What she never expected was to find herself at the heart of a 200-year-old mystery that still has the power to put lives on the line. And with each new lead she pursues, death follows hard on her heels….

    Suddenly the town, with its peaceful streets and excellent public schools, finds itself at the mercy of a serial killer who slips through windows and screen doors, shattering illusions of safety. As Ben and forensic specialist Natasha Betencourt struggle to stay one step ahead of the killer, Ben’s own world is rocked again by a teen’s suicide. Ben must decide how far he is willing to go, and how much he will risk, to rescue the town from a long-buried secret, as well as from a psychotic murderer. With eerie, chilling, fine prose, Alan Drew brings us into the treacherous underbelly of a suburban California town in this brilliant novel of suspense about a man, and a community, confronted with the heart of human darkness.

    Ten Bodies. One Empty Grave.In this international bestseller, rookie FBI Agent Brandon Fisher takes on his first case with the Behavioral Analysis Unit, but will he survive long enough to catch the killer? Eleven is a fast-paced, spine-tingling thriller that will have you gasping for breath at every twist... When Brandon Fisher joined the FBI Behavioral Analysis Unit, he knew he'd come up against psychopaths, sociopaths, pathological liars, and more. But when his first case takes him and the team to Salt Lick, Kentucky, to hunt down a ritualistic serial killer, he learns what nightmares are truly made of. Beneath a residential property, local law enforcement discovered an underground bunker with circular graves that house the remains of ten victims. But that's not all: there's an empty eleventh grave, just waiting for a corpse. The killing clearly hasn't come to an end yet, and with the property owner already behind bars, Brandon is certain there's an apprentice who roams free. As the FBI follows the evidence across the United States, Brandon starts to struggle with the deranged nature of his job description. And if the case itself isn't going to be enough to push Brandon over the edge, he's working in the shadow of Supervisory Special Agent Jack Harper, who expects nothing short of perfection from his team. To make matters even worse, it seems Brandon has become the target of a psychotic serial killer who wants to make him--or his wife--victim number eleven.

    #2: Don't pick up hitchhikers, because the traveler you pick up could be raving nutcase.So what if, on some dark, isolated road, Crazy #1 offered a ride to Crazy #2...

    His favorite hostess and love interest, Connie, was murdered in the parking lot behind the club. And Zeb, the dubious plastic surgeon who implanted McEvoy's hair plugs, has disappeared. In no time at all McEvoy's got half the New Jersey mob, dirty cops and his man-crazy upstairs neighbor after him. Bullets are flying, everyone's on the take, and McEvoy still doesn't have a clue about what's happening.

    Blood spilled on the asphalt of this town long years gone has left a stain, and it’s spreading. Not that a thing like that matters to teenagers like George, Hector, Paul, and Andy. It’s summer 1983 in a northern California suburb, and these working-class kids have been killing time the usual ways: ducking their parents, tinkering with their bikes, and racing around town getting high and boosting their neighbors’ meds. Just another typical summer break in the burbs. Till Andy’s bike is stolen by the town’s legendary petty hoods, the Arroyo brothers. When the boys break into the Arroyos’ place in search of the bike, they stumble across the brothers’ private industry: a crank lab. Being the kind of kids who rarely know better, they do what comes naturally: they take a stash of crank to sell for quick cash. But doing so they unleash hidden rivalries and crimes, and the dark and secret past of their town and their families.The spreading stain is drawing local drug lords, crooked cops, hard-riding bikers, and the brutal history of the boys’ fathers in its wake.

    The first and only author to win back-to-back Edgars for Best Novel. Every book a New York Times bestseller. After five years, John Hart is back. Since his debut bestseller, The King of Lies, reviewers across the country have heaped praise on John Hart, comparing his writing to that of Pat Conroy, Cormac McCarthy and Scott Turow. Each novel has taken Hart higher on the New York Times Bestseller list as his masterful writing and assured evocation of place have won readers around the world and earned history's only consecutive Edgar Awards for Best Novel with Down River and The Last Child. Now, Hart delivers his most powerful story yet. Imagine: A boy with a gun waits for the man who killed his mother. A troubled detective confronts her past in the aftermath of a brutal shooting. After thirteen years in prison, a good cop walks free as deep in the forest, on the altar of an abandoned church, a body cools in pale linen… This is a town on the brink. This is Redemption Road.Brimming with tension, secrets, and betrayal, Redemption Road proves again that John Hart is a master of the literary thriller.

    But one night, against their best instincts, they accept a cab ride with grave, everlasting consequences. For the next three years, they are held captive with two other girls in a dungeon-like cellar by a connoisseur of sadism.Ten years later, at thirty-one, Sarah is still struggling to resume a normal life, living as a virtual recluse under a new name, unable to come to grips with the fact that Jennifer didn’t make it out of that cellar. Now, her abductor is up for parole and Sarah can no longer ignore the twisted letters he sends from jail.Finally, Sarah decides to confront her phobias and the other survivors—who hold their own deep grudges against her. When she goes on a cross-country chase that takes her into the perverse world of BDSM, secret cults, and the arcane study of torture, she begins unraveling a mystery more horrifying than even she could have imagined.A shocking, blazingly fast read, Koethi Zan’s debut is a must for fans of Karin Slaughter, Laura Lippman, and S.J. Watson.

    Higgins, the writer who boiled crime fiction harder, tracks Jackie Cogan's career in a gangland version of law and order. For Cogan is an enforcer; and when the Mob's rules get broken, he gets hired to ply his trade—murder. In the gritty, tough-talking pages of Higgins's 1974 national best-seller, Cogan is called in when a high-stake card game under the protection of the Mob is heisted. Expertly, with a ruthless businessman's efficiency, a shrewd sense of other people's weaknesses, and a style as cold as his stare, Cogan moves with reliable precision to restore the status quo as ill-conceived capers and double-dealing shenanigans erupt into high-voltage violence. "Higgins writes about the world of crime with an authenticity that is unmatched."—Jonathan Yardley, Washington Post

    A series of murders brings Denver to its knees in this wonderfully voice driven, dark, wry, and wholly original page-turning debut.The last victims of an infamous serial killer on death row may be the ones he didn't kill. Seven years ago, Detective Paul Hoskins and his larger-than-life partner solved one of the biggest serial murder cases of the decade. They dug up 33 bodies in a crawl space belonging to the beloved Jacky Seever, a pillar of the community and a successful businessman. Sammie Peterson was the lead reporter on the case. Her byline was on the front page of the newspaper every day. Seever’s wife, Gloria, claimed to be as surprised as everyone else.Today, Hoskins has been banished to cold cases, Sammie is selling make-up at the mall, and Gloria is trying to navigate a world where she can’t escape condemnation. And Seever? He’s watching the show.But when a series of new murders occur, and the victims are all somehow connected to Seever, Gloria is once again thrust into the spotlight, while Hoskins and Sammie realize this may be their chance to get their lives back, even if it means forfeiting their humanity in the process.

    She’ll end it.FBI special agent Clarke Sinclair doesn’t give up easily. She’s spent years tracking serial killer Simon Cross, forced to follow his twisted clues and photographs across the country. Clarke knows that Cross selects only redheaded women and that he doesn’t target another victim until Clarke discovers the previous one.He’s never broken pattern…until now.A girl has already gone missing in upstate New York when a second one is kidnapped—a blonde. The killer’s MO has changed, sending Clarke back to the drawing board. The closer she gets to the truth, the deeper she’s drawn into an inescapable trap made just for Clarke. Whatever Cross’s ultimate game is, it ends with her.

    That’s what makes them easy to kill.Detective Chief Inspector Prosper Snow is in charge of an investigation into a serial killer called The Oracle who turns his victims into macabre works of art. But Prosper harbours a dark secret of his own. He and his old school friends were members of a group called The Kult who made a pact to dish out their own form of vengeance on bullies. Now a member of the group puts their friendship to the test when he makes a far darker request: that they murder someone that raped his wife.To get away with murder, the friends decide to blame it on The Oracle, but events take a chilling turn when the instigator turns up dead, his body fashioned into a disturbing work of art. Now, one by one, the members of The Kult are being hunted down. Just when Prosper thinks things can’t get any worse, his wife is kidnapped and he knows that if he goes to his colleagues for help, he risks his dark deeds being unearthed. If he doesn't, he risks losing all that he holds dear.

    But something goes terribly wrong on their way home, and the last time Zoë sees her, Holli is in the clutches of a sadistic killer. Zoë flees with her life, changed forever.A year later and still tortured with guilt, Zoë latches on to a police investigation where the crime eerily resembles her abduction. Along with a zealous detective, she retraces the steps of that fateful night in the desert, hoping that her memory will return and help them find justice for Holli. Her abductor—labeled the “Tally Man” by a fascinated media—lies in wait for Zoë. For him, she is not a survivor but simply the one that got away.With an unforgettable heroine, a chillingly disturbed psychopath, and a story that moves at breakneck speed, The One That Got Away is thriller writer Simon Wood at his finest.

    Everyone else calls it a nightmare. Locked doors don't stop him. He leaves no trace behind. He only takes little girls. His nickname... The Iceman. A deranged serial killer roams wintry rural Nebraska with a demented purpose no one can fathom. Special Agent EMMA KANE, a former DC cop and damaged goods now with the FBI, is assigned to babysit burnt-out profiler JACOB THORNE, once the best in the business but now said to have lost his edge, as they both fly to Nebraska to catch this maniac. Thorne is erratic, abrasive and unpredictably brilliant, but what he and Kane find in the heartland is much more than anyone bargained for, especially when the Iceman challenges them personally. The clock is ticking and a little girl's life is on the line. And maybe even more with that, once they find out what he's really up to.NOTE FROM THE AUTHOR: This book has frank and profane adult language within... this is often how many a law enforcement officer speaks, in my experience. Not all, but many, very many. The book also has violence and adult situations, but the profanity is the only thing that some folks have been noting, for some odd reason, so I'm warning you now that it has profanity. I totally understand that not everyone wants to read curse words. However, to write a book like this without a cop cursing would not, in my mind, be authentic. Therefore, if you can't handle HBO-style language, (a la THE WIRE, etc.) this book is not for you. If fictional bad language bothers you more than the fictional murder of young people, this book is definitely not for you, but I thank you for your time and consideration.

    She is alone, except for the dead body lying in a pool of blood. What happened? What will she do? And is any or all of it her fault? Bonnie is a music teacher who has spent a long, hot summer in London rehearsing with a band. It was supposed to be fun, but the tricky knots of the band's friendships unravel with each passing day. What was meant to be a summer of happiness, music and love turns deadly as lovers betray, passions turn homicidal and friendship itself becomes a crime. Someone in the band must be a killer. Is it Bonnie? And if not - who is it?