Often compared to Dashiell Hammett, David Dodge's urbane writing style stands the test of time. His novels still show the hallmarks of being fresh, fast-paced and witty. Whit Whitney is the last person you’d want to meet.  The taxman is no one’s best friend.  But in 1940’s San Francisco, there’s a price to pay for murder, romance, and heavy drinking, and the taxman turned detective is coming to collect. Hilarious and twisty, Dodge’s first novel is among his best, and makes for a terrific introduction to one of last century’s greatest talents in mystery.

    But when Mike got a load of the set-up at the Brighton mansion, two things changed his mind: a slimy private secretary named Montrose, and a phony doctor whose theories began where Freud's left off. Both of them were just a little too anxious to convince the stubborn redhead that Phyllis was "a very sick girl." And Mike Shayne was a man who liked to make up his own mind.

    For the most part, she manages her disease well—that is, until her family moves into an old house in the woods, and she starts seeing an imaginary entity from her childhood creeping around the property. NEW HOME. OLD HAUNTS. Things quickly become terrifying for Monica as her reality begins to blend with fiction, and something else entirely. . . some indescribable evil out in those woods. "ROTTEN LITTLE THINGS takes you to some frightfully dark places." - Jay Sigler, author of TRAIN THOUGHTS

    Determined to enjoy her freedom before she becomes a married woman, Mally impulsively accepts a position as governess to the young daughter of a shipping magnate.   But when she arrives at the Peterson townhouse in London, Mally has the strangest urge to flee. Sir George Peterson, whose wife left him for an itinerant artist, is an enigma. His sister, Lena Craddock, is nice enough, but Mally’s young charge, Barbara, hates Lena’s nephew, Paul, with a passion. When Mally is suddenly branded a thief and spy after valuable papers and a priceless diamond pendant disappear, she does the only thing she can: run away.   With her fiancé believing the worst of her and private investigators hot on her trail, Mally goes on the lam, feeling like a fugitive from justice. But she’s stumbled upon a dangerous criminal conspiracy led by men desperate to get back the missing documents before a critical encrypted message is decoded.

    Bailey investigates the woman in an attempt to stop the extortion, and as the story unfolds, there are many twists and turns. Following The Double Take, Huggins turned his attention to creating memorable TV shows such as “Maverick,” “The Fugitive,” “City of Angels,” and “The Rockford Files.” Huggins passed away in 2002 at age 87.

    Late one evening he witnesses a local businessman committing a murder. His life is spared, but he will be killed if he talks to the police. Everything he has worked for falls apart as he becomes caught between rival criminal and legal organizations.

    

    Now that peace has come, he is being haunted day and night by twelve ghosts: a mother and infant, a schoolboy, a butcher, an RUC constable, and seven other of his innocent victims. In order to appease them, he’s going to have to kill the men who gave him orders. As he’s working his way down the list he encounters a woman who may offer him redemption; she has borne a child to an RUC officer and is an outsider too. Now he has given Fate—and his quarry—a hostage. Is this Fegan’s ultimate mistake?CollusionWhen Detective Inspector Jack Lennon tries to track down his former lover, Marie McKenna, and their daughter, his superiors tell him to back off. But now an assassin stalks Belfast, tying up loose ends for a vengeance-driven old man. As Lennon unravels a conspiracy that links his daughter to a killer named Fegan, the line between friend and enemy blurs.

    It is quite impossible that he should have killed himself. He has been murdered. About half an hour ago. By a long knife passed under the left shoulder-blade into the heart."On a fog-bound London night, a soirée is taking place in the studio of artist Laurence Newtree. The guests include an eminent psychiatrist, a wealthy philanthropist and an observant young friend of Newtree's, John Christmas. Before the evening is over, Newtree's neighbour is found stabbed to death in what appears to be an impossible crime. But a mysterious man in a fez has been spotted in the fog asking for highly unlikely directions...The resourceful John Christmas takes on the case, unofficially, leading to an ingenious solution no one could have expected, least of all Inspector Hembrow of Scotland Yard.The Studio Crime is the first of Ianthe Jerrold's classic whodunit novels, originally published in 1929. Its impact led to her membership of the elite Detection Club, and its influence can be felt on later works by John Dickson Carr, Ngaio Marsh and Dorothy L. Sayers among others.This edition, the first in over eighty years, features a new introduction by crime fiction historian Curtis Evans.

    Vandam begins an investigation into the dead man, Albert Smith, which takes the case from the wilds of South Africa to mountains and glens of Scotland, where a near-identical crime has been perpetrated… ABOUT THE AUTHOR Freeman Wills Crofts, the ‘King of Detective Story Writers’, was one of the pre-eminent writers in the golden age of British crime fiction. Acclaimed by his contemporaries, Agatha Christie and Raymond Chandler, he wrote more than 30 detective novels and was a founder member of the hugely influential DETECTIVE CLUB. Crofts’s most famous creation was Scotland Yard detective, Inspector French (‘As near the real thing as any sleuth in fiction’ THE SUNDAY TIMES). Born in Dublin, Crofts became an engineer and wrote his debut novel, THE CASK: A DETECTIVE STORY (‘An imaginatively ingenious mystery’ THE EVENING STANDARD) in 1919 during a long absence from work due to illness. He became a full-time writer in 1929 and moved to England with his wife Mary to live in Guildford. He died in 1957. PRAISE FOR FREEMAN WILLS CROFTS ‘One of the classics of modern crime fiction’ NEW YORK TIMES ‘Exactly what a detective novel should be – ingenious, lucid, reasonable, intricate and exciting’ THE DAILY TELEGRAPH ‘The author who goes from strength to strength with every book he writes. The construction is flawless’ THE DAILY MAIL ‘Yet another instance of his unfailing ingenuity’ TIMES LITERARY SUPPLEMENT ‘If there is a better writer of detective stories alive, I would like to know his name’ GLASGOW CITIZEN ‘A detective novel by Freeman Wills Crofts is always an event’ THE DAILY EXPRESS ‘Freeman Wills Crofts’ crimes are solved with dogged diligence and attention to detail… they seem to have improved with age.’ THE INDEPENDENT ‘Supremely good’ YORKSHIRE POST ‘Freeman Wills Crofts is the only author who gives us intricate crime in fiction as it might really be, and not as the irreflective would like it to be’ THE OBSERVER ‘Brilliant… will delight all lovers of detective fiction’ THE DAILY TELEGRAPH

    "But she was strangled to death. And the murderer had to leave after he had killed. He's not here now. But in some fashion, explain it how you like, he or she or some damnable witch of the low tide managed to leave without a footprint in all that wet sand!"

    

    Following the disappearance of his wife, his life and career have fallen apart.A distinctive tiger tattoo is the only clue to her identityOnce a rising star of Singapore CID, Betancourt has been relegated to the Marine Division, with tedious dockyard disputes and goods inspections among his new duties.Who is she? And why are the authorities turning a blind eye?But when a beautiful, unidentified Japanese woman is found murdered in the shadow of a warehouse owned by one of Singapore’s most powerful families, Betancourt defies orders and pursues those responsible. What he discovers will bring him into conflict with powerful enemies, and force him to face his personal demons.

    There was a heavy crash and fall, and the parson lay motionless and livid, while lilies from a vase fell, like a wreath, across his chest. The Rev. Ulder, everyone agreed, was the parish priest from hell. In addition to tales of drunkenness and embezzlement, the repellent cleric had recently added blackmail to his list of depravities. There was scandal in the district, plenty of it, and Ulder had the facts. Until, that is, a liberal helping of morphia, served to him in the Bishop’s Palace, silenced the insufferable priest – for good.Was it the Bishop himself who delivered the fatal dose? Was it Soames, the less-than-model butler? Or one of a host of other inmates and guests in the house that night, with motives of their own to put Ulder out of the way? Young Dick Marlin, ex-military intelligence and now a Church deacon, finds himself assisting Chief Constable Mack investigate murder most irreverent.Arrest the Bishop? was first published in 1949. This new edition, the first in many decades, includes a new introduction by crime fiction historian Martin Edwards.

    January cold coming in off two rivers. Hart is broke, freezing, looking for a place to lay low from the cops. If he can't find somewhere soon he might do something rash - like steal an overcoat and accept a wallet containing $11,000 from a man dying from gunshot wounds in the street. Whoever killed him might have a bed, though, even if that means hanging out with a bunch of thieves and drifters while the heat blows over. Lucky for Hart he's handy with his fists. And if he can use his looks and smarts to get in with the gang, maybe he can ride this out and score big on his own. Originally published in 1954, Black Friday is one of David Goodis's leanest, meanest melancholy thrillers. In the character of Hart, it features one of his classic, tortured romantic heroes, a man who becomes mired in circumstances from which there is no escape. In this edition, Black Friday is combined with short stories, unpublished since they were first written for pulp magazines in America over 50 years ago.