After her father died in the mines and her mother ran off, he was her last caretaker. They’d always dreamed of leaving Caboose, West Virginia together someday, but instead she’s in foster care, feeling more stuck and broken than ever.But then Sasha discovers family she didn’t know she had, and she finally has something to hold onto, especially sweet little Mikey, who’s just as broken as she is. Sasha even makes her first friend at school, and is slowly learning to cope with her brother’s death through writing poetry, finding a new way to express herself when spoken words just won’t do. But when tragedy strikes the mine her cousin works in, Sasha fears the worst and takes Mikey and runs, with no plans to return. In this sensitive and poignant portrayal, Sarah Dooley shows us that life, like poetry, doesn’t always take the form you intend.

    He knows he should have—Jasmine cried, Mum cried, Dad still cries. Roger didn't, but then he is just a cat and didn't know Rose that well, really.Everyone kept saying it would get better with time, but that's just one of those lies that grown-ups tell in awkward situations. Five years on, it's worse than ever: Dad drinks, Mum's gone and Jamie's left with questions that he must answer for himself.This is his story, an unflinchingly real yet heart-warming account of a young boy's struggle to make sense of the loss that tore his family apart.

    One day, she suddenly can't breathe, can't walk, can't anything and the reason is standing right there in front of her, all tall and weirdly good-looking: A.J. It turns out A.J. likes not Gracie but Gracie's beautiful best friend, Sienna. Obviously Gracie is happy for Sienna. Super happy! She helps Sienna compose the best texts, responding to A.J. s surprisingly funny and appealing texts, just as if she were Sienna. Because Gracie is fine. Always! She's had lots of practice being the sidekick, second-best. It s all good. Well, almost all. She's trying.

    She’s transferring schools, starting fresh, and making plans for college so she can finally leave her hometown, her family, and her past behind.But all of her dreams are shattered one hot summer afternoon when her mother is arrested for killing Brooke’s abusive father. No one really knows what happened that day, if it was premeditated or self-defense, whether it was right or wrong. And now Brooke and her siblings are on their own.In a year of firsts—the first year without parents, first love, first heartbreak, and her first taste of freedom—Brooke must confront the shadow of her family’s violence and dysfunction, as she struggles to embrace her identity, finds her true place in the world, and learns how to let go.

    Invisible.Until the accident.Now Tess is in a coma, and Abby’s life is on hold. It may have been hard living with Tess, but it's nothing compared to living without her.She's got a plan to bring Tess back though, involving the gorgeous and mysterious Eli, but then Abby learns something about Tess, something that was always there, but that she’d never seen.Abby is about to find out that truth isn't always what you think it is, and that life holds more than she ever thought it could...

    Life on the streets of the teeming city of Chennai is harsh for girls considered outcasts, but the sisters manage to find shelter on an abandoned bridge. There they befriend Muthi and Arul, two boys in a similar predicament, and the four children bond together and form a family of sorts. Viji starts working with the boys scavenging in trash heaps while Rukku makes bead necklaces, and they buy food with what little money they earn. They are often hungry and scared but they have each other--and Kutti, the best dog ever. When the kids are forced from their safe haven on the bridge, they take shelter in a graveyard. But it is now the rainy season and they are plagued by mosquitos, and Rukku and Muthu fall ill. As their symptoms worsen, Viji and Arul must decide whether to risk going for help--when most adults in their lives have proven themselves untrustworthy--or to continue holding on to their fragile, hard-fought freedom.

    She's nearly six feet tall, her father is getting remarried, and her sister—the always perfect Ashley—is planning a wedding of her own. Haven wishes things could just go back to the way they were. Then an old boyfriend of Ashley's reenters the picture, and through him, Haven sees the past for what it really was, and comes to grips with the future.

    Dunphrey's English class, but the teacher has promised she won't read any entry marked "Do not read this." It's the kind of assignment Tish Bonner, one of the girls with big hair who sit in the back row, usually wouldn't take very seriously. But right now, Tish desperately needs someone to talk to, even if it's only a notebook she doesn't dare let anyone read.As Tish's life spins out of control, the entries in her journal become more and more private...and dangerous. Is she risking everything that matters to her by putting the truth on paper? And is she risking more by keeping silent?

    I’ll tell her, okay? Just let me think about the best way to do it.""Okay.""Promise me? Promise you won’t say anything?""Don’t worry.” I laughed. “It’s our secret, right?"According to Anna’s best friend, Frankie, twenty days in Zanzibar Bay is the perfect opportunity to have a summer fling, and if they meet one boy every day, there’s a pretty good chance Anna will find her first summer romance. Anna lightheartedly agrees to the game, but there’s something she hasn’t told Frankie–she’s already had her romance, and it was with Frankie’s older brother, Matt, just before his tragic death one year ago.TWENTY BOY SUMMER explores what it truly means to love someone, what it means to grieve, and ultimately, how to make the most of every beautiful moment life has to offer.

    Her name is Jupiter. And he has never seen her.What Jack doesn’t know, at first, is how desperate Joseph is to find his baby girl.Or how urgently he, Jack, will want to help.But the past can’t be shaken off. Even as new bonds form, old wounds reopen. The search for Jupiter demands more from Jack than he can imagine.This tender, heartbreaking novel is Gary D. Schmidt at his best.

    But even though Jo doesn't always meet the expectations of the people around her, she still longs to fit in. When she and her family leave their northern home for the small southern town of Jericho, Alabama, Jo might finally stop picking fights and settle in right.But when Jo befriends a young black boy, she discovers that "fitting in" is about a lot more than proper manners or a new outfit. Suddenly she's faced with a new set of questions that call up her own values. Maybe some fights are worth picking after all. Set in 1957, at the dawn of the civil rights movement, this riveting novel tells the inspiring story of a young girl growing up amidst racism.

    But Addie's mother has an all-or-nothing approach to life: a food fiesta or an empty pantry, her way or no way.Addie’s mother is bipolar, and she often neglects Addie. All-or-nothing never adds up to normal, and it can't bring Addie home, where she wants to be with her half-sisters and her stepfather. But Addie never stops hoping that one day, maybe, she'll find normal.

    After losing her soul mate, Cameron, when they were nine, Jennifer, now seventeen, transformed herself from the unpopular fat girl into the beautiful and popular Jenna, but Cameron's unexpected return dredges up memories that cause both social and emotional turmoil.

    But he sure was clever, and a smart dog could be a big help on the wild Texas frontier, especially with Papa away on a long cattle drive up to Abilene.Strong and courageous, Old Yeller proved that he could protect Travis's family from any sort of danger. But can Travis do the same for Old Yeller?

    But now Phoebe Harte's twelve-year-old brother is gone, and Phoebe's world has turned upside down. With her trademark candor and compassion, beloved middle-grade writer Barbara Park tells how Phoebe copes with her painful loss in this story filled with sadness, humor—and hope. Chosen by "Publishers Weekly" as one of their Best Books of 1996. "A full-fledged and fully convincing drama."—(Publishers Weekly