. . As the Great Blizzard of 1888 cripples the vast machinery that is New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiance s safe return. But the fearsome storm rages through the night. With daylight, more than two hundred people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence s fiance his body frozen, his head crushed by a heavy branch, his fingers clutching a single playing card, the ace of spades . . . Close on the heels of her father s untimely demise, Prudence is convinced Charles s death was no accident. The ace of spades was a code he shared with his school friend, Geoffrey Hunter, a former Pinkerton agent and attorney from the South and a former Pinkerton agent. Wary of sinister forces closing in on her, Prudence turns to Geoffrey as her only hope in solving a murder not all believe in and to help protect her inheritance from a stepmother who seems more interested in the family fortune than Prudence s wellbeing . . . Filled with richly colorful characters, fascinating historical details, and thrilling moments of suspense, What the Dead Leave Behind is an exquisitely crafted mystery for the ages.

    The first of an exciting new series of novels.London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul’s is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer, and reluctant government informer.In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul’s, in a tomb that should have been empty. The man’s body has been mutilated and his thumbs have been tied behind his back.Under orders from the government, Marwood is tasked with hunting down the killer across the devastated city. But at a time of dangerous internal dissent and the threat of foreign invasion, Marwood finds his investigation leads him into treacherous waters – and across the path of a determined, beautiful and vengeful young woman.

    . . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    Mischievous socialite Anna Blanc could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals. Determined to break free of the era's rigid social roles, she buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are covering up. Seizing her one chance to solve a crime, she takes on the investigation herself. If the police find out, she'll get fired; if her father finds out, he'll disown her; and if her fiancé finds out, he'll cancel the wedding.Anna must choose--either hunt the villain and risk losing her father, fiancé, and wealth, or abandon her dream and leave the killer on the loose.

    Sidney Chambers, vicar of Grantchester and honorary canon of Ely Cathedral, is a thirty-two-year-old bachelor. Tall, with dark brown hair, eyes the color of hazelnuts, and a reassuringly gentle manner, Sidney is an unconventional clerical detective. He can go where the police cannot.Together with his roguish friend, inspector Geordie Keating, Sidney inquires into the suspect suicide of a Cambridge solicitor, a scandalous jewelry theft at a New Year's Eve dinner party, the unexplained death of a jazz promoter's daughter, and a shocking art forgery that puts a close friend in danger. Sidney discovers that being a detective, like being a clergyman, means that you are never off duty, but he nonetheless manages to find time for a keen interest in cricket, warm beer, and hot jazz - as well as a curious fondness for a German widow three years his junior.With a whiff of Agatha Christie and a touch of G. K. Chesterton's Father Brown, The Grantchester Mysteries introduces a wonderful new hero into the world of detective fiction.

    For sophisticated booklover Julia Kydd, life’s too short for politics. With her cropped hair and penchant for independent living, Julia wants only to launch her own new private press. But as a woman, Julia must fight for what’s hers—including the inheritance her estranged half brother, Philip, has challenged, putting her aspirations in jeopardy.When her friend’s sister, Naomi Rankin, dies suddenly of an apparent suicide, Julia is shocked at the wealthy family’s indifference toward the ardent suffragist’s death. Naomi chose poverty and hardship over a submissive marriage and a husband’s control of her money. Now, her death suggests the struggle was more than she could bear.Julia, however, is skeptical. Doubtful of her suspicions, Philip proposes a glib wager: if Julia can prove Naomi was in fact murdered, he’ll drop his claims to her wealth. Julia soon discovers Naomi’s life was as turbulent and enigmatic as her death. And as she gets closer to the truth, Julia sees there’s much more at stake than her inheritance…

    As it turns out, all she inherits from Alfie is a big pile of debt. Pretty soon, Lola and her stalwart Swedish cook, Berta, are reduced to hiding out in the secret love nest Alfie kept in New York City. But when rent comes due, Lola and Berta have no choice but to accept an offer made by one of Alfie’s girls-on-the-side at his funeral: in exchange for a handsome sum of money, the girl wants Lola to retrieve a mysterious reel of film for her. It sounds like an easy enough way to earn the rent money. But Lola and Berta realize they’re in way over their heads when, before they can retrieve it, the man currently in possession of the film reel is murdered, and the reel disappears. On a quest to retrieve the reel and solve the murder before the killer comes after them next, Lola and Berta find themselves navigating one wacky situation after another in high style and low company.Charming, witty, often laugh-out-loud funny, Maia Chance's Come Hell or Highball introduces a sparkling new voice in crime fiction.

    When brothers Big Red and Old Red Amlingmeyer sign on as ranch hands at a secretive ranch, they're not expecting much more than hard work, bad pay, and a few free moments to enjoy their favorite pastime: reading stories about Sherlock Holmes.When another hand turns up dead, Old Red sees the perfect opportunity to employ his Holmes-inspired "deducifyin'" skills and sets out to solve the case. Big Red, like it or not (and mostly he does not), is along for the wild ride in this clever, compelling, and completely one-of-a-kind mystery.

    King, and Anne Perry, Mr. Churchill’s Secretary captures the drama of an era of unprecedented challenge—and the greatness that rose to meet it.London, 1940. Winston Churchill has just been sworn in, war rages across the Channel, and the threat of a Blitz looms larger by the day. But none of this deters Maggie Hope. She graduated at the top of her college class and possesses all the skills of the finest minds in British intelligence, but her gender qualifies her only to be the newest typist at No. 10 Downing Street. Her indefatigable spirit and remarkable gifts for codebreaking, though, rival those of even the highest men in government, and Maggie finds that working for the prime minister affords her a level of clearance she could never have imagined—and opportunities she will not let pass. In troubled, deadly times, with air-raid sirens sending multitudes underground, access to the War Rooms also exposes Maggie to the machinations of a menacing faction determined to do whatever it takes to change the course of history.Ensnared in a web of spies, murder, and intrigue, Maggie must work quickly to balance her duty to King and Country with her chances for survival. And when she unravels a mystery that points toward her own family’s hidden secrets, she’ll discover that her quick wits are all that stand between an assassin’s murderous plan and Churchill himself.In this daring debut, Susan Elia MacNeal blends meticulous research on the era, psychological insight into Winston Churchill, and the creation of a riveting main character,  Maggie Hope, into a spectacularly crafted novel.

     Though newly-widowed Lily Adler is returning to a society that frowns on independent women, she is determined to create a meaningful life for herself even without a husband. She's no stranger to the glittering world of London's upper crust. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn't expect is the dead body in Lady Walter's garden.Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she's willing to leave the matter to the local constables--until Lord Walter bribes the investigating magistrate to drop the case. Stunned and confused, Lily realizes she's the only one with the key to catching the killer.Aided by a roguish navy captain and a mysterious heiress from the West Indies, Lily sets out to discover whether her friend's husband is mixed up in blackmail and murder. The unlikely team tries to conceal their investigation behind the whirl of London's social season, but the dead man knew secrets about people with power. Secrets that they would kill to keep hidden. Now, Lily will have to uncover the truth, before she becomes the murderer's next target.

    Morgan's mansion and the Great War are splashed across the front page of every newspaper. Capability "Kitty" Weeks would love nothing more than to report on the news of the day, but she's stuck writing about fashion and society gossip over on the Ladies' Page―until a man is murdered at a high society picnic on her beat.Determined to prove her worth as a journalist, Kitty finds herself plunged into the midst of a wartime conspiracy that threatens to derail the United States' attempt to remain neutral―and to disrupt the privileged life she has always known.Radha Vatsal's A Front Page Affair is the first book in highly anticipated series featuring rising journalism star Kitty Weeks.

    There she will become nursery maid, chaperone and confidante to the Mitford sisters, especially sixteen-year-old Nancy - an acerbic, bright young woman in love with stories.But then a nurse - Florence Nightingale Shore, goddaughter of her famous namesake - is killed on a train in broad daylight, and Louisa and Nancy find themselves entangled in the crimes of a murderer who will do anything to hide their secret . . .'A glorious indulgence. Dazzling' - Daisy Goodwin'Inventive, glittering, clever, ingenious' - Susan Hill'Fascinating, I loved it' - Julian Fellowes'An enthralling mystery' - Juliet Nicolson'Audacious, breathtaking' - Alex Gray

    Rose Gallagher might dream of bigger things, but she’s content enough with her life as a housemaid. After all, it’s not every girl from Five Points who gets to spend her days in a posh Fifth Avenue brownstone, even if only to sweep its floors. But all that changes on the day her boss, Mr. Thomas Wiltshire, disappears. Rose is certain Mr. Wiltshire is in trouble, but the police treat his disappearance as nothing more than the whims of a rich young man behaving badly. Meanwhile, the friend who reported him missing is suspiciously unhelpful. With nowhere left to turn, Rose takes it upon herself to find her handsome young employer.The investigation takes her from the marble palaces of Fifth Avenue to the sordid streets of Five Points. When a ghostly apparition accosts her on the street, Rose begins to realize that the world around her isn’t at all as it seems―and her place in it is about to change forever.

    Fearing dismissal, Maisie is shocked when she discovers that her thirst for education is to be supported by Lady Rowan and a family friend, Dr. Maurice Blanche. But The Great War intervenes in Maisie’s plans, and soon after commencement of her studies at Girton College, Cambridge, Maisie enlists for nursing service overseas.Years later, in 1929, having apprenticed to the renowned Maurice Blanche, a man revered for his work with Scotland Yard, Maisie sets up her own business. Her first assignment, a seemingly tedious inquiry involving a case of suspected infidelity, takes her not only on the trail of a killer, but back to the war she had tried so hard to forget.

    . .The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself the chief suspect.