The fact that they’re strictly friends seems to get lost on nearly everyone; after all, they’re as good as married in (almost) every way. For three decades, they’ve nurtured their baby, the Forsyth Trio—a chamber group they created as students with their Juilliard classmate Gavin Glantz. In the intervening years, Gavin has gone on to become one of the classical music world’s reigning stars, while Bridget and Will have learned to embrace the warm reviews and smaller venues that accompany modest success. Bridget has been dreaming of spending the summer at her well-worn Connecticut country home with her boyfriend Sterling. But her plans are upended when Sterling, dutifully following his ex-wife’s advice, breaks up with her over email and her twin twenty-somethings arrive unannounced, filling her empty nest with their big dogs, dirty laundry, and respective crises. Bridget has problems of her own: her elderly father announces he’s getting married, and the Forsyth Trio is once again missing its violinist. She concocts a plan to host her dad’s wedding on her ramshackle property, while putting the Forsyth Trio back into the spotlight. But to catch the attention of the music world, she and Will place their bets on luring back Gavin, whom they’ve both avoided ever since their stormy parting. With her trademark humor, pitch-perfect voice, and sly perspective on the human heart, Amy Poeppel crafts a love letter to modern family life with all of its discord and harmony. In the tradition of novels by Maria Semple and Stephen McCauley, Musical Chairs is an irresistibly romantic story of role reversals, reinvention, and sweet synchronicity.

    Desperate and afraid of her feelings for an Irish priest with whom she has been working, she spends eight days on the run, encountering a variety of characters along the way: a cynical Englishman who helps her out; a suspicious Peruvian police officer who takes her in for questioning; and two American Peace Corps workers who befriend her. As Kate traverses this dangerous physical journey through Peru, she also embarks upon an interior journey of self-discovery―one that leads her somewhere she never could have expected.

    It quickly becomes clear that the throng determined to shut the city down--from environmentalists to teamsters to anarchists--are testing the patience of the police, and what started as a peaceful protest is threatening to erupt into violence.Over the course of one life-altering afternoon, the lives of seven people will change forever: foremost among them police chief Bishop, the estranged father Victor hasn't seen in three years, two protestors struggling to stay true to their non-violent principles as the day descends into chaos, two police officers in the street, and the coolly elegant financial minister from Sri Lanka whose life, as well as his country's fate, hinges on getting through the angry crowd, out of jail, and to his meeting with the president of the United States.In this raw and breathtaking novel, Yapa marries a deep rage with a deep humanity, and in doing so casts an unflinching eye on the nature and limits of compassion.

    But one November day, moments after dismissing her class, a girl's face appears above the students' desks -- 'a wild numinous face with startling blue eyes, a face floating on top of shapeless drapes of purples and blues where arms and legs should have been. Terror rushes through Nora's body -- the kind of raw terror you feel when there's no way out, when every cell in your body, your entire body, is on fire -- when you think you might die.Twenty-four hours later, while on Thanksgiving vacation, the face appears again. Shaken and unsteady, Nora meets with neurologists and eventually, a psychiatrist. As the story progresses, a terrible secret is discovered -- a secret that pushes Nora toward an even deeper psychological breakdown. This breathtaking debut novel examines the impact of traumatic childhood experiences and the fragile line between past and present. Exquisitely nuanced and profoundly intimate, The Night Child is a story of resilience, hope, and the capacity of the mind, body, and spirit to save itself despite all odds.

    Three generations. One great American love story. Ranee, worried that her children are losing their Indian culture; Sonia, wrapped up in a forbidden biracial love affair; Tara, seeking the limelight to hide her true self; Shanti, desperately trying to make peace in the family; Anna, fighting to preserve her Bengali identity.

    So when their school’s art budget faces cutbacks, of course Natalie finds herself up against her nemesis once more. She’s fighting to direct the school’s first ever student-written play, but for her small production to get funding, the school’s award-winning band will have to lose it. Reid’s band. And he’s got no intention of letting the show go on.But when their rivalry turns into an all-out prank war that goes too far, Natalie and Reid have to face the music, resulting in the worst compromise: writing and directing a musical. Together. At least if they deliver a sold-out show, the school board will reconsider next year’s band and theater budget. Everyone could win.Except Natalie and Reid.Because after spending their entire lives in competition, they have absolutely no idea how to be co-anything. And they certainly don’t know how to deal with the feelings that are inexplicably, weirdly, definitely developing between them…

    But Lily is nothing if not resourceful, and now uses Duke’s coveted hand-drawn maps to guide tourists on fake treasure hunts through the red rock canyons of Utah. It pays the bills but doesn’t leave enough to fulfill her dream of buying back the beloved ranch her father sold years ago, and definitely not enough to deal with the sight of the man she once loved walking back into her life with a motley crew of friends ready to hit the trails. Frankly, Lily would like to take him out into the wilderness—and leave him there.Leo Grady knew mirages were a thing in the desert, but they’d barely left civilization when the silhouette of his greatest regret comes into focus in the flickering light of the campfire. Ready to leave the past behind him, Leo wants nothing more than to reconnect with his first and only love. Unfortunately, Lily Wilder is all business, drawing a clear line in the sand: it’s never going to happen. But when the trip goes horribly and hilariously wrong, the group wonders if maybe the legend of the hidden treasure wasn’t a gimmick after all. There’s a chance to right the wrongs—of Duke’s past and their own—but only if Leo and Lily can confront their history and work together. Alone under the stars in the isolated and dangerous mazes of the Canyonlands, Leo and Lily must decide whether they’ll risk their lives and hearts on the adventure of a lifetime.

    But she hasn't told anyone.No one knows the real story about what happened that night—about why Kayla was driving the car that ran into a ditch after the party, about what she saw in the hours leading up to the accident, and about the promise she made to her friend Bean before she left for the summer.Now Kayla's coming home for her senior year. If Kayla keeps quiet, she might be able to get her old life back. If she tells the truth, she risks losing everything—and everyone—she ever cared about.

    The same qualities that draw her in--his tattoos, his charisma, his passion for art--make him her mother's worst nightmare. They begin dating in secret, but when Oliver's troubled home life unravels, he starts to ask more of Rani than she knows how to give, desperately trying to fit into her world, no matter how high the cost. When a twist of fate leads Rani from Evanston, Illinois to Pune, India for a summer, she has a reckoning with herself--and what's really brewing beneath the surface of her first love.Winner of the SCBWI Emerging Voices award, Anuradha Rajurkar takes an honest look at the ways cultures can clash in an interracial relationship. Braiding together themes of sexuality, artistic expression, and appropriation, she gives voice to a girl claiming ownership of her identity, one shattered stereotype at a time.

    
This is the story of seven friends. We met in college, completely free for the first time in our lives and determined to enjoy every minute of it. For four years, we gossiped and flirted, partied and road-tripped. We were inseparable. Each of us has our own story of falling in or out of love. Of finding out who we are. Of growing up. We thought we knew everything. We knew nothing. We Were Here is where the Modern Love Stories begins, in a standalone that perfectly captures the humor, angst, and sheer chaos of college.

    Her husband, Mark, says he knows nothing of her whereabouts. She went to work and just never came home. Their family is shattered.Kai Janssen: married to wealthy Dutch businessman Daan and vanishes the same week. Kai left their luxurious penthouse and glamorous world without a backward glance. She seemingly evaporated into thin air. Daan is distraught. Detective Clements knows that people disappear all the time—far too frequently. Most run away from things, some run toward, others are taken but find their way back. A sad few never return. These two women are from very different worlds. Their disappearances are unlikely to be connected. And yet, at a gut level, the detective believes they might be. How could these women walk away from their families, husbands and homes willingly? Clements is determined to unearth the truth, no matter how shocking and devastating it may be. #1 Sunday Times bestselling author Adele Parks returns with her most provocative, compelling book to date.

    Waking up. Going to school, talking to your friends. Watching a show on television or reading a book or going out to lunch.You take for granted going to sleep at night, getting up the next day, and remembering everything that happened to you before you closed your eyes.You live and you remember.Me, I live and I forget.But now—now I am remembering. For all of her seventeen years, Molly feels like she’s missed bits and pieces of her life. Now, she’s figuring out why. Now, she’s remembering her own secrets. And in doing so, Molly uncovers the separate life she seems to have led…and the love that she can’t let go.The Half Life of Molly Pierce is a suspenseful, evocative psychological mystery about uncovering the secrets of our pasts, facing the unknowns of our futures, and accepting our whole selves.

    He and his wife Elizabeth are expecting their second child, and if her parents on Striver’s Row don’t approve of him or their cramped apartment across from the subway tracks, it’s still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time. Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn’t ask where it comes from. He knows a discreet jeweler downtown who doesn’t ask questions, either. Then Freddie falls in with a crew who plan to rob the Hotel Theresa—the “Waldorf of Harlem”—and volunteers Ray’s services as the fence. The heist doesn’t go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers, and other assorted Harlem lowlifes. Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs? Harlem Shuffle’s ingenious story plays out in a beautifully recreated New York City of the early 1960s. It’s a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem. But mostly, it’s a joy to read, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead.

     In the tourist town of Ciudad de Tres Hermanas, in the aftermath of their mother's passing, two siblings spend a final weekend together in their childhood home. Seeing her brother, Rafa, careening toward a place of no return, Rufina devises a bet: if they can make enough money performing for privileged tourists in the plaza over the course of the weekend to afford a plane ticket out, Rafa must commit to living. If not, Rufina will make her peace with Rafa's own plan for the future, however terrifying it may be.As the siblings reckon with generational and ancestral trauma, set against the indignities of present-day prejudice, other strange hauntings begin to stalk these pages: their mother's ghost kicks her heels against the walls; Rufina's vanished child creeps into her arms at night; and above all this, watching over the siblings, a genderless, flea-bitten angel remains hell-bent on saving what can be saved.

    Longlisted, The Guardian's Not The Booker Prize.Dan saw her husband die. So why can he still hear him?Is Dan ill or has he been possessed? Homeless and afraid, he decides the only way to find out is to track down the man’s widow, Natalie. Can he convince her that her husband Joe lives on inside him? Can they both fight their growing feelings for one another as Joe, trapped inside Dan, feels evermore marginalised, alone and afraid?