The Tarot pack, the ancestor of all playing cards, is first mentioned in history in 1393; the origin of the deck is not known. Tradition has it that the gypsies brought the Tarot from Egypt and that the cards were used for fortune telling. This deck was conceived of as having magical properties, and the most powerful of all the cards were the Magic Arcana or Greater Trumps, twenty-two symbolic pictures whose mysteries have been interpreted and reinterpreted not only by occultists, but also by religious thinkers, psychoanalysts and literary anthropologists. Perhaps the most exquisite of these interpretations is the one contained in this extraordinary novel. In the universe evoked by Charles Williams, sorcery can still kill, and the supernatural must be fought with the supernatural. But beneath the brilliant and imaginative surface is concealed a meticulously thought-out Christian message. Charles Williams-novelist, poet, critic, dramatist and biographer-died in his native England in May, 1945. He had a lively and devoted following there and achieved a considerable reputation as a lecturer on the faculty of Oxford University. T.S. Eliot, Dorothy Sayers and C.S. Lewis were among his distinguished friends and literary sponsors.

    It's nothing like the suburb you might live in . . . Unless, that is, an insane, Listerine-guzzling Realtor sold you your house? Or perhaps your postman happens to have a disturbing relationship with his claw hammer? A grieving Dan LaBarbara knows something is different in Helltown as soon as he comes back home. Yeah, sure, the town always been a little off. You can feel that about the place, like if you stepped into a house whose only occupants were freshly murdered corpses in an upstairs bedroom. But this is something else entirely. Standing in his little brother Barbie's basement workshop, holding one of those dioramas Barbie's been building since the accident, the ones that seem to move when you hold them, Dan can feel Barbie's terror. Barbie must know something is coming, something big, something evil. He's trying to warn Dan in the only way he knows. Why else would Barbie build a diorama depicting a man-sized version of a cartoon rabbit with bloody teeth about to devour a trembling teenager? Why else would he spend so much time crafting an intricate model of Death standing over a pimply teenager in the school library? And let's not even talk about that little model of the mob of undead surrounding the massive tower of vicious black spines behind the high school. Hilltown has a story to tell, and the lonely brain-damaged man who builds magical dioramas in his basement workshop has been telling it all along. As the evil closes in around them, Dan and his new love interest Jessica must do the impossible: save everyone one in Hilltown before it's too late.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    He soon learns that every aspect of his life so far, including the staged deaths of his parents, has been arranged by the Senate Tribunal in an attempt to mold him into the perfect leader. Now there are only thirty candidates, including Caius, left competing to be the Emperor's heir. Success in a series of Trials will reunite him with his family and make him the most powerful man in the world, but failure will lead to a life of isolation and imprisonment hidden in the eaves of the palace. As Caius enters the trials, it becomes apparent that the tests themselves are not the problem: it is the twenty nine other candidates willing to do whatever it takes to win, including maim or kill their top competitors. Can Caius navigate the pitfalls of imperial politics and cutthroat competition, all while performing well enough to succeed in the trials fair and square?

    What the animals did not know was that they were the Keepers of Wyrm, monster of evil long imprisoned beneath the earth ... and Wyrm, sub terra, was breaking free.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    Features the complete script and song lyrics, with 4-color spot illustrations throughout, an original introduction by the creators, and a foreword by Mark Harris.The Book of Mormon, which follows a pair of mismatched Mormon boys sent on a mission to a place that's about as far from Salt Lake City as you can get, features book, music, and lyrics by Trey Parker, Robert Lopez and Matt Stone.Parker and Stone are the four-time Emmy Award–winning creators of Comedy Central's landmark animated series South Park. Tony Award–winner Lopez is co-creator of the long-running hit musical comedy Avenue Q. The Book of Mormon is choreographed by three-time Tony Award–nominee Casey Nicholaw (Monty Python's Spamalot, The Drowsy Chaperone) and is directed by Nicholaw and Parker.The book includes • an original foreword by journalist Mark Harris (author of Pictures at a Revolution) • an original introduction by the authors on the genesis of the show • a production history • the complete book and lyrics, with four-color spot illustrations throughout.

    The work of an obscure German artist, the scene showed Christ leaving the palace of Pontius Pilate under a guard of Roman soldiers forcing their way through a stone-throwing mob. There was no doubt that it was a true masterpiece of Renaissance art. But for the four people who gathered to view it, the picture possessed a qualit that was absolutely unique: As each of them looked upon it he found himself clearly depicted as one of the howling mob.In this new novel by the author of The Lilies of the Field, a young man's search for the secret of the strange genius who created that seemingly magical painting leads him to a beautiful, and perfectly intact medieval town in Germany, and, finally, to the discovery of the most precious gift a person can receive.

    

    It veers between abject mistreatment, religious hysteria and narcotic intoxication, while journeying deep into the violent underworld of Cape Town gangs and international organized crime, then behind the cold bars of prison and out the other side. Much more than the story of an alternate and differently lived life, every person who wants to fully grasp the complexities and richness of South Africa's social architecture should read this book. Hailed as a great book of reference, not only invaluable for checking facts and culture, but also for feeling the pureness of South Africa's socio-emotional pulse. A unique story told in a unique voice. Acid Alex will shock you, assault, educate and entertain you, and take you on a trip beyond your wildest imagining. A compelling, totally gripping page-turner and a story that reaches deep into ... and, touches the soul."

    Perfect for fans of Lee Child, and I AM PILGRIM, by Terry Hayes.HIS PAST IS UNKNOWN. HIS FUTURE UNWRITTEN.WHO IS SOLOMON CREED?A plane crashes in the Arizona desert.One lone figure emerges alive from the wreckage.He has no memory of his past, and no idea of his future.He only knows he must save a man.But how do you save someone who is already dead?

    The PLAIN ENGLISH version you’ve been waiting for! Now a new, improved Kindle-friendly edition! Nothing else like it! Between-the-lines format! More choices! Easy navigation! Still hated by your teacher!

    Everyone would believe her. Why shouldn’t they? It’s probably the only lie she’s ever told in her life. Just happens to be the lie that ruined mine.Words have power. Add a solid reputation behind those words, and they have the power to destroy.It began with a lie.Mac’s life changed irrevocably with a false accusation. Blissfully unaware of the carnage she left behind when she moved from Brant’s Corners, Savannah Forrester is back and when Mac sees her at church–with a boy–he wants answers.For eight years he’s lived under the cloud of her accusations–without defending himself. He kept her secret. He endured the shame and the life-altering consequences.Savannah can set the record straight. Mac says no. The ultimate question remains: what is best for Rory.And who is Rory anyway?

    We are to incarnate Christ in our time, being conscious of the presence and power of God within us in all of our thoughts and actions. This is what pastor Steve Long wants his congregation to understand. When Long challenges his prominent but self-satisfied congregation to become a living force for Christ in their small North Georgia town, he is blindsided by personal trials. Responding to Christ’s command “As the Father has sent me, so I send you,” Pastor Long tackles these difficult situations—and more—over a tumultuous week of trials and testing and ultimately learns (as he leads) what it means to walk In His Place.

    He dodges none of the difficulties, and never lapses into platitudes, hand-wringing, or oversimplification.   On this troubling but inescapable topic, you’ll find frank acknowledgment of the inherent limitations that set humanity apart from the God who has none. There’s also generous, real encouragement that brings God nearer in our understanding when we need His comfort the most. And amid our heavy doubts and swirling confusion on this topic, Randy Alcorn points us ultimately toward Jesus as “the only answer bigger than the questions.”