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    He was surrounded, twenty four hours a day, by the small group of intimates and personal attendants who made up the staff of his Privy Chamber. They organised his daily life, kept him amused and acted as the landline between the king and the formal machinery of government. These men, intermarried, interbred and close knit even in their mutual feuding, were supremely well placed to rig politics and patronage for their own benefit. Their influence was important and sometimes decisive: factions in the Privy Chamber destroyed Anne Boleyn, they frustrated the Catholic reaction of the 1540s, and, by doctoring Henry's will, prepared the way for the full blooded Protestantism of his son's reign. The Reign of Henry VIII is not so much a book about Henry VIII. It is about the great game of politics over which he presided.

    Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really look like? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first century portrayals? (Answer: neither.) And perhaps the most provocative questions concern Anne's death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and critical analysis, Susan Bordo probes the complexities of one of history's most infamous relationships.Bordo also shows how generations of polemicists, biographers, novelists, and filmmakers imagined and reimagined Anne: whore, martyr, cautionary tale, proto-"mean girl," feminist icon, and everything in between. In this lively book, Bordo steps off the well-trodden paths of Tudoriana to expertly tease out the human being behind the competing mythologies.

    Marie Louise Bruce's account of Anne Boleyn's life and death is not very well-known nowadays but it was pre-eminent at the time it was published.It covers her childhood and time in France, the divorce and her courtship with Henry VIII, her marriage and her tragic fall.

    Now renowned historian Derek Wilson examines a set of relationships that more vividly illustrate just how dangerous life was in the court of the Tudor lion. He tells the interlocking stories of six men—all curiously enough named Thomas—whose ambitions and principles brought them face to face with violent death, as recorded in a simple mnemonic: ‘Died, beheaded, beheaded, Self-slaughtered, burned, survived.’In the Lion’s Court is an illuminating examination of the careers of the six Thomases--- Thomas Wolsey, Thomas More, Thomas Cromwell, Thomas Howard, Duke of Norfolk, Thomas Cranmer, Archbishop of Canterbury and Thomas Wriothesley, Earl of Southampton---whose lives are described in parallel. Wilson traces their family and social origins, their pathways to the royal Council chamber, their occupancy of the Siege Perilous, and the tragedies that, one by one, overwhelmed them. By showing how events shaped and were shaped by relationships and personal destinies, Derek Wilson offers a fresh approach to the political narrative of a tumultuous reign.

    The questions explored include: What political significance did she hold with her brother, Essex, and the Queen? Why did Essex name her as a major player in the coup that cost him his head, and how did she walk free? What was she doing having secret meetings with the most hunted Jesuit priest in England? Most important of all, if Mary Boleyn was her great-grandmother, was King Henry VIII her great-grandfather? Her life touched on every great event of the age—the execution of Mary Queen of Scots, the defeat of the Spanish Armada, the arrival of King James, and the Gunpowder Plot. She also knew many of the celebrated artistic figures of the day, including William Shakespeare. She was the most beautiful woman of her generation and muse to countless poets and musicians, yet she died in disgrace—a widow, outcast from court, and stripped of all her titles. Set against the character of Queen Elizabeth I and the staged pageantry of her Court, this dramatic and ultimately tragic story will have immediate appeal to all lovers of historical biographies.

    'The Other Tudors' examines the extraordinary untold tales of the women who Henry loved but never married, the mistresses who became queens and of his many children, both acknowledged and unacknowledged.

    But, as Leanda de Lisle’s gripping new history reveals, they are a family still more extraordinary than the one we thought we knew.The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family’s obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen’s lap—and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty, and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past—those parts they wished to remember and those they wished to forget.By creating a full family portrait set against the background of this past, de Lisle enables us to see the Tudor dynasty in its own terms, and presents new perspectives and revelations on key figures and events. De Lisle discovers a family dominated by remarkable women doing everything possible to secure its future; shows why the princes in the Tower had to vanish; and reexamines the bloodiness of Mary’s reign, Elizabeth’s fraught relationships with her cousins, and the true significance of previously overlooked figures. Throughout the Tudor story, Leanda de Lisle emphasizes the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline.Tudor is bristling with religious and political intrigue but at heart is a thrilling story of one family’s determined and flamboyant ambition.

    So often viewed in her relationships with men, the Virgin Queen is portrayed here as the product of women: the mother she lost so tragically, the female subjects who worshiped her, and the peers and intimates who loved, raised, challenged, and sometimes opposed her.In vivid detail, Borman presents Elizabeth’s bewitching mother, Anne Boleyn, eager to nurture her new child, only to see her taken away and her own life destroyed by damning allegations--which taught Elizabeth never to mix politics and love. Kat Astley, the governess who attended and taught Elizabeth for almost thirty years, invited disaster by encouraging her charge into a dangerous liaison after Henry VIII’s death. Mary Tudor (“Bloody Mary”) envied her younger sister’s popularity and threatened to destroy her altogether. And animosity drove Elizabeth and her cousin Mary Queen of Scots into an intense thirty-year rivalry that could end only in death.Elizabeth’s Women contains more than an indelible cast of characters. It is an unprecedented account of how the public posture of femininity figured into the English court, the meaning of costume and display, the power of fecundity and flirtation, and how Elizabeth herself, long viewed as the embodiment of feminism, shared popular views of female inferiority and scorned and schemed against her underlings’ marriages and pregnancies.Brilliantly researched and elegantly written, Elizabeth’s Women is a unique take on history’s most captivating queen and the dazzling court that surrounded her.

    The result is a superb work of history through which these six women become as memorable for their own achievements--and mistakes--as they have always been for their fateful link to Henry VIII. Illustrations.

    As powerful men and women around her became victims of Henry’s ruthless and absolute power, including her own husband and sister-in-law, Queen Anne Boleyn, Jane’s allegiance to the volatile monarchy was sustained and rewarded. But the price for her loyalty would eventually be her undoing and the ruination of her name. For centuries, little beyond rumor and scandal has been associated with “the infamous Lady Rochford.” But now historian Julia Fox sets the record straight and restores dignity to this much-maligned figure whose life and reputation were taken from her.Born to aristocratic parents in the English countryside, young Jane Parker found a suitable match in George Boleyn, brother to Anne, the woman who would eventually be the touchstone of England’s greatest political and religious crisis. Once settled in the bustling, spectacular court of Henry VIII as the wife of a nobleman, Jane was privy to the regal festivities of masques and jousts, royal births and funerals, and she played an intimate part in the drama and gossip that swirled around the king’s court. But it was Anne Boleyn’s descent from palace to prison that first thrust Jane into the spotlight. Impatient with Anne’s inability to produce a male heir, King Henry accused the queen of treason and adultery with a multitude of men, including her own brother, George. Jane was among those interrogated in the scandal, and following two swift strokes from the executioner’s blade, she lost her husband and her sister-in-law, her inheritance and her place in court society.Now the thirty-year-old widow of a traitor, Jane had to ensure her survival and protect her own interests by securing land and income. With sheer determination, she navigated her way back into royal favor by becoming lady-in-waiting to Henry’s three subsequent brides, Jane Seymour, Anne of Cleves, and Catherine Howard. At last Jane’s future seemed secure–until an unwitting misstep involving the sexual intrigues of young Queen Catherine destroyed the life and reputation Jane worked so hard to rebuild.Drawing upon her own deep knowledge and years of original research, Julia Fox brings us into the inner sanctum of court life, laced with intrigue and encumbered by disgrace. Through the eyes and ears of Jane Boleyn, we witness the myriad players of the stormy Tudor period. Jane emerges as a courageous spirit, a modern woman forced by circumstances to fend for herself in a privileged but vicious world.

    A biography of the woman whose marriage to King Henry VIII of England resulted in an irreversible break between the Church of England and the Papacy, the birth of the future Queen Elizabeth I, and in her own beheading.

    This book helps to restore full humanity to these six fascinating women by applying the insights of feminist scholarship. Here they appear not as stereotypes, not simply as victims, but as lively, intelligent noblewomen doing their best to survive in a treacherous court. Divorced, Beheaded, Survived takes a revisionist look at 16th-century English politics (domestic and otherwise), reinterpreting the historical record in perceptive new ways. For example, it shows Ann Boleyn not as a seductress, but as a sophisticate who for years politely suffered what we would now label royal sexual harassment. It presents evidence that the princess Anne of Cleves, whom Henry declared ugly and banished from his bed, was in fact a pretty woman who agreed to the king's whim as her best hope for happiness.

    This radical reinterpretation focuses instead on the many intrigues that pervaded Henry's court.It looks at opinions only of Warnicke - for example, the idea that Anne Boleyn was deformed and had a sixth finger and a wen under her chin.

     One of today's premier historical novelists, Margaret George dazzles here as she tackles her most difficult subject yet: the legendary Elizabeth Tudor, queen of enigma-the Virgin Queen who had many suitors, the victor of the Armada who hated war; the gorgeously attired, jewel- bedecked woman who pinched pennies. England's greatest monarch has baffled and intrigued the world for centuries. But what was she really like? In this novel, her flame-haired, lookalike cousin, Lettice Knollys, thinks she knows all too well. Elizabeth's rival for the love of Robert Dudley, Earl of Leicester, and mother to the Earl of Essex, the mercurial nobleman who challenged Elizabeth's throne, Lettice had been intertwined with Elizabeth since childhood. This is a story of two women of fierce intellect and desire, one trying to protect her country, and throne, the other trying to regain power and position for her family and each vying to convince the reader of her own private vision of the truth about Elizabeth's character. Their gripping drama is acted out at the height of the flowering of the Elizabethan age. Shakespeare, Marlowe, Dudley, Raleigh, Drake-all of them swirl through these pages as they swirled through the court and on the high seas. This is a magnificent, stay-up-all-night page-turner that is George's finest and most compelling novel and one that is sure to please readers of Alison Weir, Philippa Gregory, and Hilary Mantel.