Clarke created this cinematic masterpiece.Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews on its 1968 release. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn’t yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Although some leading critics slammed the film as incomprehensible and self-indulgent, the public lined up to see it. 2001’s resounding commercial success launched the genre of big-budget science fiction spectaculars. Such directors as George Lucas, Steven Spielberg, Ridley Scott, and James Cameron have acknowledged its profound influence.Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick’s widow, Christiane; with visual effects supervisor Doug Trumbull; with Dan Richter, who played 2001’s leading man-ape; and many others.A colorful nonfiction narrative packed with memorable characters and remarkable incidents, Space Odyssey provides a 360-degree view of this extraordinary work, tracking the film from Kubrick and Clarke’s first meeting in New York in 1964 through its UK production from 1965-1968, during which some of the most complex sets ever made were merged with visual effects so innovative that they scarcely seem dated today. A concluding chapter examines the film’s legacy as it grew into it current justifiably exalted status.

    In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films--Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre--most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

       For nine seasons Rainn Wilson played Dwight Schrute, everyone's favorite work nemesis and beet farmer. Viewers of The Office fell in love with the character and grew to love the actor who played him even more. Rainn founded a website and media company, SoulPancake, that eventually became a bestselling book of the same name. He also started a hilarious Twitter feed (sample tweet: “I'm not on Facebook” is the new “I don't even own a TV”) that now has more than four million followers.   Now, he's ready to tell his own story and explain how he came up with his incredibly unique sense of humor and perspective on life. He explains how he grew up “bone-numbingly nerdy before there was even a modicum of cool attached to the word.” The Bassoon King chronicles his journey from nerd to drama geek (“the highest rung on the vast, pimply ladder of high school losers”), his years of mild debauchery and struggles as a young actor in New York, his many adventures and insights about The Office, and finally, Wilson's achievement of success and satisfaction, both in his career and spiritually, reconnecting with the artistic and creative values of the Bahá’í faith he grew up in.

    Now she returns with the gripping and expansive story of America’s coming-of-age—told through the extraordinary life of Gypsy Rose Lee and the world she survived and conquered.America in the Roaring Twenties. Vaudeville was king. Talking pictures were only a distant flicker. Speakeasies beckoned beyond dimly lit doorways; money flowed fast and free. But then, almost overnight, the Great Depression leveled everything. When the dust settled, Americans were primed for a star who could distract them from grim reality and excite them in new, unexpected ways. Enter Gypsy Rose Lee, a strutting, bawdy, erudite stripper who possessed a preternatural gift for delivering exactly what America needed. With her superb narrative skills and eye for compelling detail, Karen Abbott brings to vivid life an era of ambition, glamour, struggle, and survival. Using exclusive interviews and never-before-published material, she vividly delves into Gypsy’s world, including her intensely dramatic triangle relationship with her sister, actress June Havoc, and their formidable mother, Rose, a petite but ferocious woman who seduced men and women alike and literally killed to get her daughters on the stage.American Rose chronicles their story, as well as the story of the four scrappy and savvy showbiz brothers from New York City who would pave the way for Gypsy Rose Lee’s brand of burlesque. Modeling their shows after the glitzy, daring reviews staged in the theaters of Paris, the Minsky brothers relied on grit, determination, and a few tricks that fell just outside the law—and they would shape, and ultimately transform, the landscape of American entertainment.With a supporting cast of such Jazz- and Depression-era heavyweights as Lucky Luciano, Harry Houdini, FDR, and Fanny Brice, Karen Abbott weaves a rich narrative of a woman who defied all odds to become a legend—and whose sensational tale of tragedy and triumph embodies the American Dream.

    But who was he, really? Here is the first substantive, serious view of a contradictory private and public figure.

    It includes over 70 fine-reproduction rare and unpublished photographs. The photographs show Marilyn's real world, the world away from the fans, the studio heads and general public. They reveal a different side of Marilyn from the celluloid invention - relaxing at home, living her everyday life. They include locations from the various stages of her life - the schools she attended as Norma Jeane, the ballroom where she danced with first husband Jim Dougherty; the street where Marilyn claimed she was attacked by an intruder; and candid shots of her on the sets of films. Michelle Morgan has also interviewed every single person accessible who knew or was related to Marilyn in any way, including the main players in her life - family and friends, as well as work colleagues, and more casual acquaintances. More than 50 interviewees are featured, many never put on the record before, including a large number from her orphaned childhood and early years - details of which until now have remained mysterious and patchy. Documentary sources range from the private testimony of her gaenocologist, to the previously undisclosed Laurence Olivier papers relating to Marilyn's time in England. Following a series of sensationalist biographies of the Marilyn Monroe in recent years, this comprehensive, meticulously researched volume brings an important fresh perspective to the many controversies in her life, and will serve as an essential sourcebook of documentary and photographic evidence.

    On screen, they were dynamite—a comedy pairing more successful than any Hollywood had ever produced. But when the cameras stopped rolling, they fought, screamed and threatened each other more each season. Finally, an argument in Desi’s production office turned violent. Lucy hurled a cocktail glass past his head, and Desi demanded a divorce. He moved out that night. After nearly twenty years, America’s favorite couple was finished. When they first got married, no one in Hollywood thought it would last six months. Lucille Ball’s acting career was on the skids, and Arnaz was just another Cuban bandleader. But together, their irresistible chemistry produced one of the greatest television empires of all time, and a love story as passionate as it was explosive.

    James Dean: Little Boy Lost, by Hyams, Joe with Jay Hyams

    “I had all I ever wanted, from Lana Turner and Joan Crawford to every starlet in Hollywood, and then some. They were mine to have. Ava [Gardner] was the best. I screwed up my life. I pissed away millions. I was #1, the biggest star in the world.” Mickey Rooney began his career almost a century ago as a one-year-old performer in burlesque and stamped his mark in vaudeville, silent films, talking films, Broadway, and television. He acted in his final motion picture just weeks before he died at age ninety-three. He was an iconic presence in movies, the poster boy for American youth in the idyllic small-town 1930s. Yet, by World War II, Mickey Rooney had become frozen in time. A perpetual teenager in an aging body, he was an anachronism by the time he hit his forties. His child-star status haunted him as the gilded safety net of Hollywood fell away, and he was forced to find support anywhere he could, including affairs with beautiful women, multiple marriages, alcohol, and drugs. In The Life and Times of Mickey Rooney, authors Richard A. Lertzman and William J. Birnes present Mickey’s nearly century-long career within the context of America's changing entertainment and social landscape. They chronicle his life story using little-known interviews with the star himself, his children, his former coauthor Roger Kahn, collaborator Arthur Marx, and costar Margaret O’Brien. This Old Hollywood biography presents Mickey Rooney from every angle, revealing the man Laurence Olivier once dubbed “the best there has ever been.”

    In this fully illustrated memoir, author Michael Uslan recalls his journey from early childhood fandom through to the decades he spent on a caped crusade of his own: to bring Batman to the silver screen as the dark, serious character he was at heart. Uslan s story traces his path from the wilds of New Jersey to the limelight of Hollywood, following his work as Executive Producer on every Batman film from Tim Burton s 1989 re-envisioning to 2012 s The Dark Knight Rises. Through it all, he helped to create one of the most successful pop culture franchises of all time.

    The Brothers McMullen went on to win the Grand Jury Prize at the Sundance Film Festival in 1995, and established the working-class Irish American filmmaker as a talent to watch. In the twenty years since, Burns has made ten more films (She’s the One, Sidewalks of New York, and The Fitzgerald Family Christmas), while also acting in big budget Hollywood movies (Saving Private Ryan), hit television shows (Entourage and Mob City), and pioneering a new distribution network for indie filmmakers online and with TV’s On Demand service (“why open a film in twenty art houses when you can open in twenty million homes?”).Inspired by Burns’s uncompromising success both behind and in front of the camera, students and aspiring filmmakers are always asking Burns for advice. In Independent Ed, Burns shares the story of his two remarkable decades in a fickle business where heat and box office receipts are often all that matter. He recounts stories of the lengths he has gone to to secure financing for his films, starting with The Brothers McMullen (he told his father: “Shooting was the twelve best days of my life”). How he found stars on their way up—including Jennifer Aniston and Cameron Diaz—to work in his films, and how he’s adhered religiously to the dictum of writing what you know, working as if he was just starting out, and always “looking for the next twelve best days of my life.”Chronicling the struggles and the long hours as well as the heady moments when months of planning and writing come to fruition, Independent Ed is a must-read for movie fans, film students, and everyone who loves a gripping tale about what it takes to forge your own path in work and life.

    Kennedy as a racial healer, a tribune for the poor, and the last progressive knight. But Kennedy—nurtured on the rightist orthodoxies of his dynasty-building father—started his public life as counsel to the left-baiting, table-thumping Senator Joseph McCarthy.A bare-knuckled political operative who masterminded his brother’s whatever-it-takes bids for senator and president, Kennedy okayed FBI wiretaps of Martin Luther King Jr. and cloak-and-dagger operations against communist Cuba that included blowing up railroad bridges, sabotaging crops, and plotting the elimination of President Fidel Castro.Remembered now as a rare optimist in an age of political cynicism, RFK’s profoundly moving journey from cold warrior to hot-blooded liberal also offers a lens into two of the most chaotic and confounding decades of twentieth century America.

    What they don’t know is her trailblazing career was a happy accident. In this funny and intimate memoir, Penny takes us from the stage of The Jackie Gleason Show in 1955 to Hollywood’s star-studded sets, offering up some hilarious detours along the way.My Mother Was Nuts is an intimate backstage pass to Penny’s personal life, her breakout role on The Odd Couple, her exploits with Cindy Williams and John Belushi, and her travels across Europe with Art Garfunkel on the back of a motorcycle. We see Penny get married. And divorced. And married again (the second time to Rob Reiner). We meet a young Carrie Fisher, whose close friendship with Penny has spanned decades. And we see Penny at work with Tom Hanks, Mark Wahlberg, Whoopi Goldberg, Robert De Niro, and Whitney Houston.Throughout it all, from her childhood spent tap dancing in the Bronx, to her rise as the star of Laverne & Shirley, Penny lived by simple rules: “try hard, help your friends, don’t get too crazy, and have fun.” With humor and heart, My Mother Was Nuts reveals there’s no one else quite like Penny Marshall.

    Offscreen, he was openly gay. This bestselling biography captures the rich gay subculture of Hollywood before the Production Code--before studio intimidation led to the establishment of the Hollywood closet. Alone among his contemporaries, Billy Haines (1900-1973) refused to compromise and was ultimately booted out by Louis B. Mayer. Forced to give up acting, Haines went on to become a top interior designer to the stars and to clients such as Nancy Reagan. By his side through it all was his lover, Jimmie Shields; their fifty-year relationship led their best friend, Joan Crawford, to call them the "happiest married couple in Hollywood." Wisecracker is an astounding piece of newly discovered gay history, a chronicle of high Hollywood, and--at its heart--a great and enduring love story.

    Probably the most outrageous autobiography ever--less a memoir than a hyperbolically pornographic performance piece.--Newsweek. photos.