No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress--only to resurface with a crooked smile on its face in "Mad "magazine. The story of the rise and fall of those comic books has never been fully told--until "The Ten-Cent Plague." David Hajdu's remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority. When we picture the 1950s, we hear the sound of early rock and roll. "The Ten-Cent Plague "shows how--years before music--comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.

    With no advertising or big-box distribution, creator Ty Warner - an eccentric college dropout - become a billionaire in just three years. And it was all thanks to collectors.The end of the craze was just as swift and extremely devastating, with "rare" Beanie Babies deemed worthless as quickly as they'd once been deemed priceless.Bissonnette draws on hundreds of interviews (including a visit to a man who lives with his 40,000 Ty products and an in-prison interview with a guy who killed a coworker over a Beanie Baby debt) for the first book on the most extraordinary craze of the 1990s.

    Tapping into the energy field called The Speed Force, he applies a tenacious sense of justice to protect an serve the world as The Flash!The Fastest Man Alive returns to his own monthly series as part of the DC Comics—The New 52 event with the writer/artist team of Francis Manapul and Brian Buccellato. The Flash knows he can't be everywhere at once, but he has seemingly met his match when he faces DC Comic' hottest new Super Villain, Mob Rule, who really can be everywhere at once!As Mob Rule wages a campaign of crime across Central City, including an electromagnetic blast that plunges the city into darkness, The Flash learns the the only way he can capture Mob Rule and save Central City is to learn how to make his brain function even faster than before—but as much as it helps him, it also comes with a steep price.Collecting: The Flash 1-8

    Frustrated by the hypocritical social mores of her day, Gentileschi releases her anguish through her paintings and, against all odds, becomes a groundbreaking artist. Meticulously rendered in ballpoint pen, this gripping graphic biography serves as an art history lesson and a coming-of-age story. Resonant in the #MeToo era, I Know What I Am highlights a fierce artist who stood up to a shameful social status quo.

    Harleen Quinzel has a theory: mental illness is a survival mechanism. As she seeks to help the broken souls of Gotham City piece together their sanity she will become the one thing she fears the most: one of them. A bold new retelling of the tragic origin of Harley Quinn told through the eyes of the only person who knows her better than anyone: Harleen.A young psychiatrist with a potential cure for the madness that haunts Gotham City, Dr. Harleen Quinzel must prove her revolutionary theory to a skeptical establishment by delving into the disturbed minds of Arkham Asylum's deadliest inmates. But the more time she spends with her criminally insane subjects, the closer she is drawn to one patient in particular--and the further she falls away from reality. The birth of legendary antihero Harley Quinn and the shocking origins of her twisted romance with the Joker are revealed in Harleen, a stunning new tale of love and obsession written and illustrated by renowned comics storyteller Stjepan Sejic (Aquaman: Underworld, Sunstone).Collects: Harleen #1-3.

    Not his brother Roy, who ran the company’s finances; not the bankers; and not his wife, Lillian. Amusement parks at that time, such as Coney Island, were a generally despised business, sagging and sordid remnants of bygone days. Disney was told that he would only be heading toward financial ruin. But Walt persevered, initially financing the park against his own life insurance policy and later with sponsorship from ABC and the sale of thousands and thousands of Davy Crockett coonskin caps. Disney assembled a talented team of engineers, architects, artists, animators, landscapers, and even a retired admiral to transform his ideas into a soaring yet soothing wonderland of a park. The catch was that they had only a year and a day in which to build it. On July 17, 1955, Disneyland opened its gates…and the first day was a disaster. Disney was nearly suicidal with grief that he had failed on a grand scale. But the curious masses kept coming, and the rest is entertainment history. Eight hundred million visitors have flocked to the park since then. In Disney’s Land, Richard Snow brilliantly presents the entire spectacular story, a wild ride from vision to realization, and an epic of innovation and error that reflects the uniqueness of the man determined to build “the happiest place on earth” with a watchmaker’s precision, an artist’s conviction, and the desperate, high-hearted recklessness of a riverboat gambler.

    Buck-toothed and cursed by shyness, Ripley turned his sense of being an outsider into an appreciation for the strangeness of the world. After selling his first cartoon to Time magazine at age eighteen, more cartooning triumphs followed, but it was his “Believe It or Not” conceit and the wildly popular radio shows it birthed that would make him one of the most successful entertainment figures of his time and spur him to search the globe’s farthest corners for bizarre facts, exotic human curiosities, and shocking phenomena.Ripley delighted in making outrageous declarations that somehow always turned out to be true—such as that Charles Lindbergh was only the sixty-seventh man to fly across the Atlantic or that “The Star Spangled Banner” was not the national anthem. Assisted by an exotic harem of female admirers and by ex-banker Norbert Pearlroth, a devoted researcher who spoke eleven languages, Ripley simultaneously embodied the spirit of Peter Pan, the fearlessness of Marco Polo and the marketing savvy of P. T. Barnum.In a very real sense, Ripley sought to remake the world’s aesthetic. He demanded respect for those who were labeled “eccentrics” or “freaks”—whether it be E. L. Blystone, who wrote 1,615 alphabet letters on a grain of rice, or the man who could swallow his own nose.By the 1930s Ripley possessed a vast fortune, a private yacht, and a twenty-eight room mansion stocked with such “oddities” as shrunken heads and medieval torture devices, and his pioneering firsts in print, radio, and television were tapping into something deep in the American consciousness—a taste for the titillating and exotic, and a fascination with the fastest, biggest, dumbest and most weird. Today, that legacy continues and can be seen in reality TV, YouTube, America’s Funniest Home Videos, Jackass, MythBusters and a host of other pop-culture phenomena. In the end Robert L. Ripley changed everything. The supreme irony of his life, which was dedicated to exalting the strange and unusual, is that he may have been the most amazing oddity of all.

    She's got the unpredictable behavior of a teenager, the same powers as Superman - and none of his affection for the people of Earth. Crash landing on a strange new planet, Supergirl must come to grips with Krypton's destruction with her cousin Superman and learn about her own recent past. But an ingenious new foe wants that same information - and will do anything to get it.Supergirl, Vol. 1 presents an all-new take on the Superman's cousin Kara, and her standing in the DC Comics - New 52 universe!Collecting: Supergirl #1-7.

    Longtime enemies such as Batman & Deadshot, the Flash & Boomerang, & Wonder Woman & Harley Quinn will have to put aside their differences when an evil threat once thought lost to the DC Universe makes their return.Collecting: Justice League vs. Suicide Squad 1-6, Justice League 12-13, Suicide Squad 8-10

    In these stories from issues #1-6 of the hit series, learn the story behind this alternate reality where the Second World War is fought by superpowered women on the front lines and behind the scenes! It all begins with the stories of Batwoman, Wonder Woman and Supergirl.

    A ferocious riff on women in superhero comics.A series of linked stories from the points of view of the wives and girlfriends of superheroes, female heroes, and anyone who’s ever been “refrigerated”: comic book women who are killed, raped, brainwashed, driven mad, disabled, or had their powers taken so that a male superhero’s storyline will progress.

    Other kids are into punk or ska, but Una is learning to play "Mull of Kintyre" by Wings on the guitar, and she thinks it’s a really good song. There's another song, chanted on the terraces by Leeds United fans. It might not have made it on to Top of the Pops, but the boys all sing it on the walk home from school: "One Yorkshire Ripper . . . There’s only one Yorkshire Ripper . . . One Yorkshire Ri-pper . . ."  A serial murderer is at large in West Yorkshire and the police—despite spending more than two million man-hours hunting the killer and interviewing the man himself no less than nine times—are struggling to solve the case. As this national news story unfolds around her, Una finds herself on the receiving end of a series of violent acts for which she feels she is to blame. Unbecoming explores gender violence, blame, shame, and social responsibility. Through image and text Una asks what it means to grow up in a culture where male violence goes unpunished and unquestioned. With the benefit of hindsight Una explores her experience, wonders if anything has really changed and challenges a global culture that demands that the victims of violence pay its cost.

    Now noted cartoonist Gahan Wison tackles this subject with uncanny expertise and insight. Inside are freaks of the past, such as the cyclops; well known freaks of recent eras, such as the Elephant Man; and potential future freaks created through genetic manipulation. Graphic novel format. Mature readers.

    Now, Dick Grayson finds himself back in Gotham City fighting to reclaim the life that was taken from him. But when a new evil threatens those closest to Dick, as Nightwing he must once again choose whether or not to tear himself away from his home in order to combat this dark force.Everything Dick thought he knew about being Nightwing will be brought to bear, and his relationship to his former mentor Batman will be put to the test in Nightwing: Volume 1, Better Than Batman! written by Tim Seeley (Grayson) with art by Yanick Paquette (Swamp Thing, Batman/Superman) and rising star Javier Fernández (Red Hood/Arsenal).Collecting: Nightwing 1-4, 7-8, Rebirth

    But something goes inexplicably wrong when many patients wind up dead, with two well-known operators as the prime suspects: Harley Quinn and Booster Gold! It's up to the DC Trinity of Superman, Wonder Woman and Batman to investigate--but can they get the job done in the face of overwhelming opposition?Superstar comics writer and former CIA operative, Tom King (Batman, Mister Miracle) examines the potential long-lasting effects of saving the world in this groundbreaking new graphic novel with jaw-dropping art from the team of Clay Mann and Lee Weeks!Collects Heroes in Crisis #1-9