She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance. The Collected Stories of Lydia Davis is an event in American letters.

    It includes Lord Arthur Savile's Crime, The Canterville Ghost, The Sphinx Without a Secret and The Model Millionaire.Written between 1887 and 1891, at the height of his creative powers, these stories confirm Oscar Wilde’s reputation as a master storyteller in their sense of fun, quick intelligence and witty dissection of Victorian society. They also reveal his compassion for the poor and downtrodden who were so readily ignored by that age.

    Free. Like Unfettered before it, the contributing writers of Unbound were allowed to submit the tales they wished fans of genre to read—without the constraints of a shackling theme. The result is magical. Twenty-three all-original stories are sure to captivate you—some will move you to tears while others will keep you turning the pages long into the night. The power of Unbound lies in its variety of tales and the voices behind them. If you are a fan of discovering new writers or reading the works of beloved authors, Unbound is for you. Return to Landover with Terry Brooks. Go to trial with Harry Dresden and Jim Butcher. Enter the Citadel and become remade with Rachel Caine. Survive a plague with John Marco and his robot companion Echo. Be painted among the stars by Mary Robinette Kowal. These tales and the others that comprise the anthology are only bound by how enchanting and enthralling they are. Unbound is filled with spectacularly wonderful stories, each one as diverse as its creator. You will be changed upon finishing it. And that is the point. Like Unfettered before it, the contributing writers of Unbound were allowed to submit the tales they wished fans of genre to read—without the constraints of a theme. It is an anthology filled some spectacularly wonderful stories, each one as diverse as its creator.Here is the Unbound line-up: Terry Brooks (intro) | Kristen Britain | Jim Butcher | Rachel Caine | Harry Connolly | Delilah S. Dawson | David Anthony Durham | Jason M. Hough | Mary Robinette Kowal | Mark Lawrence | John Marco | Tim Marquitz | Seanan McGuire | Peter Orullian | Kat Richardson | Anthony Ryan | Shawn Speakman | Brian Staveley | Michael J. Sullivan | Sam Sykes | Mazarkis Williams“Madwalls” by Rachel Caine“Stories Are Gods” by Peter Orullian“River and Echo” by John Marco“A Dichotomy of Paradigms” by Mary Robinette Kowal“Son of Crimea” by Jason M. Hough“An Unfortunate Influx of Filipians” by Terry Brooks“The Way into Oblivion” by Harry Connolly“Uncharming” by Delilah S. Dawson“A Good Name” by Mark Lawrence“All in a Night’s Work” by David Anthony Durham“Seven Tongues” by Tim Marquitz“Fiber” by Seanan McGuire“The Hall of the Diamond Queen” by Anthony Ryan“The Farmboy Prince” by Brian Staveley“Heart’s Desire” by Kat Richardson“The Game” by Michael J. Sullivan“The Ethical Heresy” by Sam Sykes.“Small Kindnesses” by Joe Abercrombie“The Rat” by Mazarkis Williams“The Siege of Tilpur” by Brian McClellan“Mr. Island” by Kristen Britain“Jury Duty” by Jim Butcher“The Dead’s Revenant” by Shawn Speakman

    A nineteen-year-old hobo just starting to ride the rails, he is hiding in the coal car when the railroad detective comes through. They get into a scuffle, and Lucky’s hand finds a railroad spike. Before he knows it, he has smashed the investigator’s head and shoved him out of the car. If he hurries, if he’s lucky, he will get back to Los Angeles in time to establish an alibi, burn his clothes, and avoid the electric chair. But as Lucky will discover, the deadliest threat is lurking within his own mind.   “Dead Man” is just one of the outstanding stories included in this volume. The author of some of the most hard-boiled prose ever written, James M. Cain understood fear in all its forms—and knew better than anyone the terror of a killer on the run.

    He smells gun oil too, too much oil on a brand-new shotgun. These aren't hunters, they're rich kids who don't care about the river and the fish and the old man.Or his dog. Red is the name of the old man's dog, his best friend in the world. And when the boys shoot the dog -- for nothing, for simple spite -- he sees red, like a mist before his eyes. And before the whole thing is done there'll be more red. Red for blood...

    It is here that Jeeves makes his first appearance with these unremarkable words: "Mrs. Gregson to see you, sir." Years later, when Jeeves became a household name, Wodehouse said he blushed to think of the off-hand way he had treated the man at their first encounter...In the story "Extricating Young Gussie," we find Bertie Wooster's redoubtable Aunt Agatha "who had an eye like a man-eating fish and had got amoral suasion down to a fine point." The other stories are also fine vintage Wodehouse: the romance between a lovely girl and a would-be playwright, the rivalry between the ugly policeman and Alf the romeo milkman, and the plight of Henry in the title piece, The Man with Two Left Feet, who fell in love with a dance hostess.

    A high-powered lawyer honeymooning with her husband is caught off guard by the appearance of the girl who tormented her in high school. A shy Ivy League student learns the truth about a classmate’s seemingly enviable life.Curtis Sittenfeld has established a reputation as a sharp chronicler of the modern age who humanizes her subjects even as she skewers them. Now, with this first collection of short fiction, her “astonishing gift for creating characters that take up residence in readers’ heads” (The Washington Post) is showcased like never before. Throughout the ten stories in You Think It, I’ll Say It, Sittenfeld upends assumptions about class, relationships, and gender roles in a nation that feels both adrift and viscerally divided.With moving insight and uncanny precision, Curtis Sittenfeld pinpoints the questionable decisions, missed connections, and sometimes extraordinary coincidences that make up a life. Indeed, she writes what we’re all thinking—if only we could express it with the wit of a master satirist, the storytelling gifts of an old-fashioned raconteur, and the vision of an American original.

    Parker Pyne must recover a priceless diamond which disappears during a dinner party trick; Hercule Poirot proves that a crowd is the best cloak for a murder, and Miss Marple solves a baffling crime by the fireside. There are six more good ones in this mystery anthology. The stories are: 1. The Regatta Mystery, 2. The Mystery of the Baghdad Chest, 3. How Does Your Garden Grow, 4. Problem at Pollensa Bay, 5. Yellow Iris, 6. Miss Marple Tells a Story, 7. The Dream, 8. In a Glass Darkly, and 9. Problem at Sea. Five are Hercule Poirot mysteries. The others are: #1 which features Parker Pyne although it was first written for Hercule Poirot; #4, a Parker Pyne mystery; #6, a Miss Marple mystery, and #8, one of the author's stand-alone sci fi stories. Librarian's note: this is the entry for the collection of nine short stories, "The Regatta Mystery and Other Stories." Entries for each of the individual stories, including the title story, are located elsewhere on Goodreads.

    In Blueprints for Building Better Girls, her highly anticipated follow-up, she has crafted another provocative, keenly observed, and wickedly smart work of fiction that maps America's shifting cultural landscape from the late 1970s to the present day.In these eight darkly funny linked stories, Schappell delves into the lives of an eclectic cast of archetypal female characters—from the high school slut to the good girl, the struggling artist to the college party girl, the wife who yearns for a child to the reluctant mother— to explore the commonly shared but rarely spoken of experiences that build girls into women and women into wives and mothers. In “Monsters of the Deep,” teenage Heather struggles to balance intimacy with a bad reputation; years later in “I’m Only Going to Tell You This Once,” she must reconcile her memories of the past with her role as the mother of an adolescent son. In “The Joy of Cooking,” a phone conversation between Emily, a recovering anorexic, and her mother explores a complex bond; in “Elephant” we see Emily’s sister, Paige, finally able to voice her ambivalent feelings about motherhood to her new best friend, Charlotte. And in “Are You Comfortable?” we meet a twenty-one-year-old Charlotte cracking under the burden of a dark secret, the effects of which push Bender, a troubled college girl, to the edge in “Out of the Blue into the Black.” Weaving in and out of one another’s lives, whether connected by blood, or friendship, or necessity, these women create deep and lasting impressions. In revealing all their vulnerabilities and twisting our preconceived notions of who they are, Elissa Schappell, with dazzling wit and poignant prose, has forever altered how we think about the nature of female identity and how it evolves.

    She is only protected by her family name and her position as heir to a duchy.When she decides to help a young commoner—a powder mage marked for death, fugitive from the law—she puts her life and family reputation at risk and sets off to deliver her new ward to the safety of Adro while playing cat and mouse with the king’s own mage hunters and their captain, Duke Nikslaus.Occurs 35 years before the events in Promise of Blood.

    Flying carpets; subterranean amusement parks; a band of teenage girls who meet secretly in the night in order to do "nothing at all"; a store with departments of Moorish courtyards, volcanoes, and Aztec temples: these are Millhauser's stock-in-trade as a storyteller, and he employs them to characteristically magical effect. As in Millhauser's other books, including Edwin Mullhouse and the Pulitzer Prize-winning Martin Dressler, his subject is nothing less than the faculty of imagination itself. Here, however, the flights of fancy are unencumbered by Martin Dressler's wealth of period detail, and the result is fun-house prose whose pleasures and terrors are equally gossamer. Millhauser possesses the unique ability to render the quotidian strange, so that, emerging from his stories, the reader often feels the world itself an unfamiliar place--as do the shoppers at his department store, that marketplace of skillful illusion: "As we hurry along the sidewalk, we have the absurd sensation that we have entered still another department, composed of ingeniously lifelike streets with artful shadows and reflections--that our destinations lie in a far corner of the same department--that we are condemned to hurry forever through these artificial halls, bright with late afternoon light, in search of the way out."

    Omnibus collection of four early Bachman novels (Rage, The Long Walk, Roadwork, The Running Man) and the essay "Why I Was Bachman"

    Amy Bloom writes great short stories. Her first collection, Come to Me, was a finalist for the National Book Award, and here she deepens and extends her mastery of the form.Real people inhabit these pages, the people we know and are, the people we long to be and are afraid to be: a mother and her brave, smart little girl, each coming to terms with the looming knowledge that the little girl will become a man; a wildly unreliable narrator bent on convincing us that her stories are not harmless; a woman with breast cancer, a frightened husband, and a best friend, all discovering that their lifelong triangle is not what they imagined; a man and his stepmother engaged in a complicated dance of memory, anger, and forgiveness. Amy Bloom takes us straight to the center of these lives with rare generosity and sublime wit, in flawless prose that is by turns sensuous, spare, heartbreaking, and laugh-out-loud funny.These are transcendent stories: about the uncertain gestures of love, about the betrayals and gifts of the body, about the surprises and bounties of the heart, and about what comes to us unbidden and what we choose.A blind mand can see how much I love you --Rowing to Eden --Lionel and Julia (Night vision, Light into dark) --Stars at elbow and foot --Hold tight --The gates are closing --The story

    Long suffering under Christopher's unfaithful ways, Rosemary is tried, convicted and executed. Ten years later, Jon Nunn, the detective who cracked the case, becomes convinced that the wrong person was put to death. Along with financier Tony Olsen, he plans to gather everyone who was there the night Christopher died and finally uncover the truth about what happened that fateful evening. Could it have been the ne'er do well brother Peter Hausen, interested in his sister's trust fund having got through his own; the curatorial assistant Justine Olengard, used and betrayed by Christopher; the artist Belle who turned down his advances only to see her career suffer a setback; or someone else all together? No Rest for the Dead is a thrilling, page-turning accomplishment that only the very best thriller writers could achieve.

    She’s finally created a life with her daughter and is a well-respected attorney. She’s moving on. But when a new rash of homicides has her ex-husband, Eddie, written all over them—the nightmares of her past come back to life.The FBI asks Jessica to get involved in the hunt for this copycat killer—which means visiting her ex and collaborating with the man who tore her life apart.As the copycat’s motives become clearer, the new life Jessica created for herself gets darker. She must ask herself who she can trust and if she’s capable of stopping the killer—a man whose every crime is a bloody valentine from a twisted mastermind she’s afraid she may never escape.