Twenty astonishing stories from acclaimed author Ursula K. Le Guin that carry us to worlds of wonder and horror, desire and destiny, enchantment and doom.

    Gathered into one volume by intrepid chrononauts and world-renowned anthologists Ann and Jeff VanderMeer, this book compiles more than a century's worth of literary travels into the past and the future that will serve to reacquaint readers with beloved classics of the time travel genre and introduce them to thrilling contemporary innovations.This marvelous volume includes nearly seventy journeys through time from authors such as Douglas Adams, Isaac Asimov, Ray Bradbury, William Gibson, Ursula K. Le Guin, George R. R. Martin, Michael Moorcock, H. G. Wells, and Connie Willis, as well as helpful non-fiction articles original to this volume (such as Charles Yu's "Top Ten Tips For Time Travelers").In fact, this book is like a time machine of its very own, covering millions of years of Earth's history from the age of the dinosaurs through to strange and fascinating futures, spanning the ages from the beginning of time to its very end. The Time Traveler's Almanac is the ultimate anthology for the time traveler in your life.

    Kiernan has been described as one of “the most original and audacious weird writers of her generation” (Jeff and Ann VanderMeer, The Weird), “one of our essential writers of dark fiction” (New York Times), and S. T. Joshi has proclaimed, “hers is now the voice of weird fiction.” In The Ape's Wife and Other Stories—Kiernan’s twelfth collection of short fiction since 2001—she displays the impressive range that characterizes her work. With her usual disregard for genre boundaries, she masterfully navigates the territories that have traditionally been labeled dark fantasy, sword and sorcery, science fiction, steampunk, and neo-noir. From the subtle horror of “One Tree Hill (The World as Cataclysm)” and “Tall Bodies” to a demon-haunted, alternate reality Manhattan, from Mars to a near-future Philadelphia, and from ghoulish urban legends of New England to a feminist-queer retelling of Beowulf, these thirteen stories keep reader always on their toes, ever uncertain of the next twist or turn.

    We have unprecedented access to information; cognitive dissonance is a banner headline in our morning papers and radiates silently from our computer screens. Slipstream, poised between literature and popular culture, embraces the dissonance. These ambitious stories of visionary strangeness defy the conventions of science fiction. Tales by Michael Chabon, Karen Joy Fowler, Jonathan Lethem, Carol Emshwiller, George Saunders, and others pull the reader into a vivid dreamspace and embrace the knowledge that life today is increasingly surreal. ContentsIntroduction by John Kessel and Jim Patrick Kelly"Al" by Carol Emshwiller "The Little Magic Shop" by Bruce Sterling "The Healer" by Aimee Bender "The Specialist's Hat" by Kelly Link "Light and the Sufferer" by Jonathan Lethem "Sea Oak" by George Saunders "Exhibit H: Torn Pages Discovered in the Vest Pocket of an Unidentified Tourist" by Jeff VanderMeer "Hell is the Absence of God" by Ted Chiang "Lieserl" by Karen Joy Fowler "Bright Morning" by Jeffrey Ford Biographical Notes to "A Discourse on the Nature of Causality, with Air-planes" by Benjamin Rosenbaum "The God of Dark Laughter" by Michael Chabon "The Rose in Twelve Petals" by Theodora Goss "The Lions Are Asleep This Night" by Howard Waldrop "You Have Never Been Here" by M. Rickert "I Want My 20th-Century Schizoid Art" I-IV (various contributors)

    The journey is the thing as Pinsker weaves music, memory, technology, history, mystery, love, loss, and even multiple selves on generation ships and cruise ships, on highways and high seas, in murder houses and treehouses. They feature runaways, fiddle-playing astronauts, and retired time travelers; they are weird, wired, hopeful, haunting, and deeply human. They are often described as beautiful but Pinsker also knows that the heart wants what the heart wants and that is not always right, or easy.

    This naturally brings him in contact with the house full of students and layabouts next door, including a young woman who, in a moment of stress, reveals to him that she has wings--wings, moreover, which grow back after each attempt to cut them off. Alan understands. He himself has a secret or two. His father is a mountain; his mother is a washing machine; and among his brothers are a set of Russian nesting dolls. Now two of the three nesting dolls, Edward and Frederick, are on his doorstep--well on their way to starvation, because their innermost member, George, has vanished. It appears that yet another brother, Davey, who Alan and his other siblings killed years ago, may have returned...bent on revenge.Under such circumstances it seems only reasonable for Alan to involve himself with a visionary scheme to blanket Toronto with free wireless Internet connectivity, a conspiracy spearheaded by a brilliant technopunk who builds miracles of hardware from parts scavenged from the city's dumpsters. But Alan's past won't leave him alone--and Davey is only one of the powers gunning for him and all his friends.

    In “Requiem”, a woman goes to Alaska to try and make sense of her aunt’s disappearance. An eleventh century poet wakes to find he is as an artificially intelligent companion on a starship. A woman of no account has the ability to look into the past.Singh's work dives into the vast strangeness of the universe without and within, and she unblinkingly explores the ways we move through space and time: together, yet always apart.Contents:- With Fate Conspire (2013)- A Handful of Rice (2012)- Peripeteia (2013)- Lifepod (2007)- Oblivion: A Journey (2008)- Somadeva: A Sky River Sutra (2010)- Are You Sannata3159? (2010)- Indra's Web (2011)- Ruminations in an Alien Tongue (2012)- Sailing the Antarsa (2013)- Cry of the Kharchal (2013)- Wake-Rider (2014)- Ambiguity Machines: An Examination (2015)- Requiem (2018)

    In the award-winning title story, the narrator recounts the events of an expedition to the Belgian Congo in 1928 to collects gorillas for the Louisville Museum of Natural History. A mother invents a fairy-tale world for her son in 'Halfway People'. Twin sisters backpacking through Europe receive a mysterious invitation. A rebellious teenager is sent to a brutal reform school hidden away in paradise. A young woman inherits the family submarine. In 'The Dark', a researcher tracking plague outbreaks finds himself in the Viet Cong tunnels of Vietnam. A mystery writer visits an archaeological dig in Egypt and sets a curse in motion. In two stories, 'Booth's Ghost' and 'Standing Room Only', Fowler explores the circumstances of Lincoln's assassination from the perspectives of John Wilkes Booth's family and friends.Fowler, perhaps best known for her novels, is a master of the short story form: the secret history, the account of first contact, the murderous, ordinary tensions of family life. She draws on fairy tales, historical narratives, and war reportage, measuring the human capacities for hope and despair, brutality and kindness in the fantastic tradition of writers such as Shirley Jackson, T.H. White, Karen Russell, and Ursula K. Le Guin.

    For when the women are all gone the rest of your life is all there is for everyone. The men are waiting to pass into the night.The story shall be told to preserve the past. History has gone back to its aural roots and the power of words is strong. Meet Nate, the storyteller, and the new secrets he brings back from the woods. William rules the group with youth and strength, but how long can that last? And what about Uncle Ted, who spends so much time out in the woods?Hear the tales, watch a myth be formed. For what can man hope to achieve in a world without women? When the past is only grief how long should you hold on to it? What secrets can the forest offer to change it all? Discover the Beauty.

    These stories are today.Following up on her first collection, Story Prize finalist Maureen F. McHugh explores the catastrophes, small and large, of twenty-first century life—and what follows after. What happens after the bird flu pandemic? Are our computers smarter than we are? What does the global economy mean for two young girls in China? Are we really who we say we are? And how will we survive the coming zombie apocalypse?

    Now he offers us a superb quintet of novellas -- five dazzling masterworks of speculative fiction, including "Orphans of the Helix," his award-winning return to the Hyperion Universe -- that demonstrates the unique mastery, breathtaking invention, and flawless craftsmanship of one of contemporary fiction's true greats.Human colonists seeking something other than godhood encounter their long-lost "cousins"...and an ancient scourge.A devastated man in suicide's embrace is caught up in a bizarre cat-and-mouse game with a young woman possessing a world-ending power.The distant descendants of a once-oppressed people learn a chilling lesson about the persistence of the past.A terrifying ascent up the frigid, snow-swept slopes of K2 shatters preconceptions and reveals the true natures of four climbers, one of whom is not human.At the intersection of a grand past and a threadbare present, an aging American in Russia confronts his own mortality as he glimpses a wondrous future.

    The stories of Henghis Hapthorn, Old Earth's "foremost freelance discriminator", combine mystery and science fantasy while simultaneously recalling the arch irony of Gene Wolfe and the sly fancies of Jack Vance.

    Lovecraft has inspired writers of supernatural fiction, artists, musicians, filmmakers, and gamers. His themes of cosmic indifference, the utter insignificance of humankind, minds invaded by the alien, and the horrors of history—written with a pervasive atmosphere of unexplainable dread—remain not only viable motifs, but are more relevant than ever as we explore the mysteries of a universe in which our planet is infinitesimal and climatic change is overwhelming it. In the early twenty-first century the best supernatural writers no longer imitate Lovecraft, but they are profoundly influenced by the genre and the mythos he created. New Cthulhu: The Recent Weird presents some of the best of this new Lovecraftian fiction—bizarre, subtle, atmospheric, metaphysical, psychological, filled with strange creatures and stranger characters—eldritch, unsettling, evocative, and darkly appealing.

    Both sides of Bradbury's vaunted childhood nostalgia are also on display, in the celebratory "Uncle Einar," and haunting "The Lake," the latter a fine elegy to childhood loss. This edition features a new introduction by Bradbury, an invaluable essay on writing, wherein the author tells of his "Theater of Morning Voices," and, by inference, encourages you to listen to the same murmurings in yourself. And has any writer anywhere ever made such good use of exclamation marks!? (Illustrated by Joe Mugnaini.)Contents:· The Dwarf · ss Fantastic Jan/Feb ’54 · The Next in Line · nv Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Watchful Poker Chip of H. Matisse · ss Beyond Fantasy Fiction Mar ’54 · Skeleton · ss Weird Tales Sep ’45 · The Jar · ss Weird Tales Nov ’44 · The Lake · ss Weird Tales May ’44 · The Emissary · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · Touched with Fire [“Shopping for Death”] · ss Maclean’s Jun 1 ’54 · The Small Assassin · ss Dime Mystery Magazine Nov ’46 · The Crowd · ss Weird Tales May ’43 · Jack-in-the-Box · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Scythe · ss Weird Tales Jul ’43 · Uncle Einar · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Wind · ss Weird Tales Mar ’43 · The Man Upstairs · ss Harper’s Mar ’47 · There Was an Old Woman · ss Weird Tales Jul ’44 · The Cistern · ss Mademoiselle May ’47 · Homecoming · ss Mademoiselle Oct ’46 · The Wonderful Death of Dudley Stone · ss Charm Jul ’54

    . . Razor sharp . . . piercingly profound." Once again, Ellison's writing defies all labels. These seventeen stories by a modern master are an "assembled artifact" of anger and faith - as bittersweet as a"jalapeno-laced cinnamon bear." The sixteen stories collected here are spread over the farthest stretches of time and space, but even the bleakest of them is warmed by a passionate faith in the endurance of life and its ultimate possibilities.