There is the very questionable theme in these days of the relationship between masters and servants, which this play tends to undermine.' Lord Cromer, who banned performances of Miss Julie from the English stage in October 1925It's Midsummer's Eve in the kitchen of a nobleman's house and his haughty daughter Julie flirts and plays with Jean, her father's manservant. But it's a dangerous game and once she has been seduced by him he holds the upper hand.Miss Julie, Strindberg's mighty play on power, sex and class is presented here in a coruscating version by Frank McGuinness.

    Five years after defeating the demon king Piccolo, he's grown up and had a family--he's married, and he has a child, Son Gohan. But what is the real reason for Goku's incredible strength? A visitor from outer space arrives bearing terrible news--Goku is an alien, and the visitor, Raditz, is Goku's brother! When Raditz turns out to be a ruthless killer, Goku must fight his incredibly strong brother to save his family and the entire human race. A surprising alliance may be Earth's last hope: Goku will team up with his old enemy Piccolo...archenemies united to save the world!

    As his second marriage crumbles, Jake's women "characters" enter his days and nights--with the most uncomfortably astute observations about his life.

    Brave enough to confront the most vicious of demons, and strong enough to destroy them every time, he unfortunately could not conquer his own pride. Foolishly, he turned his adoring brother, Sugreeva, into a mortal enemy and drove him to take the help of that supreme warrior, the mighty Lord Rama.

    He marries another princess, but she dies giving birth to their daughter. The adventures continue from one disaster to another until the grown-up daughter pulls her father out of despair and the play moves toward a gloriously happy ending.

    Zarina has a bone to pick with the place of women in her Muslim faith, and she's been writing a book about the Prophet Muhammad that aims to set the record straight. When her traditional father and sister discover the manuscript, it threatens to tear her family apart. With humor and ferocity, Akhtar's incisive new drama about love, art, and religion examines the chasm between our traditions and our contemporary lives.

    Wiggling out of every predicament in unique and unexpected ways, this poet-jester reminds us of Birbal at the court of Akbar. Read his tales and laugh with joy even as his plain common sense leaves you gasping.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    Joe sits at the nexus of Washington life: beloved, feared, and courted in equal measure by the very people whose careers and futures he determines. But as the sixties dawn and America undergoes dizzying change, the intense political dramas Joe has been throwing his weight around in—supporting the war in Vietnam and Soviet containment, criticizing student activism—come to bear a profound personal cost.Based on the real-life story of Joe Alsop, whose columns at the time of his 1974 retirement were running three times a week in more than three hundred newspapers, David Auburn’s The Columnist is a deft blend of history and storytelling. A hilarious, searing portrait of the glorious rewards and devastating losses that accompany ego, ambition, and the pursuit of power, The Columnist pens a vital letter from a radically changing decade to our own turbulent era.

    

    Her plays have been produced in many theatres across the U.S. including Second Stage (NY), South Coast Rep (Costa Mesa), Yale Repertory Theatre (New Haven), Alliance Theatre (Atlanta) and Steppenwolf (Chicago). She has won the Heideman and the White Bird awards and was a runner-up for the Susan Blackburn award.

    This hardcover, double issue is a return to pulp horror comics of the 1950's, but stylized and written for a new generation of horror fans! The book is anchored by the mysterious Blueman, an intimidating phantom that lives in the deepest, darkest recesses of the net. Join him as he tells two spine-tingling tales full of twists and turns! He is The Rake:  Our first story features a creature that's inspired a massive fandom around the web. The Rake is a mysterious beast that appears to people in the night as a dark omen. When the strange entity's presence causes the death of one man's wife, he becomes obsessed with getting payback, but is his quest for vengeance misguided? He Is... is a classic tale of revenge with a sinister twist that will send chills through your body! I Waited Inside Her Closet: The account of a dangerous serial killer and his unhealthy obsession with fame. But there's more than meets the eye in this story. The homicidal maniac's grisly exploits soon lead him to a terrible truth when he comes face to face with something even more terrifying than himself. Pick up this CREATURE DOUBLE-FEATURE and you won't be disappointed!

    

    Reeves truly was the most unusual US Marshal to ever serve this country. His accomplishments earned him the title of the most feared lawman in the wild and untamed Indian Territory. The reader will follow his never ending contacts with murders, robbers, horse thieves and whiskey runners. His remarkable life should be an inspiration for any reader. They will be impressed, and astonished by his fearlessness, dedication to honor, commitment to the law and his impact on history. Bass Reeves Lawman is the second of a trilogy based on the true life of Bass Reeves, the first Black US Marshal west of the Mississippi. You will follow him from as he meets famous people of the time. Pistol Pete, Belle Starr, Judge Isaac Parker, Heck Thomas and Sam Sixkiller were just some of the famous and infamous who crossed paths with this amazing man. Bass Reeves was born a slave, escaped captivity during the Civil War. His years of service, as a US Marshal, to the lawless Indian Territory helped write the history of Oklahoma. His honor, accomplishments and courage makes him eligible to be called the greatest lawman of his time. Bass Reeves’ story will make any lover of the old west wonder why he is not more famous. The history of the Old West is filled with stories of heroes and villains, and those stories have been a source of fascination for generations. The fact that the stories of these unique and colorful characters continue to intrigue people is a true testament to the grit and determination it actually took to tame a wild and unpredictable country. Among those stories, readers will seldom find a character that overcame more challenges and had more determination than Bass Reeves. As a slave, Reeves served a man who ultimately became the Speaker of the House of Texas. He was a participant in the Civil War and escaped to the lawless Indian Territory that is now Oklahoma. His life with the Indians, gave him the skills to make him a great tracker and hunter of outlaws. He learned five languages and gained respect of the Indians of the Territory, which made him one of the few who could gain information and accomplish the task of hunting down the lawless. Bass Reeves faced challenges in his new homeland that would have destroyed a lesser man, but his natural gifts of determination and intelligence helped mold the man into one of the most feared and respected lawmen in history. The story of Bass Reeves was illuminated in his day by only a flicker of candlelight, because he was black. If he had been a white man, the entire world would have known of his great exploits, and his name would have been mentioned with the likes of Wyatt Earp, Bat Masterson and Bill Hickok. If the real truth had been known, the name of Bass Reeves would have been a beacon of historical light, shining brighter than any of his contemporaries. The truth is, many of those more famous lawmen also reveled in some of the less honorable sides of life, like gambling, prostitution, profiteering, murder and vengeance. To the contrary, research into the life of Bass Reeves has shown that he strictly obeyed the laws of the land and strove to treat the men he hunted with even more respect than was customary for that time in history. Amazingly, Reeves stuck to these high standards in a wild territory that was often filled with greater danger than any of his contemporaries could have even imagined. Bass Reeves brought law to a territory of outlaws that spread out over seventy thousand square miles. He arrested more than three thousand offenders and delivered them to face judgment before Judge Parker, in Fort Smith, Arkansas.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.