Can things get any worse?

    Storms loves eliminating jerks and pests. His drug-addled partner Coleman loves cartoons. Hot stripper Sharon Rhodes loves cocaine, especially when purchased with rich dead men's money.On the other hand, there's Sean and David, who love fishing and are kind to animals -- and who are about to cross paths with a suitcase filled with $5 million in stolen insurance money. Serge wants the suitcase. Sharon wants the suitcase. Coleman wants more drugs . . . and the suitcase. In the meantime, there's murder by gun, Space Shuttle, Barbie doll, and Levi's 501s.In other words, welcome to Tim Dorsey's Florida -- where nobody gets out unscathed and untanned!

    Accepting a job at a debt collection agency seems a step toward a more tranquil life. But as she follows up on a routine loan to Romana Laszlo, a pregnant Hungarian refugee who's recently come off the train from London, Mirabelle's instincts for spotting deception are stirred when the woman is reported dead, along with her unborn child. After encountering a social-climbing doctor with a sudden influx of wealth and Romana's sister, who seems far from bereaved and doesn't sound Hungarian, Mirabelle decides to dig deeper into the suspicious circumstances surrounding the death. Aided by her feisty sidekick—a fellow office worker named Vesta Churchill ("no relation to Winston," as she explains)—Mirabelle unravels a web of evil that stretches from the Brighton beachfront to the darkest corners of Europe. Putting her own life at risk, she must navigate a lethal labyrinth of lies and danger to expose the truth.

    Eleven of the world’s best female thriller writers from Diana Gabaldon to Charlaine Harris are paired with eleven of the world’s best male thriller writers, including John Sandford, C.J. Box, and Nelson DeMille. The stories are edited by #1 New York Times bestselling author Lee Child and feature:-Lee Coburn and Joe Pickett in “Honor & …” by Sandra Brown and C.J. Box -Tony Hill and Roy Grace in “Footloose” by Val McDermid and Peter James -Temperance Brennan and Jack Reacher in “Faking a Murderer” by Kathy Reichs and Lee Child -Jamie Fraser and Cotton Malone in “Past Prologue” by Diana Gabaldon and Steve Berry -Liz Sansborough and Rambo in “Rambo on Their Minds” by Gayle Lynds and David Morrell -Jeffrey Tolliver and Joe Pritchard in “Short Story” by Karin Slaughter and Michael Koryta -Harper Connelly and Ty Hauck in “Dig Here” by Charlaine Harris and Andrew Gross -Regan Pescoli and Virgil Flowers in “Deserves to be Dead” by Lisa Jackson and John Sandford -Lucan Thorne and Lilliane in “Midnight Flame” by Lara Adrian and Christopher Rice -Bennie Rosato and John Corey in “Getaway” by Lisa Scottoline and Nelson DeMille -Ali Reynolds and Bravo Shaw in “Taking the Veil” by J.A. Jance and Eric Van Lustbader

    Together with three veterans of the St. Vincent’s Home for Boys, he works for small-time mobster Frank Minna’s limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel’s colleagues lands in jail, the other two vie for his position, and the victim’s widow skips town. Lionel’s world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original homage to the classic detective novel by one of the most acclaimed writers of his generation.

    He dreams of glass towers and cityscapes, driven by his desire to be anywhere other than Jessup, Missouri. The new kid at St. Ignatius High School, if he isn’t being pushed around, he is being completely ignored. Even his beloved woods, his playground as a child and his sanctuary as he grew older, seem to be closing in on him, suffocating him.Then Thomas Elgin moves in across the road, and Boady’s life begins to twist and turn. Coming to know the Elgins--a black family settling into a community where notions of “us” and “them” carry the weight of history--forces Boady to rethink his understanding of the world he’s taken for granted. Secrets hidden in plain sight begin to unfold: the mother who wraps herself in the loss of her husband, the neighbor who carries the wounds of a mysterious past that he holds close, the quiet boss who is fighting his own hidden battle.But the biggest secret of all is the disappearance of Lida Poe, the African-American woman who keeps the books at the local plastics factory. Word has it that Ms. Poe left town, along with a hundred thousand dollars of company money. Although Boady has never met the missing woman, he discovers that the threads of her life are woven into the deepest fabric of his world.As the mystery of her fate plays out, Boady begins to see the stark lines of race and class that both bind and divide this small town, and he is forced to choose sides.

    Peter Manuel has been found guilty of a string of murders and is waiting to die by hanging. But every good crime story has a beginning. Manuel's starts with the murder of William Watt's family. Looking no further that Watt himself, the police are convinced he's guilty. Desperate to clear his name, Watt turns to Manuel, a career criminal who claims to have information that will finger the real killer. As Watt seeks justice with the cagey Manuel's help, everyone the pair meets has blood on their hands as they sell their version of the truth. The Long Drop is an explosive novel about guilt, innocence and the power of a good story to hide the difference.

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

    He is never wrong.When Arlen awakens on a train one hot Florida night and sees death's telltale sign in the eyes of his fellow passengers, he tries to warn them. Only 19-year-old Paul Brickhill believes him, and the two abandon the train, hoping to escape certain death. They continue south, but soon are stranded at the Cypress House--an isolated Gulf Coast boarding house run by the beautiful Rebecca Cady--directly in the path of an approaching hurricane.The storm isn't the only approaching danger, though. A much deadlier force controls the county and everyone living in it, and Arlen wants out--fast. But Paul refuses to abandon Rebecca to face the threats alone, even though Arlen's eerie gift warns that if they stay too long they may never leave. From its chilling beginning to terrifying end, The Cypress House is a story of relentless suspense from "one of the best of the best" (Michael Connelly).

    Sheridan Doyle, a fastidiously groomed and TV-friendly forensic psychologist, is the go-to shrink for the Philadelphia District Attorney's office whenever a twisted killer's mind eludes other experts. But beneath his Armani pinstripes, he's still Danny Doyle, the awkward, terrified, bullied boy from a blue-collar mining family, plagued by panic attacks and haunted by the tragic death of his little sister and mental unraveling of his mother years ago.Returning to a hometown grappling with its own ghosts, Danny finds a dead body at the infamous Lost Creek gallows where a band of rebellious Irish miners was once executed. Strangely, the body is connected to the wealthy family responsible for the miners' deaths. Teaming up with veteran detective Rafe, a father-like figure from his youth, Danny, in pursuit of a killer, comes dangerously close to startling truths about his family, his past, and himself.

    Constance Kopp doesn’t quite fit the mold. She towers over most men, has no interest in marriage or domestic affairs, and has been isolated from the world since a family secret sent her and her sisters into hiding fifteen years ago. One day a belligerent and powerful silk factory owner runs down their buggy, and a dispute over damages turns into a war of bricks, bullets, and threats as he unleashes his gang on their family farm. When the sheriff enlists her help in convicting the men, Constance is forced to confront her past and defend her family — and she does it in a way that few women of 1914 would have dared.

    The newly minted policemen are met with deep hostility by their white peers and their authority is limited: They can’t arrest white suspects; they can’t drive a squad car; they can’t even use the police headquarters and must instead operate out of the basement of a gym.When a black woman who was last seen in a car driven by a white man turns up fatally beaten, no one seems to care except for Boggs and Smith, two black cops from vastly different backgrounds. Pressured from all sides, they will risk their jobs, the trust the community has put in them, and even their own safety to investigate her death. Their efforts bring them up against an old-school cop, Dunlow, who has long run the neighborhood like his own, and Dunlow’s young partner, Rakestraw, a young progressive who may or may not be willing to make allies across color lines.

    When a prominent New Orleans judge is brutally murdered, former Detroit cop Quentin Archer is handed the case. His enquiries will lead him into a world of darkness and mysticism which underpins the carefree atmosphere of the Big Easy. Interrogating crooked police officers, a pickpocket, a bartender with underground contacts and a swamp dweller, Archer uncovers some troubling facts about the late judge's past. But it's only when he encounters a beautiful young voodoo practitioner that he starts to make headway in the investigation.Voodoo queen Solange Cordray volunteers at the dementia centre where her mother lives. When she starts reading the mind of one of her patients, she learns that a secretive organization known as Krewe Charbonerrie may be behind the murder of the judge. And the second murder. And the third . . .

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    Only some lead to murder.Leo Stanhope. Assistant to a London coroner; in love with Maria; and hiding a very big secret. For Leo was born Charlotte, but knowing he was meant to be a man – despite the evidence of his body – he fled his family home at just fifteen, and has been living as Leo ever since: his original identity known only to a few trusted people.But then Maria is found dead and Leo is accused of her murder. Desperate to find her killer and under suspicion from all those around him, he stands to lose not just the woman he loves, but his freedom and, ultimately, his life.A wonderfully atmospheric debut, rich in character and setting, in The House on Half Moon Street Alex Reeve has created a world that crime readers will want to return to again and again.