Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich tapestry of the counterculture, queer and straight. Mart Crowley brought gay men's lives out of the closet and onto the stage. And Tony Kushner took them beyond the stage, to the center of American ideas. With authority and humor, Christopher Bram weaves these men's ambitions, affairs, feuds, loves, and appetites into a single sweeping narrative. Chronicling over fifty years of momentous change-from civil rights to Stonewall to AIDS and beyond. Eminent Outlaws is an inspiring, illuminating tale: one that reveals how the lives of these men are crucial to understanding the social and cultural history of the American twentieth century.

    Layla started it. She announced it super casually to the rest of the girls between bites of frozen yogurt, as if it was just simply another addition to her massive, ever-evolving To Do List. She is determined to have sex for the first time before the end of high school. Initially, the rest of the crew is scandalized, but, once they all admit to wanting to lose their v-cards too, they embark on a quest to do the deed together... separately.Layla’s got it in the bag. Her serious boyfriend, Logan, has been asking for months.Alex has already done it. Or so she says.Emma doesn’t know what the fuss is all about, but sure, she’ll give it a shot.And Zoe, well, Zoe can’t even say the o word without bursting into giggles.Will everything go according to plan? Probably not. But at least the girls have each other every hilarious, heart-warming, cringe-inducing step of the way.From debut author Lindsey Rosin, Cherry is a coming-of-age, laugh-out-loud tale of first times, last chances, and the enduring friendships that make it all worthwhile.

    It’s not something they say. It’s something about their hands, the shape of their mouths, the way they look walking away from you."A collection that will beg you to be dogeared, coffee-stained, & shared.”—Amanda Lovelace, author of the princess saves herself in this oneHoneybee is an honest take on walking away and still feeling like you were walked away from. It’s about cutting love loose like a kite string and praying the wind has the decency to carry it away from you. It’s an ode to the back and forth, the process of letting something go but not knowing where to put it down. Honeybee is putting it down. It’s small town girls and plane tickets, a taste of tenderness and honey, the bandage on the bee sting. It’s a reminder that you are not defined by the people you walk away from or the people who walk away from you."A spine tingling, heart wrenching, goosebumps-across-your-skin experience."—Nikita Gill, author of Fierce FairytalesPerfect for fans of Caroline Kaufman, Atticus, Clementine von Radics, Nina LaCour, Adam Silvera, and Becky Albertalli; or anyone interested in bisexuality, heartbreak, running away from your problems, and coming out.Look for Trista Mateer's other book of poetry, Aphrodite Made Me Do It and her contribution to [Dis]Connected Volume 1: Poems & Stories of Connection and Otherwise.

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

    Dear Me At Fifteen is half poetry book and half self-expression journal. It is to not only inspire you to be the best version of yourself today and in the future, but for you to reflect on all the growth you have made. This book is meant for you to dig deep into yourself and answer questions you don’t always take the time to think about.

    He only has one friend, Harry, and school is...Well, it's pure HELL. Why can't Noah be normal, like everyone else at school? Maybe if he struck up a romantic relationship with someone - maybe Sophie, who is perfect and lovely - he'd be seen in a different light? But Noah's plans for romance are derailed when Harry kisses him at a party. That's when things go from bad to worse utter chaos.

    at the Cat's Pajamas Marie-Helene Bertino's Parakeet is a darkly funny and warm-hearted novel about a young woman whose dead grandmother (in the form of a parakeet) warns her not to marry and sends her out to find an estranged loved one.The week of her wedding, The Bride is visited by a bird she recognizes as her dead grandmother because of the cornflower blue line beneath her eyes, her dubious expression, and the way she asks: What is the Internet? Her grandmother is a parakeet. She says not to get married. She says: Go and find your brother.In the days that follow, The Bride's march to the altar becomes a wild and increasingly fragmented, unstable journey that bends toward the surreal and forces her to confront matters long buried.A novel that does justice to the hectic confusion of becoming a woman today, Parakeet asks and begins to answer the essential questions. How do our memories make, cage, and free us? How do we honor our experiences and still become our strongest, truest selves? Who are we responsible for, what do we owe them, and how do we allow them to change?Urgent, strange, warm-hearted, and sly, Parakeet is ribboned with joy, fear, and an inextricable thread of real love. It is a startling, unforgettable, life-embracing exploration of self and connection.

    Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

    That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection.They said I've done something wrong? . . . And they've just left me down here to starve. They'll see this inanition and be so damned they'll fall to my feet and pass up hot cross buns slathered in fresh butter and beg I forgive them. All of them . . . : the entire world one by one. Like a good priest I'll pat their heads and nod. I'll dunk my skull into a barrel of gin.Ottessa Moshfegh was awarded the 2013 Plimpton Discovery Prize for her stories in the Paris Review and a creative writing fellowship from the National Endowment for the Arts. She is currently a Wallace Stegner fellow at Stanford, and lives in Oakland, California.

    Today she is recognized as one of America's great poets of the 20th century. This unprecedented collection offers a full-scale presentation of a writer of startling originality, at once passionate and reticent, adventurous and perfectionist. It presents all the poetry that Bishop published in her lifetime, in such classic volumes as "North & South," "A Cold Spring," "Questions of Travel," and "Geography III." In addition it contains an extensive selection of un_published poems and drafts of poems (several not previously collected), as well as all her published poetic translations, ranging from a chorus from Aristophanes' The Birds to versions of Brazilian sambas. "Poems, Prose, and Letters" brings together as well most of her published prose writings, including stories; reminiscences; travel writing about the places (Nova Scotia, Florida, Brazil) that so profoundly marked her poetry; and literary essays and statements, including a number of pieces published here for the first time. The book is rounded out with a selection of Bishop's irresistibly engaging and self-revelatory letters. Of the 53 letters included here, written between 1933 and 1979, a considerable number are printed for the first time, and all are presented in their entirety. Their recipients include Robert Lowell, Marianne Moore, Randall Jarrell, Anne Stevenson, May Swenson, and Carlos Drummond de Andrade.

    From his window on one of the busiest street corners in the world, Littlewood watches the daily parade of fashion queens, prostitutes, gangsters, and celebrities that make up the population of this strangest of villages. Dirty White Boy is a vivid mosaic of modern London, caught between the ghosts of the past and the uncertainties of the future. With an unforgettable cast of characters ranging from Chico the camp queen to Pam the Fag Lady (with guest spots by stars like Kathy Griffin and Graham Norton), these compulsively readable true tales offer a wry panorama of Soho's rich and often raucous subcultures.

    Of her most recent book, Raptus, Carolyn Forché has written that she is “a genuine poet, a born poet, and I am in awe of her achievement.” The poems in Klink’s new collection offer a closely keyed meditation on being alone—on a self fighting its way out of isolation, toward connection with other people and a vanishing world.

    A month later, none of that was true. Levy picks you up and hurls you through the story of how she built an unconventional life and then watched it fall apart with astonishing speed. Like much of her generation, she was raised to resist traditional rules—about work, about love, and about womanhood. “I wanted what we all want: everything. We want a mate who feels like family and a lover who is exotic, surprising. We want to be youthful adventurers and middle-aged mothers. We want intimacy and autonomy, safety and stimulation, reassurance and novelty, coziness and thrills. But we can’t have it all.” In this profound and beautiful memoir, Levy chronicles the adventure and heartbreak of being “a woman who is free to do whatever she chooses.” Her own story of resilience becomes an unforgettable portrait of the shifting forces in our culture, of what has changed—and of what is eternal.

    The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbor, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly and Jared’s lives in ways none of them can anticipate. Meanwhile, Milly and Jared’s adopted son Mateo grows to see the opportunity for both self-realization and oblivion that New York offers. As the junkies and protesters of the 1980's give way to the hipsters of the 2000's and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020's, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them. Moving kaleidoscopically from the Tompkins Square Riots and attempts by activists to galvanize a true response to the AIDS epidemic, to the New York City of the future, Christodora recounts the heartbreak wrought by AIDS, illustrates the allure and destructive power of hard drugs, and brings to life the ever-changing city itself.

    Warren wrote enduring fiction as well as influential works of literary criticism and theory. Yet, as this variorum edition of his published poems suggests, it is his poetry - spanning sixty years, sixteen volumes of verse, and a wide range of styles - that places Warren among America's foremost men of letters. In this volume, John Burt, Warren's literary executor, has gathered together every poem Warren ever published (with the exception of Brother to Dragons), including the many poems he published in The Fugitive and other magazines, as well as those that appeared in his small press works and broadsides. Burt has also exhaustively collated all of the published versions of Warren's poems - in some cases, a poem appeared as many as six different times with substantive revisions in every line - as well as the author's typescripts and proofs. And since Warren never seemed to reread any of his books without a pencil in hand, Burt has referred to Warren's personal library copies. A record of Burt's comprehensive analysis is found in this edition's textual notes, list of emendations, and explanatory notes.