Robot probes find an ancient tunnel beneath the surface, its walls carved with strange hieroglyphics. Led by elite engineer Alexis Vonderach, a team of scientists descends into the dark... where they confront a savage race older than mankind...FIRST CONTACTBased on the award-winning short story, The Frozen Sky is a new full-length sci fi thriller novel from the international bestselling author of Plague Year.

    McKillip's two science-fiction novels, Moon-Flash and The Moon and the Face. Kyreol's small world begins at the Face, a high rock cliff, and ends at Fourteen Falls, a series of rapids. Each year, her people celebrate Moon-Flash—a spark of light that seems to come from and go into the moon, a symbol of life and joy. When a mysterious stranger arrives, Kyreol wants to know more about him, as well as the Moon-Flash, and soon she and her childhood friend Terje leave their home to look for answers. Those answers will pluck Kyreol from Riverworld and transform her life forever—by fast-forwarding her into a future she can barely comprehend.

    Each sought his own brand of happiness. But none could have guessed what awaited them. Not even in a million years....

    Trained from the age of fourteen, Ryn can run faster, jump farther, and fight better than a Navy SEAL—which is good when you’re not sure if a laser-wielding Neanderthal or an axe-wielding Viking is trying to make it through the Rift and into her world.But the teenager’s military conditioning and education have not prepared her for the boy who crosses through—a confused young man, seemingly lost and alone. Because while there’s an immediate physical attraction, it’s his intelligence and curiosity that throws Ryn off balance. The stranger asks disturbing questions about the Rift that Ryn herself has never considered—questions that lead her to wonder if everything about her life and what she’s been told these past six years has been a lie. Are the Rifts as dangerous as her leaders say? Should her people really try to close them . . . or learn how to travel through them?

    X. Beckett.First there was the Setback. Then came the Clawback. Now humanity thrives.Rubi Whiting is a member of the Bounceback Generation. The first to be raised free of the troubles of the late twenty-first century. Now she works as a public defender to help troubled individuals with anti-social behavior. That’s how she met Luciano Pox.Luce is a firebrand and has made a name for himself as a naysayer. But there’s more to him than being a lightning rod for controversy. Rubi has to find out why the governments of the world want to bring Luce into custody, and why Luce is hell bent on stopping the recovery of the planet.

    But for many of the colonists, it was already too late.Her twin sister Elise captured by Valtegan soldiers, Carrie telepathically and empathically linked with Elise, experienced all the pain and terror that her sister was suffering. Only her twin's death freed Carrie from torment, though it also left her completely alone in her own mind for the first time in her life. But this mental void was unexpectedly filled with Kusac, a felinoid crewman of a crashed starship, touched her thoughts. Drawn to him by their shared Talent, Carrie hid the injured Kusac from the Valtegans and in so doing found a friend and an invaluable ally.Yet though trust and understanding between Carrie and Kusac was soon unshakable, it would prove far more difficult to convince each of their races that their only hope of overthrowing the Voltegans was to band together against the common foe. And even such an alliance offered no guarantee of success, for no one on any of the settled worlds had yet found a way to defeat this warrior race ready to lay waste to any civilization they could not conquer.

    But now Cobb is just an aging alcoholic waiting to die, and the big boppers are threatening to absorb all of the little boppers--and eventually every human--into a giant, melded consciousness. Some of the little boppers aren't too keen on the idea, and a full-scale robot revolt is underway on the moon (where the boppers live). Meanwhile, bopper Ralph Numbers wants to give Cobb immortality by letting a big bopper slice up his brain and tape his "software." It seems like a good idea to Cobb.

    The legendary queen-marshal did what everyone thought impossible: expel the invaders and build Chaonia into a magnificent republic, one to be respected—and feared.But the cutthroat ambassador corps and conniving noble houses have never ceased to scheme—and they have plans that need Sun to be removed as heir, or better yet, dead.To survive, the princess must rely on her wits and companions: her biggest rival, her secret lover, and a dangerous prisoner of war.Take the brilliance and cunning courage of Princess Leia—add in a dazzling futuristic setting where pop culture and propaganda are one and the same—and hold on tight:This is the space opera you’ve been waiting for.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    For the ten short stories collected here, John Wyndham turns his imagination to, among other subjects, body-snatching, time-travel and mind-travel, and the the tricky business of interplanetary colonization.

    Helen Kane, Yoshi Tanaka, and Sergei Kuznetsov must prove they’re the crew for the job by spending seventeen months in the most realistic simulation ever created.Retired from NASA, Helen had not trained for irrelevance. It is nobody’s fault that the best of her exists in space, but her daughter can’t help placing blame. The MarsNOW mission is Helen’s last chance to return to the only place she’s ever truly felt at home. For Yoshi, it’s an opportunity to prove himself worthy of the wife he has loved absolutely, if not quite rightly. Sergei is willing to spend seventeen months in a tin can if it means travelling to Mars. He will at least be tested past the point of exhaustion, and this is the example he will set for his sons.As the days turn into months the line between what is real and unreal becomes blurred, and the astronauts learn that the complications of inner space are no less fraught than those of outer space. The Wanderers gets at the desire behind all exploration: the longing for discovery and the great search to understand the human heart.

    The Movement-was it the greatest con of all time, or the last true religion? A chilling novel about the evil of cults.

    Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy? As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured.  And, to her horror, compared to the other bodies strewn about, she’s the lucky one.So, of course, then she gets laid off.With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing.  And with social media and viral videos, she can control that appearance.It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

    Sunless Woods is a mindship—and not just any mindship, but a notorious thief and a master of disguise. She’s come to the Belt to retire, but is drawn to Vân’s resolute integrity.When a mysterious corpse is found in the quarters of Vân’s student, Vân and Sunless Woods find themselves following a trail of greed and murder that will lead them from teahouses and ascetic havens to the wreck of a mindship--and to the devastating secrets they’ve kept from each other.

    Biologist Anna Perez is the first to discover the truth – the hwarhath have segregated their society strictly along gender lines, to prevent the warlike males from harming women and children. In their eyes, humans are a dishonorable and barbaric race who may require extermination...