Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she's stepped square into a conspiracy for control of Artemis itself—and that now, her only chance at survival lies in a gambit even riskier than the first.

    But before she can collect the ransom and make a new life elsewhere, she must find a place of safety amongst the peninsula's forests and icy plateaus, and evade a criminal gang that has its own plans for the teenage girl she's taken hostage.Blending the story of Austral's flight with the fractured history of her family and its role in the colonisation of Antarctica, Austral is a vivid portrayal of a treacherous new world created by climate change, and shaped by the betrayals and mistakes of the past.'Paul McAuley's balanced grasp of science and literature, always a rare attribute in the writer of prose fiction, is combined with the equally rare ability to look at today's problems and know which are really problems, and what can be done about them.' William Gibson

    The galaxy remembers him as a hero: the man who burned every last alien Cielcin from the sky. They remember him as a monster: the devil who destroyed a sun, casually annihilating four billion human lives--even the Emperor himself--against Imperial orders.But Hadrian was not a hero. He was not a monster. He was not even a soldier.Fleeing his father and a future as a torturer, Hadrian finds himself stranded on a strange, backwater world. Forced to fight as a gladiator and into the intrigues of a foreign planetary court, he will find himself fight a war he did not start, for an Empire he does not love, against an enemy he will never understand.

    Seeking to atone, she joins the House of Reclamation, an organisation dedicated to rescuing ships in distress.But, stripped of her weaponry and emptied of her officers, she struggles in the new role she’s chosen for herself. When a ship goes missing in a disputed system, Trouble Dog and her new crew of misfits and loners, captained by Sal Konstanz, an ex-captain of a medical frigate who once fought against Trouble Dog, are assigned to investigate and save whoever they can.Meanwhile, light years away, intelligence officer Ashton Childe is tasked with locating and saving the poet, Ona Sudak, who was aboard the missing ship, whatever the cost. In order to do this, he must reach out to the only person he considers a friend, even if he’s not sure she can be trusted. What Childe doesn’t know is that Sudak is not the person she appears to be.Quickly, what appears to be a straightforward rescue mission turns into something far more dangerous, as Trouble Dog, Konstanz and Childe, find themselves at the centre of a potential new conflict that could engulf not just mankind but the entire galaxy.If she is to survive and save her crew, Trouble Dog is going to have to remember how to fight.

    But what they can’t predict is how it will tear their friendship—and society—apart.If you had the chance to look one year into the future, would you?For Ben Boyce and Adhi Chaudry, the answer is unequivocally yes. And they’re betting everything that you’ll say yes, too. Welcome to The Future: a computer that connects to the internet one year from now, so you can see who you’ll be dating, where you’ll be working, even whether or not you’ll be alive in the year to come. By forming a startup to deliver this revolutionary technology to the world, Ben and Adhi have made their wildest, most impossible dream a reality. Once Silicon Valley outsiders, they’re now its hottest commodity. The device can predict everything perfectly—from stock market spikes and sports scores to political scandals and corporate takeovers—allowing them to chase down success and fame while staying one step ahead of the competition. But the future their device foretells is not the bright one they imagined.Ambition. Greed. Jealousy. And, perhaps, an apocalypse. The question is . . . can they stop it?Told through emails, texts, transcripts, and blog posts, this bleeding-edge tech thriller chronicles the costs of innovation and asks how far you’d go to protect the ones you love—even from themselves.

    Dick AwardSamuil Petrovitch is a survivor.He survived the nuclear fallout in St. Petersburg and hid in the London Metrozone – the last city in England. He’s lived this long because he’s a man of rules and logic.For example, getting involved = a bad idea.But when he stumbles into a kidnapping in progress, he acts without even thinking. Before he can stop himself, he’s saved the daughter of the most dangerous man in London.And clearly saving the girl = getting involved.Now, the equation of Petrovitch’s life is looking increasingly complex.Russian mobsters + Yakuza + something called the New Machine Jihad = one dead Petrovitch.But Petrovitch has a plan – he always has a plan – he’s just not sure it’s a good one.

    Now he delivers a provocative novel of a man who stumbles upon the discovery of a lifetime-or many lifetimes. Grad-school dropout Matt Fuller is toiling as a lowly research assistant at MIT when, while measuring subtle quantum forces that relate to time changes in gravity and electromagnetic force, his calibrator turns into a time machine. With a dead-end job and a girlfriend who has left him for another man, Matt has nothing to lose taking a time machine trip himself-or so he thinks.

    They try to dominate David by ordering him to kill the woman he loves.

    It’s 2095 and people don’t usually die from violence. Humanity is entirely dependent on pills that not only help them stay alive, but allow them to compete with artificial intelligence in an increasingly competitive gig economy. Daily doses protect against designer diseases, flow enhances focus, zips and buffs enhance physical strength and speed, and juvers speed the healing process. All that changes when Welga’s client is killed by The Machinehood, a new and mysterious terrorist group that has simultaneously attacked several major pill funders. The Machinehood operatives seem to be part human, part machine, something the world has never seen. They issue an ultimatum: stop all pill production in one week. Global panic ensues as pill production slows and many become ill. Thousands destroy their bots in fear of a strong AI takeover. But the US government believes the Machinehood is a cover for an old enemy. One that Welga is uniquely qualified to fight. Welga, determined to take down the Machinehood, is pulled back into intelligence work by the government that betrayed her. But who are the Machinehood and what do they really want? A thought-provoking novel that asks: if we won’t see machines as human, will we instead see humans as machines?

    Revisions from the author's notes are included, allowing a deeper view into her world and a better understanding of her work. The Nebula Award–winning short story Love Is the Plan, the Plan Is Death, the Hugo Award–winning novella The Girl Who Was Plugged In, and the Hugo and Nebula Award–winning novella Houston, Houston, Do You Read? are included.The stories of Alice Sheldon, who wrote as James Tiptree Jr. ( Up the Walls of the World ) until her death in 1987, have been heretofore available mostly in out-of-print collections. Thus the 18 accomplished stories here will be welcomed by new readers and old fans. ''The Screwfly Solution'' describes a chilling, elegant answer to the population problem. In ''Love Is the Plan the Plan Is Death,'' the title tells the tale--species survival insured by imprinted drives--but the story's force is in its exquisite, lyrical prose and its suggestion that personal uniqueness is possible even within biological imperatives. ''The Girl Who Was Plugged In'' is a future boy-meets-girl story with a twist unexpected by the players. ''The Women Men Don't See '' displays Tiptree's keen insight and ability to depict singularity within the ordinary. In Hugo and Nebula award-winning ''Houston, Houston, Do You Read?'' astronauts flying by the sun slip forward 500 years and encounter a culture that successfully questions gender roles in ours.ContentsIntroduction by Michael SwanwickThe Last Flight of Doctor Ain (1969)The Screwfly Solution (1977)And I Awoke and Found Me Here on the Cold Hill’s Side (1972)The Girl Who Was Plugged In (1973)The Man Who Walked Home (1972)And I Have Come Upon This Place by Lost Ways (1972)The Women Men Don’t See (1973)Your Faces, O My Sisters! Your Faces Filled of Light! (1976)Houston, Houston, Do You Read? (1976)With Delicate Mad Hands (1981)A Momentary Taste of Being (1975)We Who Stole the Dream (1978)Her Smoke Rose Up Forever (1974)Love Is the Plan the Plan Is Death (1973)On the Last Afternoon (1972)She Waits for All Men Born (1976)Slow Music (1980)And So On, and So On (1971)

    With humans deemed dangerously volatile because of their initial reaction to the invasion, emotional expression can be grounds for execution. Music, art and books are illegal, but Ellie breaks the rules by keeping a secret library. When a book goes missing, Ellie is terrified that the Ilori will track it back to her and kill her.Born in a lab, M0Rr1S was raised to be emotionless. When he finds Ellie’s illegal library, he’s duty-bound to deliver her for execution. The trouble is, he finds himself drawn to human music and in desperate need of more. They’re both breaking the rules for the love of art—and Ellie inspires the same feelings in him that music does.Ellie’s—and humanity’s—fate rests in the hands of an alien she should fear. M0Rr1S has a lot of secrets, but also a potential solution—thousands of miles away. The two embark on a wild and dangerous road trip with a bag of books and their favorite albums, all the while creating a story and a song of their own that just might save them both.

    Her clients are rich and they demand items and experiences with only the finest verifiable provenance. Other people’s lives have value, after all.But when her A.I. suddenly stops whispering in her ear she finds herself cut off from the grid and loses communication with the rest of the world.The man who stepped out of the trees while hunting deer cut her off from the cloud, took her A.I., and made her his unwilling guest.There are no Authenticities or Captures to prove Katya’s story of what happened in the forest. You’ll just have to believe her.

    Or almost no one. A few people, perhaps one in ten thousand, can still sleep, and they’ve all shared the same mysterious dream. A handful of silent children can still sleep as well, but what they’re dreaming remains a mystery. Global panic ensues. A medical fact: after six days of absolute sleep deprivation, psychosis sets in. After four weeks, the body dies. In the interim, a bizarre new world arises and swallows the old one whole. A world called Nod.

    History teaches us that a third of Europe's population was destroyed. But what if? What if the plague killed 99 percent of the population instead? How would the world have changed? This is a look at the history that could have been: a history that stretches across centuries, a history that sees dynasties and nations rise and crumble, a history that spans horrible famine and magnificent innovation. These are the years of rice and salt.

    Among the survivors are eighteen-year-old Nico and her dog, on a voyage devised by Nico's father to find a mythical portal; a young artist named Kit, raised in an old abandoned cinema; and the enigmatic Deliverer, who lives Life after Life in an attempt to put the world back together. As swarms of infected Flies roam the earth, these few survivors navigate the woods of post-apocalyptic New England, meeting others along the way, each on their own quest to find life and love in a world gone dark. The Electric Kingdom is a sweeping exploration of art, storytelling, eternal life, and above all, a testament to the notion that even in an exterminated world, one person might find beauty in another.