It tells the story of an American woman escaping into the French language and of a scholar and teacher coming to grips with her history of learning. Kaplan begins with a distinctly American quest for an imaginary France of the intelligence. But soon her infatuation with all things French comes up against the dark, unimagined recesses of French political and cultural life.The daughter of a Jewish lawyer who prosecuted Nazi war criminals at Nuremburg, Kaplan grew up in the 1960s in the Midwest. After her father's death when she was seven, French became her way of "leaving home" and finding herself in another language and culture. In spare, midwestern prose, by turns intimate and wry, Kaplan describes how, as a student in a Swiss boarding school and later in a junior year abroad in Bordeaux, she passionately sought the French "r," attentively honed her accent, and learned the idioms of her French lover.When, as a graduate student, her passion for French culture turned to the elegance and sophistication of its intellectual life, she found herself drawn to the language and style of the novelist Louis-Ferdinand Celine. At the same time she was repulsed by his anti-Semitism. At Yale in the late 70s, during the heyday of deconstruction she chose to transgress its apolitical purity and work on a subject "that made history impossible to ignore:" French fascist intellectuals. Kaplan's discussion of the "de Man affair" — the discovery that her brilliant and charismatic Yale professor had written compromising articles for the pro-Nazi Belgian press—and her personal account of the paradoxes of deconstruction are among the most compelling available on this subject.French Lessons belongs in the company of Sartre's Words and the memoirs of Nathalie Sarraute, Annie Ernaux, and Eva Hoffman. No book so engrossingly conveys both the excitement of learning and the moral dilemmas of the intellectual life.

    It is the profoundly moving and poetic memoir by Marceline Loridan-Ivens, who at the age of fifteen was arrested in occupied France, along with her father. Later, in the camps, he managed to smuggle a note to her, a sign of life that made all the difference to Marceline—but he died in the Holocaust, while Marceline survived. In But You Did Not Come Back, Marceline writes back to her father, the man whose death overshadowed her whole life. Although her grief never diminished in its intensity, Marceline ultimately found her calling, working as both an activist and a documentary filmmaker. But now, as France and Europe in general faces growing anti-Semitism, Marceline feels pessimistic about the future. Her testimony is a memorial, a confrontation, and a deeply affecting personal story of a woman whose life was shattered and never totally rebuilt.

    His life mirrored his country's, as he grew from a Mississippi River boyhood in the days of the frontier, to a Wild-West journalist during the Gold Rush, to become the king of the eastern establishment and a global celebrity as America became an international power. Along the way, Mark Twain keenly observed the characters and voices that filled the growing country, and left us our first authentically American literature. Ron Powers's magnificent biography offers the definitive life of the founding father of our culture.

    Nevertheless their lives were so closely intertwined, their choices, dreams and tragedies so eerily similar, it seems impossible to consider one without the other.Both women became famous writers; fell in love with brilliant but impossible men; and were single mothers who had children out of wedlock; both lived in exile; fought for their position in society; and thought deeply about how we should live. And both women broke almost every rigid convention there was to break: Wollstonecraft chased pirates in Scandinavia. Shelley faced down bandits in Naples. Wollstonecraft sailed to Paris to witness the Revolution. Shelley eloped in a fishing boat with a married man. Wollstonecraft proclaimed that women’s liberty should matter to everyone.Not only did Wollstonecraft declare the rights of women, her work ignited Romanticism. She inspired Coleridge, Wordsworth and a whole new generation of writers, including her own daughter, who – with her young lover Percy Shelley – read Wollstonecraft’s work aloud by her graveside. At just nineteen years old and a new mother herself, Mary Shelley composed Frankenstein whilst travelling around Italy with Percy and roguish Lord Byron (who promptly fathered a child by Mary’s stepsister). It is a seminal novel, exploring the limitations of human nature and the power of invention at a time of great religious and scientific upheaval. Moreover, Mary Shelley would become the editor of her husband’s poetry after his early death – a feat of scholarship that did nothing less than establish his literary reputation.Romantic Outlaws brings together a pair of visionary women who should have shared a life, but who instead shared a powerful literary and feminist legacy. This is inventive, illuminating, involving biography at its best.

    The sea is empty. The genii have taken the fish elsewhere.For centuries, fishermen have launched their pirogues from the Senegalese port of Joal, where the fish used to be so plentiful a man could dip his hand into the grey-green ocean and pull one out as big as his thigh. But in an Atlantic decimated by overfishing and climate change, the fish are harder and harder to find. Here, Badkhen discovers, all boundaries are permeable--between land and sea, between myth and truth, even between storyteller and story. Fisherman's Blues immerses us in a community navigating a time of unprecedented environmental, economic, and cultural upheaval with resilience, ingenuity, and wonder.

    This dazzling new biography celebrates his extraordinary life.Davidson tells the whole, rich story of Voltaire`s life (1694-1778): his early imprisonment in the Bastille; exile in England and his mastery of English; an obsession with money, of which he made a huge amount; a scandalous love life; his infatuation with Frederick the Great; a long exile on the borders of Switzerland; his passion for watch-making; his human rights campaigns and his triumphant return to Paris to die there as celebrity extraordinaire. Throughout all of this, Voltaire's life was always informed by two things: a belief in the essential value of toleration in the face of fanaticism; and in the right of every man to think and say what he liked. It is rare to have such a vivid portrait of a great man.

    A love child, she was born in Burgundy in 1901 and christened Alice Prin. Raised by her grandmother in dire poverty, she made meals of vegetables thieved from neighbors' gardens and snails lured from hiding by summer showers. At twelve, she was shipped off to Paris to live with the mother she had never known. Her fierce survival instincts immediately translated into a precocious thirst for experience. Soon she discovered the power of artificial geraniums to rouge her cheeks and mouth, and at fourteen she had her first contact with art when she began posing nude for a sculptor. Thereafter, she embraced life as the irrepressible Kiki, lover of Man Ray, beloved friend of Soutine and Jean Cocteau - the toast of Montparnasse. One of the century's first truly independent women, she cut a wide swath of color and passion wherever she went. Man Ray, Foujita, Kisling, and others immortalized her in their work. Crowds roared for her raunchy songs at the artists' boite, Le Jockey. She appeared in nine films, including Leger's famous Ballet Mecanique. And she painted hundreds of portraits and dream-like landscapes, many of which are included in these memoirs, working in a fresh naive style that made her one-person show a sellout. Featuring full page reproductions of original paintings by Kiki herself, plus famous and lesser known photographs of Kiki by Man Ray and portraits of her by other important artists, Kiki's Memoirs brushes vivid new color on to the canvas of 1920s Montparnasse and sketchesin bold strokes the indomitable spirit of an unforgettable personality who was always a woman but never a lady.

    The fascinating stories behind what have been rightly called the “hottest books on the planet”: The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet’s Nest   Through insightful commentary and revealing interviews, you will enter the unique world of Lisbeth Salander, Mikael Blomkvist---and of Stieg Larsson himself---discovering the fascinating real-life experiences and incidents involving Swedish politics, violence against women, and neo-Nazis that are at the heart of Larsson’s work. John-Henri Holmberg, a Swedish author and close friend of Larsson for more than three decades, provides a unique insider’s look into the secrets of the author’s imaginative universe, his life, and his ideas for future books---including the mysterious “fourth book” in the series, which Larsson had started but not finished at the time of his death. Included within are answers to compelling questions on every Larsson fan’s mind:   ·          What makes the Lisbeth Salander character so unique and memorable? Why have so many people from all backgrounds and with all kinds of tastes found The Girl with the Dragon Tattoo so riveting? ·          What are the speculations---and what is the truth---about Stieg Larsson’s tragic death at age fifty, just before the publication of his novels, and the bitter battle over his legacy? ·          What changes were made in the plots and translations of the novels after Larsson’s death---and why? ·          How did Larsson’s early interest in science fiction and American and British crime writers feed into his creation of the Millennium trilogy? ·          What were Larsson’s ideas for the fourth book, and are there any clues to the plots he imagined for his ten-book series? Will we meet Lisbeth’s twin sister, Camilla, or any of her other seven siblings that Zalachenko tells her she has? ·          Does Lisbeth Salander give feminism a new definition? ·          What will happen in the contentious battle between Stieg Larsson’s life partner, Eva Gabrielsson, and his father and brother over the future of the books, as well as the billion dollars at stake in his legacy? ·          Who are the emerging Swedish crime writers we should pay attention to now? ·          And much, much more!

    From it came Lyrical Ballads, the volume that kick-started the Romantic Movement in England. Rarely have two such gifted writers cooperated so closely. They met in 1795 when both were in their early twenties, and in the euphoria of mutual discovery these brilliant and idealistic young men planned a poem that would succeed where the French Revolution failed—a poem that would, quite literally, change the world. In this wonderfully lively and readable account, acclaimed author Adam Sisman explores their passionate and tempestuous bond and the way in which rivalry bred tension between them. Though much has been written about this extraordinary duo, no previous biographer has considered them together. The result offers insights into the rich yet neglected topic of friendship and tantalizing glimpses of the creative process itself.

    The real-life protagonist of The Black Count, General Alex Dumas, is a man almost unknown today yet with a story that is strikingly familiar, because his son, the novelist Alexandre Dumas, used it to create some of the best loved heroes of literature.Yet, hidden behind these swashbuckling adventures was an even more incredible secret: the real hero was the son of a black slave -- who rose higher in the white world than any man of his race would before our own time. Born in Saint-Domingue (now Haiti), Alex Dumas was briefly sold into bondage but made his way to Paris where he was schooled as a sword-fighting member of the French aristocracy. Enlisting as a private, he rose to command armies at the height of the Revolution in an audacious campaign across Europe and the Middle East – until he met an implacable enemy he could not defeat.The Black Count is simultaneously a riveting adventure story, a lushly textured evocation of 18th-century France, and a window into the modern world’s first multi-racial society. But it is also a heartbreaking story of the enduring bonds of love between a father and son.

    . . Here we find an ugly, walleyed existentialist philosopher, the elegantly beautiful author of The Second Sex and the Gallic equivalent of a bevy of young starlets who share the bed of one or the other--or sometimes both. Readers will turn these pages alternately mesmerized and appalled.” — Michael Dirda, Washington Post Book WorldPassionate, freethinking existentialist philosopher-writers Simone de Beauvoir and Jean-Paul Sartre are one of the world's legendary couples. Their committed but notoriously open union generated no end of controversy in their day. Biographer Hazel Rowley offers the first dual portrait of these two colossal figures and their intense, often embattled relationship. Through original interviews and access to new primary sources, Rowley portrays Sartre and Beauvoir up close.Tête-à-Tête magnificently details the passion, daring, humor, and contradictions of a remarkably unorthodox relationship.

    What emerges is the study of a man caught in conflicts between family loyalties and his own passionate nature, between the call to political action and devotion to his art, between his support of the native Algerians and his identification with the forgotten poor whites. Exploring Camus's impoverished childhood in the Algerian city of Belcourt, his underground activities during the Occupation in Paris, the intrigues of the French literati who embraced him after the publication of his first novel, L'Etranger, Todd uncovers the solitary private man behind the mask of his celebrity. He shows us a writer isolated by his own success, crippled by the charms of women he could not resist, debilitated by the tuberculosis that did not kill him. The auto accident that did adds only to the ironies in the life of this international giant of twentieth-century literature.

    But it turned out he had been living a double life for years—one that exploded in the aftermath of a Thanksgiving night crash that exposed his serial infidelity and sent his personal and professional lives over a cliff. In this “searing biography of golf’s most blazing talent” (GOLF magazine), Jeff Benedict and Armen Keteyian dig deep behind the headlines to produce a richly reported answer to the question that has mystified millions of sports fans for nearly a decade: who is Tiger Woods, really? Drawing on more than four hundred interviews with people from every corner of Woods’s life—many of whom have never spoken about him on the record before—Benedict and Keteyian construct a captivating psychological profile of a mixed race child programmed by an attention-grabbing father and the original Tiger Mom to be the “chosen one,” to change not just the game of golf, but the world as well. But at what cost? Benedict and Keteyian provide the starling answers in this definitive biography that is destined to linger in the minds of readers for years to come. “Irresistible…Immensely readable…Benedict and Keteyian bring us along for the ride in a whirlwind of a biography that reads honest and true” (The Wall Street Journal). Ultimately, Tiger Woods is “a big American story…exhilarating, depressing, tawdry, and moving in almost equal measure” (The New York Times).

    E. Hotchner traveled together from New York to Paris to Spain, fished the waters off Cuba, hunted in Idaho, and ran with the bulls in Pamplona. And everywhere they talked. For 14 years, Hotchner and Hemingway shared a conversation. Hemingway reminisced about his childhood, recalled the Paris literary scene in the twenties, remembered his early years as a writer, and recounted the real events that lay behind his fiction. And Hotchner took it all down. His notes on the many occasions he spent with his friend Papa - in Venice and Rome, in Key West, on the Riviera, in Ketchum, Idaho, where Hemingway died by his own hand in 1961 - provide the material for this utterly truthful, profoundly compassionate bestselling memoir of the Nobel and Pulitzer Prize-winning author. What emerges is an extraordinary portrait of a great writer who had, and determined, the time of his life.

    Henry's novels, celebrated as among the finest in the language, and William's groundbreaking philosophical and psychological works have won these brothers a permanent place at the center of the nation's cultural firmament. Less well known is their enigmatic younger sister, Alice. But as Jean Strouse's generous, probing, and deeply sympathetic biography shows, Alice James was a fascinating and exceptional figure in her own right. Tormented throughout her short life by an array of nervous disorders, constrained by social convention and internal conflict from achieving the worldly success she desired, Alice was nonetheless a vivid, witty writer, an acute social observer, and as alert, inquiring, and engaging a person as her two famous brothers. "The moral and philosophical questions that Henry wrote up as fiction and William as science," writes Strouse, "Alice simply lived."