The other big event of that year was the outbreak of the Second World War, but for the moment, that did not affect me.' In the first instalment of Clive James's memoirs, we meet the young Clive, dressed in short trousers, and wrestling with the demands of school, various relatives and the occasional snake, in the suburbs of post-war Sydney.

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY

    Why then do we have creeping inequality in the land of the fair go? The answer lies in stagnant wage rises, gender pay inequity, insecure work and the lack of real opportunities for all while corporations are still consuming large profits and executives claim record bonuses. Sally McManus confronts these truths every day. In On Fairness, she explores the true cost of social injustice and argues for advancing Australia fair.

    What are your fictions?Tara Moss has worn many labels in her time, including 'author', 'model', 'gold-digger', 'commentator', 'inspiration', 'dumb blonde', 'feminist' and 'mother', among many others. Now, in her first work of non-fiction, she blends memoir and social analysis to examine the common fictions about women. She traces key moments in her life - from small-town tomboy in Canada, to international fashion model in the 90s, to bestselling author taking a polygraph test in 2002 to prove she writes her own work - and weaves her own experiences into a broader look at everyday sexism and issues surrounding the underrepresentation of women, modern motherhood, body image and the portrayal of women in politics, entertainment, advertising and the media. Deeply personal and revealing, this is more than just Tara Moss's own story. At once insightful, challenging and entertaining, she asks how we can change the old fictions, one woman at a time.'This book, part memoir, part manifesto, catapults [Tara] into the frontline as a public commentator who demands serious attention. She is a welcome addition to any conversation about social justice, public ethics and the objectification of women, about which she knows a great deal.' Caroline Baum'a nimbly argued, statistic-laden exploration of the various labels we give women and the impact this has on their lives' Catherine Keenan, ABC The Drum'This is a book which needs to be read by men and women. Well written, clearly argued, informative, powerful and thought provoking. Forget everything you thought you knew about Tara Moss, with The Fictional Woman, Tara sets the record straight and takes her place as one of our generations great commentators.' John Purcell, Booktopia

    But this farmer isn’t looking for a wife — his first love ended in tragedy, and he will never put his heart on the line again. The land is his love, and he’s happy that way.Sasha Hepworth has goals and ambitions and she has worked very hard for her success. She’s just forgotten how to enjoy herself. So a weekend fling with a gorgeous cowboy is just what she needs — after all, it can’t go any further. She’d never leave the conveniences and beauty of the city for a dusty outback town.But a weekend of fine dining and spectacular sights isn’t enough for Blake and Sasha, and the growing feelings that neither can deny make them question everything about their lives. When a city girl meets a country boy, will they find middle ground?

    John was itching to get home to his family's cattle station in the Northern Territory. He promised Terry he'd write.After five long years of corresponding, John and Terry married and moved to their new home - a tent and a newly drilled bore in the middle of nowhere. Their love for each other was only matched by their love for this 'last frontier'in the heart of the Territory. Modern-day pioneers, they built their cattle station, Riveren, from scratch and raised and educated a new generation of Underwoods there, on the headwaters of the Victoria River, 600 kilometers south-west of Katherine. Times were tough and there was heartbreak, danger and struggle, but the power of love and the strength of family ties helped them overcome every obstacle.In the Middle of Nowhere is their story. It's a story of beating the odds, told with warmth and a genuine knowledge of the Outback. It's a real story of the Territory, and is as vast, dramatic and inspiring as the land that lies at the heart of this unforgettable book.