s rights culminating in the twentieth century women’s movements: and finally she presents a vision of women breaking free.This brilliant and absorbing book turns the spotlight on the hidden side of history to present a fascinating new view of the world, overturning our preconceptions to restore women to their rightful place at the centre of the worldwide story of revolution, empire, war and peace.Spiced with tales of individual women who have shaped history, celebrating the work and lives of the unsung female millions, distinguished by a wealth of research, The Women’s History of the World redefines the concept of historical reality.

    Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into areas far beyond just mushrooms and addresses a crucial question: what manages to live in the ruins we have made? A tale of diversity within our damaged landscapes, The Mushroom at the End of the World follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism. Here, we witness the varied and peculiar worlds of matsutake commerce: the worlds of Japanese gourmets, capitalist traders, Hmong jungle fighters, industrial forests, Yi Chinese goat herders, Finnish nature guides, and more. These companions also lead us into fungal ecologies and forest histories to better understand the promise of cohabitation in a time of massive human destruction.By investigating one of the world's most sought-after fungi, The Mushroom at the End of the World presents an original examination into the relation between capitalist destruction and collaborative survival within multispecies landscapes, the prerequisite for continuing life on earth.

    The result is a superb work of history through which these six women become as memorable for their own achievements--and mistakes--as they have always been for their fateful link to Henry VIII. Illustrations.

    These literary heroines did what they wanted and said what they thought, living wholly in the moment. They kicked open the door for twentieth-century women writers and set a new model for every woman trying to juggle the serious issues of economic independence, political power, and sexual freedom. Here are the social and literary triumphs and inevitably the penances paid: crumbled love affairs, abortions, depression, lost beauty, nervous breakdowns, and finally, overdoses and even madness. A vibrant mixture of literary scholarship, social history, and scandal, Bobbed Hair and Bathtub Gin is a rich evocation of a period that will forever intrigue and captivate us.

    It is a table, listing the qualities of a couple. One column reads ‘Often says what he does not think’, ‘He does not show his feelings’, ‘He is a genius’; the other ‘Never says what she does not think', ‘She shows her feelings’, ‘She is a dunce’. The writing is Mary Anne Disraeli’s: the qualities listed contrast her with her husband, Benjamin Disraeli, one of the foremost politicians of the Victorian age.The daughter of a sailor, on her second marriage and 12 years older than her husband, Mary Anne was highly eccentric, liable to misbehave and (worse still) overdressed for grand society dinners. Her beloved Diz was of Jewish descent, a mid-ranking novelist and frequently mired in debt. He was fiercely protective and completely devoted to his wife. She was devoted to him, too, and they were both devoted to the very idea of being devoted. They wrote passionate letters to one another through their courtship and their marriage, spinning their unusual tale into a romance worthy of the novels they so loved.Reading between the lines of a great cache of their letters and the anecdotes of others in chilly Oxford reading rooms, Daisy Hay shows how the Disraelis rose to the top of the social and political pile. Along the way, we meet women of a similar station and situation whose endings were far unhappier than Mary Anne’s, acting as a counterpoint to her fairy tale ending as the landed Angel of the Prime Minister’s House.In an age where first ladies are under ever-increasing pressure to perform and conform, Mr and Mrs Disraeli offers a portrait of one who refused to do either, in a society which demanded she do both.

     It is also a study of the three women with whom the King was most deeply in love — his `official' mistresses, Lillie Langtry, Daisy Warwick and Alice Keppel. In their different ways, all three were exceptional personalities. Lillie Langtry, the socially ambitious girl from the vicarage, became a famous actress. Daisy Warwick, an immensely wealthy heiress and social butterfly, was converted to socialism. Alice Keppel, probably the King's greatest love, developed into an astute and fascinating figure in her own right. Spanning three decades and packed with incident, scandal and high romance, the story is set in the extravagant and hypocritical world of late Victorian and Edwardian society. It is full of colourful characters: Edward's beautiful and betrayed wife Alexandra; the three cuckolded husbands — Edward Langtry, the Earl of Warwick and the Hon. George Keppel; the flamboyant Oscar Wilde; the sensuous Sarah Bernhardt; the dissipated Prince Albert Victor; the sexually complex W.E. Gladstone. Royal biographer Theo Aronson draws on much new and unfamiliar material in this vivid book and reassesses many aspects of his subjects' lives. He challenges long-established myths and reveals much that was hitherto unknown: not least the extraordinary scene that took place at the deathbed of King Edward VII. The result is a brilliant evocation of a world, and a way of life that has gone forever.

    They announce that the logical and important places to begin to examine that history are eye witnesses. Miriam Brysk’s chronicle is among the more exceptional of these works. It reflects her own life: highly accomplished, intelligent, detailed and thoughtful. At age seven, Miriam, her mother Bronka and father, Chaim Miasnik, a renowned surgeon, escaped the Lida ghetto and joined Jewish partisans in the Lipiczany Forest. Before the end of the war, Miriam estimates that her father had saved hundreds of lives and helped build and supervise a partisan hospital in the swamps of the forest. Constantly hunted by German soldiers, she experienced childhood terror that has remained with her. She lost her innocence, her childhood, her youth as she clung to her mother and her prized possession, a pistol. Her head was shaved so she would look like a boy. Her memory of the details of that time—both in the Lida ghetto and in the forest—remains remarkably sharp and distinguishes this memoir from many others. — Sidney Bolkosky, William E. Stirton Professor in the Social Sciences, Professor of History, University of Michigan-Dearborn

    To become a governess, observed Jane Austen in Emma, was to retire from all the pleasures of life, of rational intercourse, equal society, peace and hope, to penance and mortification for ever. However, in an ironic paradox, the governess, so marginal to her society, was central to its fiction partly because governessing was the fate of some exceptionally talented women who later wrote novels based on their experiences. But personal experience was only one source, and writers like Wilkie Collins, William Makepeace Thackeray, Henry James, and Jane Austen all recognized that the governess's solitary figure, adrift in the world, offered more novelistic scope than did the constrained and respectable wife. Ruth Brandon weaves literary and social history with details from the lives of actual governesses, drawn from their letters and journals, to craft a rare portrait of real women whose lives were in stark contrast to the romantic tales of their fictional counterparts. Governess will resonate with the many fans of Jane Austen and the Bronte's whose novels continue to inspire films and books, as well as fans of The Nanny Diaries and other books that explore the longstanding tension between mothers and the women they hire to raise their children.

    A re-creation of one of the key moments of twentieth-century history: the partition and independence of India, and the final days of the Raj.

    Topics include Roger "the Raker" who drowned in his own sewage, a "merman" imprisoned in Orford Castle, the sufferings of the Jews of Bristol, and more. Each reveals the extraordinary diversity of medieval society. Through these characters and events--and using the latest discoveries and research--the dynamic and engaging panorama of medieval England is revealed.

    George V, Wilhelm II and Nicholas II, known in the family as Georgie, Willy and Nicky, were cousins. Between them they ruled over half the world. They had been friends since childhood. But by July 1914 the Trade Union of Kings was falling apart. Each was blaming the other for the impending disaster of the First World War. 'Have I gone mad?' Nicky asked his wife Alix in St Petersburg, showing her another telegram from Willy. 'What on earth does William mean pretending that it still depends on me whether war is averted or not!' Behind the friendliness of family gatherings lurked family quarrels, which were often played out in public. Drawing widely on previously unpublished documents, this is the extraordinary story of their overlapping lives, conducted in palaces of unimaginable opulence, surrounded by flattery and political intrigue. And through it runs the question: to what extent were the King, the Kaiser and the Tsar responsible for the outbreak of the war, and, as it turned out, for the end of autocratic monarchy?

    Today, even the name itself has become a battleground for conflicting Israeli and Palestinian visions of the country's past. Israelis treat the very notion of 'Palestine' as a modern invention, while rooting their own nation's history in the ancient Kingdom of Israel. But, as Nur Masalha shows, the concept of Palestine (derived from the biblical 'Philistine') is one which can be traced to the beginning of recorded history, grounded in a distinctive Palestinian culture that long predates the Old Testament narrative of Israelite conquest. Beginning with the earliest references to the area in ancient texts, Masalha explores how the concept of Palestine and its associated identity has evolved over thousands of years, from the Bronze Age to the present day. Drawing on a rich body of sources and the latest archaeological evidence, Masalha shows how Palestine's past has been distorted and mythologised by Biblical lore and the Israeli-Palestinian conflict. In the process, this magisterial work uncovers the true depth and complexity of Palestine's millennia-old heritage, and represents the authoritative account of the country's history.