Stardust is Rania Attafi's debut full length collection of poetry.Charged with themes of feminism, existentialism, love, loss and uncertainties, it will take you on a rollercoaster ride where you will glimpse lives of different people with each poem.Stardust is a book about a constellation of homo-sapiens written for all Booklovers regardless of their planet of origin.

    With his trademark sense of humor, open-hearted empathy, and perceptive vision, Charles Simic roots his poetry in the ordinary world while still taking in the wide sweep of the human experience.From poems pithy, wry, and cutting—“Time—that murderer/that no has caught yet”—to his layered reflections on everything from love to grief to the wonders of nature, from the story of St. Sebastian to that of a couple weeding side by side, Simic’s work continues to reveal to us an unmistakable voice in modern poetry. An innovator in form and a chronicler of both our interior lives and the people we are in the world, Simic remains one of our most important and lasting voices on the page.

    Crazily enough, it's also packed with truth.”—NPR“The voice of this third book from Bibbins is marked and numbed by the onslaught of American media and politics that saturate the Internet, television, radio, and smartphone: ‘the way things are going, children/ will have to upgrade to more amusing.’ Much like advertisements or news stories vying for viewer’s attention, the book intentionally overwhelms, eschewing sections; the author instead differentiates the poems by repetition, creating a sort of echo chamber, similar to the way viral information cycles through social media platforms.”—Publishers Weekly, starred review"[A] hilarious send-up of contemporary values and an alarm bell of sorts, directing attention to all that is so sinister in our civilization.”—American Poets"Whip-smart and wickedly funny, They Don't Kill You is Bibbins's most authoritative and self-possessed collection to date."—Boston ReviewThe poems in Mark Bibbins's breakthrough third book are formally innovative and socially alert. Roving across the weird human landscape of modern politics, media-exacerbated absurdity, and questionable social conventions, this collection counters dread with wit, chaos with clarity, and reminds us that suffering is "small//compared to what?"Mark Bibbins teaches in the graduate writing programs at The New School and Columbia University, and edits the poetry section of The Awl. He lives in New York City.

    There was a woman.There was a cross. But in factthey have hung him too high to be touched.—from "A Woman Wipes the Face of Jesus"

    Including such subjects as "I Heart Unending Paranoia," "Because You Know You're Avoiding Going Somewhere But Don't Even Know Where Yet," and "I'm Not Going To Change My Clothes Today," Pink's collection is bizarre, funny, and original.

    One of the more remarkable books of poetry to appear in a long time, Lisa Robertson's DEBBIE: AN EPIC was a finalist for the 1998 Governor General's Award for Poetry. As arresting as the cover image, Robertson's strong, confident voice echoes a wide range of influences from Virgil to Edith Sitwell, yet remains unique and utterly unmistakable for that of any other writer. Brainy, witty, sensual, demonstrating a commanding grasp of language and rhetoric, DEBBIE: AN EPIC is nevertheless inviting and easy to read, even fun. Its eponymous heroine will annihilate your preconceptions about poetry - and about the name "Debbie

    . . a contemporary genius with the language itself . . . There is simply no contemporary poet like him.” —David Baker, The Kenyon Review Albert Goldbarth has created an unmistakable signature style—learned, copious, hilarious, and heartbreaking—which has so far spanned an award-winning career of thirty-five years. The Kitchen Sink brings together forty new poems with a rich selection of earlier poetry, ranging from the brief, flickering lyric to the long, narrative sequence. In both forms, Goldbarth exerts a wild showmanship and an ever-widening scope to illustrate the complex character and interconnectedness of humanity, history, and art. The Kitchen Sink is the definitive book by one of America’s most original and entertaining poets.

    Wily, witty and weird, often haunting, sometimes heartbreaking, [Frey's] poems…dive deep, for all their individual brevity.

    Meeting-place of fever and the cold eye, in a passion which could hold together with his own arms the flying apart of his own time. He claimed it, its past and the moment that held it with its own arms, the present.They were lyrics he brought to me, cut as if with an adze; and I began to translate. In his early lyrics, with their speed, their transparencies, their couples lying together, all couples, all opposites, there was a chance for the reader to see what was flashing out of Mexico in this young poet. He glittered in his airs and silences, his sudden strokes:Our bones are lightningin the night of the flesh.0 world, all is night,life is the lightning.-from a foreword

    "And in the end we are nothing more than love and space dust." Timeless poetry of feeling and emotion, Love & Space Dust carries readers on a journey through love, life and relationships, and then far beyond, into the stars and the far flung galaxies, where all that remains of the feelings we once felt and the lives we once lived is love and space dust.

    The wit and wisdom of the West, as documented by Dalton Wilcox, poet laureate of the West.

    Sex. Detox. Art. Recovery. Prostitution. Music. Street life. Poetry. Toxic love. And, those are just on the surface. The layers and complexities of Addictarium will shock and enthrall you... When wild-child, and south Florida escapee, Danielle Martino finds herself curled in a ball on the cold tile floors of her filthy rank bathroom in the tiny studio she rents with her fiancé and partner-in-crime, she knows it's time to quit abusing heroin. Severely impaired from shooting a bad batch of black tar heroin, and already partially blind from the infection that the muddy poison has caused, she is forced to hitch a greyhound bus to New York City, and to abandon her care-free, American-bohemian, drug infested life-style.Hailed by many as a beautiful, unique, honest, raw and poetic account of recovery, Addictarium takes readers on a compelling journey through the life and eyes of the narrator; a creative, nomadic, deep--but, incidentally broken--young woman, and underlines the contributing factors to what it's really like to suffer from addiction. With magnificent candor--and sometimes emotionally crippling descriptions--we witness Danielle's fight towards recovery from more than just heroin, as Addictarium brings the readers on a fascinating and harrowing, brutal tale of a young women's recovery from total and mass self-destruction. --Addictarium highlights in the starkest of lights, why it is so difficult for addicts to receive the recovery they seek, when they finally do decide to put the drug down.

    He graduated from the Pedagogical Seminary in Gori 1882, where he became close to Georgian populists (narodniki). Then 1883 entered Law Department of St. Petersburg University (Russia) as a non-credit student, but returned to Georgia in 1884 due to financial restraints. Worked as a teacher of Georgian language. He was also a famous representative of a National-Liberation movement of Georgia.

    He wrote about the things we can feel; with our whole being—the senselessness of war, the need for love among men on earth, the presence of God in man, the love for a beloved woman, social injustice and the continual resurgence of the beautiful in life.

    And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.