G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald—the acknowledged master of memory's uncanniness—takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts—Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."

    His father was a worker and an anarchist; Walter himself is a Communist. In the 1930s, he left Mussolini’s Italy to fight Franco in Spain. After Franco’s victory, he left Spain for exile in the United States. With the end of the war, he returned to Italy to work as a labor organizer and to build a new revolutionary order. Now, in the late 1950s, Walter is a deputy in the Italian parliament.He is not happy about it. Parliamentary proceedings are too boring for words: the Communist Party seems to be filling up with ward heelers, timeservers, and profiteers. For Walter, the political has always taken precedence over the personal, but now there seems to be no refuge for him anywhere. The puritanical party disapproves of his relationship with Nuccia, a tender, quizzical, deeply intelligent editor who is separated but not divorced, while Walter is worried about his health, haunted by his past, and increasingly troubled by knotty questions of both theory and practice. Walter is, always has been, and always will be a Communist, he has no doubt about that, and yet something has changed. Communism no longer explains the life he is living, the future he hoped for, or, perhaps most troubling of all, the life he has led.

    There Felicia finds herself wedded to an uncanny and dangerous world, full of mystery and violence, where objects tell tales, the dead come and go, and the past is as potent as the present. First published in Holland in 1955, Maria Dermoût's novel was immediately recognized as a magical work, like nothing else Dutch—or European—literature had seen before. The Ten Thousand Things is an entranced vision of a far-off place that is as convincingly real and intimate as it is exotic, a book that is at once a lament and an ecstatic ode to nature and life.

    Dream Story tells how through a simple sexual admission a husband and wife are driven apart into rival worlds of erotic intrigue and revenge.

    . . A profound portrayal of a group of people with no future.”—De Standaard der LetterenA comic novel on a very serious subject. Dimitri Verhulst, an investigative journalist, had himself locked up in the asylum-seekers center at Arendonk for several days for a Flemish magazine. He then wrote a magazine article, but the experience would not let go of him. He wrote this comic, unabashedly politically incorrect novel, which is told from the perspective of asylum-seeker Bipul Masli, a press photographer from Somalia. The action takes place in an asylum-seekers center in Belgium in the final weeks of 2001.

    Provocative, stylish, and emotionally resonant, A Heart of Stone (her first book to be translated into English) is certain to cause a sensation on the international scene and Viking is proud to introduce her to the American public. This beautifully woven masterpiece, spare yet richly told, plumbs the undercurrents of family life and tragedy in a startling and wise story of love, fate, and survival. Ellen Van Bemmel lives with her parents, who run an American news-clipping service, and her three siblings in an old Dutch house in a suburb of Amsterdam. Ellen's idyllic childhood is suffused with Americana, both the frivolous fringes like potato chips and Coca-Cola as well as milestones like Neil Armstrong's first steps on the moon, until family disaster strikes on her twelfth birthday. From that moment on her world begins to unravel. Years later, Ellen plunges us into the past as she leafs through a faded photo album and confronts the literal and figurative ghosts of her childhood. Seamlessly alternating the past and present, taut with Hitchcockian tension and warmed by a redemptive love story, A Heart of Stone tells a darkly humorous, yet ultimately compassionate tale.

    He has an uncanny ability to convey mood swings, excitement and plot twists with ever increasing velocity.”—Gazzetta di Parma“A chilling and claustrophobic thriller with an unpredictable ending. Morozzi joins the best in the genre.”—LINUSBologna in August: unbearable heat, an empty city. Claudia is a young student in a hurry to return home from her work as a waitress and get out of the skimpy uniform she hates. Tomas is a young man on his way to elope to Amsterdam with his girlfriend, Francesca. Aldo is a husband and father with an uncanny resemblance to Elvis Presley, anxious to get to an apartment filled with guilty secrets. All three have an urgent need to be somewhere else. Instead, they are trapped in an elevator in a deserted building on a holiday weekend. They are like three wasps in an upturned glass . . . and one of the trio is a serial killer.This dark, twist-packed psychological thriller in the style of Phonebooth has been adapted as a US film to be released in the fall of 2008, starring Amber Tamblyn and directed by cult Mexican auteur Rigoberto Castañeda.Gianluca Morozzi was born in Bologna in 1971, where he lives today. He is well-known as a cutting-edge satirist and music critic, often compared to Nick Hornby and Ben Elton. Blackout is his first thriller.

    Mrs. Aubrey, a former concert pianist, struggles to keep the family afloat, but then she is something of a high-strung eccentric herself, as is all too clear to her daughter Rose, through whose loving but sometimes cruel eyes events are seen. Still, living on the edge holds the promise of the unexpected, and the Aubreys, who encounter furious poltergeists, turn up hidden masterpieces, and come to the aid of a murderess, will find that they have adventure to spare.In The Fountain Overflows, a 1957 best seller, Rebecca West transmuted her own volatile childhood into enduring art. This is an unvarnished but affectionate picture of an extraordinary family, in which a remarkable stylist and powerful intelligence surveys the elusive boundaries of childhood and adulthood, freedom and dependency, the ordinary and the occult.

    But one night, this model husband and devoted father discovers his boss is bankrupt and that his own carefully tended life is in ruins. Before, he had watched impassively as the trains swept by; now he catches the first one out of town, and soon commits murder before the night is out. How reliable is even the most reliable man's identity? Georges Simenon (1903-1989) was born in Liege, Belgium. He went to work as a reporter at the age of fifteen and in 1923 moved to Paris, where under various pseudonyms he became a highly successful and prolific author of pulp fiction while leading a dazzling social life. In the early 1930s, Simenon emerged as a writer under his own name, gaining renown for his detective stories featuring Inspector Maigret. He also began to write his psychological novels, or romans durs - books in which he displays a sympathetic awareness of the emotional and spiritual pain underlying the routines of daily life. Having written nearly two hundred books under his own name and become the best-selling author in the world, Simenon retired as a novelist in 1973, devoting himself instead to dictating memoirs that filled thousands of pages.

    The novella tells the story of a day in the meticulously ordered life of bank security guard Jonathan Noel, who has been hiding from life since his wife left him for her Tunisian lover. When Jonathan opens his front door on a day he believes will be just like any other, he encounters not the desired empty hallway but an unwelcome, diabolical intruder . . .

    The desertion triggers a searing re-examination of his life—the loss of his sister during the war, the demands of his millionaire father and the hypocrisies of his mother, who first fought to “save” Germany from the Jews, then worked for “reconciliation” afterwards.

    It is generally regarded as the masterpiece of Conscience, which earned him the title "the man who taught his people to read".

    Fated to play out the mistakes of their parents, Evan and Rachel quickly discover the betrayal behind the dream, and desperately try every avenue of escape, only to find that all paths lead back to the small Long Island coastal town of Cold Spring Harbor, and to each other. But if there is no better chronicler than Yates of the quiet tragedy of thwarted suburban lives, Cold Spring Harbor is a testament to the absolute necessity of dreaming; for Yates's protagonists, hope may be all there is.

    Happy are the happy. —Jorge Luis BorgesSchnitzler’s La Ronde gives these twenty short chapters their shape while Borges’s poem gives them their content. As we move from story to story, thrilled to reconnect with an old acquaintance from an earlier scene, we can’t help but admit that we are very much at home in this human comedy that understands all too well the passing thoughts, desires, actions, fears, and mistakes that we have and make day after day, but that we would be incapable of rendering with such acuity and compassion.

    Inspector Bordelli is one of the few policemen left in the deserted city. He spends his days on routine work, and his nights tormented by the heat and mosquitoes. Suddenly one night, a telephone call gives him a new sense of purpose: the suspected death of a wealthy Signora. Bordelli rushes to her hilltop villa, and picks the locks. The old woman is lying on her bed - apparently killed by an asthma attack, though her medicine has been left untouched.With the help of his young protégé, the victim's eccentric brother, and a semi-retired petty thief, the inspector begins a murder investigation. Each suspect has a solid alibi, but there is something that doesn't quite add up . . .