Here at last is the unvarnished truth about Brando's har sh childhood, his stunning rise to stage and screen stardom, his stormy relationships with women, his public agony as the father of a convicted killer, and more. 75 photos.

    Their sixth, Fargo, was released that March to acclaim; awards would follow. Alex Belth, a 25-year-old aspiring filmmaker, landed a job as their personal assistant on Lebowski — and for the next year, was the fly on the wall as the Coens created the movie that would become an enduring movie classic. First as their personal assistant and then as an assistant film editor, Belth observed everything from the pre-production work of location scouting, casting, and rehearsals, all the way through filming and post-production. Belth witnessed when Jeff Bridges and John Goodman met for the first time and rehearsed their iconic roles as The Dude and Walter; when a private screening was held for Alan Klein, the Rolling Stones' notorious former business manager; and long editing sessions with the Coen brothers in the editing room, as they tied their movie together. The Dudes Abide is the first behind-the-scenes account of the making of a Coen Brothers movie, and offers an intimate, first-hand narrative of the making of The Big Lebowski — including never-before-revealed details about the making of the film, and insight into the inner workings of the Coen Brothers' genius. About the Author: Alex Belth, praised as New York's best sportswriter by the Village Voice, is the creator of Bronx Banter, a blog about the New York Yankees. He began his career in the film business, working for Woody Allen, Ken Burns, and the Coen Brothers. Belth is the author of Stepping Up, a biography of Curt Flood, and the editor of The Best Sports Writing of Pat Jordan and Yankee Stadium Memories. He has written for Sports Illustrated, SB Nation, and The Daily Beast and Deadspin. His story on iconoclastic sportswriter George Kimball was included in The Best American Sports Writing 2012. [Cover Design by Adil Dara]

    With a fabled waiting list of more than two years to purchase one, the average fashionista has a better chance of climbing Mount Everest in Prada pumps than of possessing this coveted carryall. Unless, of course, she happens to know Michael Tonello. . . . With down-to-earth wit, Michael Tonello chronicles the unusual ventures that took him to nearly every continent� and from eBay to Paris auction houses and into the lives of celebrities and poseurs alike� on the road to becoming a successful entrepreneur and Robin Hood to thousands of desperate rich women.

    Brando Unzipped is the definitive gossip guide to the late, great actor's life New York Daily News. Lurid, raunchy, perceptive, and certainly worth reading, it's one of the best show-biz biographies of the year. London's Sunday Times. Brando Unzipped received an Honorable Mention from Foreword Magazine in its Book of the Year competition, and it won a Silver Ippy award for Best Biography from the Independent Publisher's Association."

    As Dorothy in The Wizard of Oz Judy Garland had charmed the world, singing and dancing down a golden path to fame; now she was middle-aged and wracked with personal problems, habitually late for rehearsals, often not showing up at all. When she made what proved to be her final appearance on Stage 43 in Television City (dressed, rather ironically, as a clown), one stagehand, assessing her thin and haggard figure, sighed no more yellow-brick road. In The Other Side of the Rainbow--now reissued with a new preface--Mel Torme takes us on a Hollywood roller-coaster ride through the triumphs and disasters of this short-lived show, at the same time revealing a personal side of Judy Garland rarely glimpsed. While she was notoriously hard to work with, and her affection for the Blue Lady (Blue Nun leibfraumilch), vodka, and pills was well-known even at this time, Torme shows that Judy was still capable of breathtaking performances, that she could still earn the sobriquet High Priestess of the entertainment world. Torme signed on to The Judy Garland Show as its musical director, writing special tunes, putting together medleys, at times even coaching Judy from an off-camera position. He was there from the start, survived an almost total purge of show staff, and left just before the final telecast. Consequently, we see it all from center stage: Mickey Rooney saving a virtually unrehearsed early show from failure, Lena Horne storming over Judy's lack of professionalism, Cary Grant refusing to do his oft-imitated JU-dy, JU-dy, JU-dy (insisting he had never said it), daughter Liza Minelli singing a duet with her beaming mother, and Judy herself, alone on the set, belting out a powerfully moving rendition of The Battle Hymn of the Republic only weeks after the assassination of JFK. (Her desire to do a special program dedicated to Kennedy's memory was nixed by CBS: this was her unexpected and defiant response.) Behind the scenes we witness Judy at her best (Torme remembers of feeling chills of delight as Garland sang Mama's Gone, Goodbye during their first session together), her funniest (telling dirty stories to the production crew), and her worst, drunk and hysterical, waking her colleagues with early morning telephone calls. Known as The Dawn Patrol, Torme and others would leave their beds and rush to Garland's Brentwood home to offer whatever assistance they could. Brimming with anecdotes, illustrated with rare photographs of Judy on the television stage, and informed by the insights of a fellow performer who saw it all, The Other Side of the Rainbow offers a rare and compassionate look at one of America's most beloved and misunderstood entertainment icons.

    

    Two-time Academy Award-winning screenwriter and the bestselling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into Hollywood's inner sanctums...on and behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films...into the plush offices of Hollywood producers...into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and into his own professional experiences and creative thought processes in the crafting of screenplays. You get a firsthand look at why and how films get made and what elements make a good screenplay. Says columnist Liz Smith, "You'll be fascinated.

    Explores the epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Doolittle, and Bonnie and Clyde-and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever.

    Drawing on unseen police files, Marilyn Monroe’s private diary, and first-hand testimony, this book proves that Robert Kennedy was directly responsible for her death. It details Marilyn Monroe’s tumultuous personal involvement with him and his brother, President John Kennedy. The new evidence and testimony is provided by Mike Rothmiller who, as an agent of the Organized Crime Intelligence Division (OCID) of the LAPD, had direct personal access to hundreds of secret files on exactly what happened at Marilyn Monroe’s Californian home on August 5, 1962. With his training and specialist knowledge, Rothmiller used that unseen information to get to the heart of the matter, to the people who were there the night Marilyn Monroe died—two of whom played major roles in the cover-up—and the wider conspiracy to protect the Kennedys at all costs. There will be those with doubts, but to them, the lawman—who has advised the White House, the Pentagon, and international crime agencies—says the printed, forensic, and oral evidence are totally convincing. He insists: "If I presented my evidence in any court of law, I’d get a conviction." Includes eight pages of black and white photographs.

    Marty was a professional writer, and considered himself a writer first, and an actor second. Feldman created a number of immensely successful and influential shows such as Marty, The Frost Report and sketches for Monty Python. He was one of the most essential creative forces in British comedy embodied also by his close friends and creative partners from Beyond the Fringe (especially Peter Cook and Dudley Moore) and Monty Python (especially John Cleese, Graham Chapman and Eric Idle).Marty played the fool, often very happily and with tremendous talent and volcanic, anarchic energy, for his entire life. His face is what many people most immediately remember. It was a face that David Frost, one of his bosses, characterised as 'too grotesque' for television - see what Feldman has to say about Frost, and Francis Bacon, and John Lennon...Marty Feldman finished, and set aside eYE Marty soon before travelling to Mexico to shoot his final film. He did not know that he would die there, although he certainly felt he might die soon, and was haunted by the notion. The book is exactly as Feldman wrote it: Mark Flanagan had it transcribed, with even the photos inserted where Feldman had noted they should go. Hilarious, deeply charming, aphoristic, ironic, charged throughout with lust for life and filled with scenes of great vanished eras and and portraits of other performers and friends, eYE Marty is the amazing discovery of the story of a man who was at the heart of the British comedy revolution.

    Now Stephen Michael Shearer sets the record straight in the first in-depth biography of the film legend.Swanson was Hollywood's first successful glamour queen. Her stardom as an actress in the mid-1920s earned her millions of fans and millions of dollars. Realizing her box office value early in her career, she took control of her life. Soon she was not only producing her own films, she was choosing her scripts, selecting her leading men, casting her projects, creating her own fashions, guiding her publicity, and living an extravagant and sometimes extraordinary celebrity lifestyle.She also collected a long line of lovers (including Joseph P. Kennedy) and married men of her choosing (including a French marquis, thus becoming America's first member of "nobility"). As a devoted and loving mother, she managed a quiet success of raising three children. Perhaps most important, as a keen businesswoman she also was able to extend her career more than sixty years. Her astounding comeback as Norma Desmond in Billy Wilder's Sunset Boulevard catapulted her back into the limelight. But it also created her long-misunderstood persona, one that this meticulous biography shows was only part of this independent and unparalleled woman.

    Sometimes, it feels as if the last few years have encompassed a few decades. . . . You might have heard my voice on the radio, seen me onstage and on the red carpet, or in a music video, but that’s only a part of the story. In these pages, I’m revealing a more complete picture of what my life is really like. It’s not all glamorous and it’s not all pretty, but it’s all real. . . . I want you to come on a whirlwind journey with an all-access pass to My Crazy Beautiful Life.

    

    He became Oklahoma’s first draftee of the Korean War and was awarded with two Purple Hearts before returning to the United States and settling in Los Angeles to become an actor. Working alongside some of the most renowned celebrities, including Julie Andrews, Marlon Brando, and Clint Eastwood, Garner became a star in his own right, despite struggles with stage fright and depression. In The Garner Files, this revered actor and quintessential self-made man recalls “trying to decipher” William Wyler with Audrey Hepburn and Shirley MacLaine, breaking Doris Day’s ribs, having a “heart-to-heart and eyeball-to-eyeball” with Steve McQueen, being “a card-carrying liberal—and proud of it,” and much more