Hoping to gain some financial independence, she advertises her services as a personal secretary. It is unfortunate that she should discover her first client, Sir Oswald Newbold--explorer, mine magnate and president of the exclusive Explorers and Geographers' Club--dead with a knife in his throat.When Inspector Robert Curran is put on the case, he realizes that he has an unusual witness in Harriet. Harriet's keen eye for detail and strong sense of duty interests him, as does her distrust of the police and her traumatic past, which she is at pains to keep secret from the gossips of Singapore society.When a second body is dragged from the canal, Harriet feels compelled to help with the case. She and Curran are soon drawn into a complex web of stolen gemstones and a mysterious gang of thieves who have no qualms about killing again to protect their secrets.

    City of Medicine, Money, Murder.Young women are being discovered dead across the Old Town, all having suffered similarly gruesome ends. In the New Town, medical student Will Raven is about to start his apprenticeship with the brilliant and renowned Dr Simpson.Simpson's patients range from the richest to the poorest of this divided city. His house is like no other, full of visiting luminaries and daring experiments in the new medical frontier of anaesthesia. It is here that Raven meets housemaid Sarah Fisher, who recognises trouble when she sees it and takes an immediate dislike to him. She has all of his intelligence but none of his privileges, in particular his medical education.With each having their own motive to look deeper into these deaths, Raven and Sarah find themselves propelled headlong into the darkest shadows of Edinburgh's underworld, where they will have to overcome their differences if they are to make it out alive.

    Driven off the force by her treacherous partner and lover, she’s flat broke and struggling with a gambling addiction. All Nicole has left is the dream of a warm bed at a homeless shelter and the haunting memories of three-year-old Kelsey Chase—whose murder case ended her career.As Nicole obsesses over the old facts, she realizes everything about that case felt off: a disinterested mom, a suicidal pedophile, and too many questions left unanswered. When the little girl’s grieving father begs Nicole for help, she’s drawn back into the investigation…and given one shot at redemption.But the deeper Nicole digs, the more evil she uncovers, including betrayals that hit painfully close to home. Will a shocking discovery be the key to finally getting justice for Kelsey and resurrecting her own life?

    But her bright hopes for the future are shattered when Donald White disappears, leaving her to face charges of theft, embezzlement—and a brutal double murder. Her protestations of innocence count for nothing. Convicted, she faces life in prison…until fate sends her on the run.WRONG NAMEEvelyn’s escape leaves her scarred and in hiding, isolated from her family, working under an alias at a wilderness camp. Bent on vengeance, intent on recovering her life, she bides her time, patiently searching for the man who took everything from her.WRONG ALIBIAt last, the day comes. Donald White has returned. Evelyn emerges from hiding; the fugitive becomes the hunter. But in her mind, she hears the whisper of other forces at work. Now Evelyn must untangle the threads of evidence before she’s once again found with blood on her hands: the blood of her own family…

    He, escaping the spectacular failure of his last case, is having trouble finding his way into this tight-knit community wary of new faces. But professional rivalry aside, both detectives are about to receive some terrible news: 11-year-old Danny Latimer has been found murdered on the beach.For Ellie it's a personal blow; Danny was her older son's best friend. She can't believe anyone in Broadchurch would ever have harmed him. But Alec considers everyone, even Danny's parents, suspect in his death. It's a living nightmare for everyone involved…even before the press arrive and start stirring up the secrets every town member keeps hidden behind closed doors.An intimate portrait of a town and the ordinary grievances that have slowly simmered for years before boiling over in an unthinkable crime, this remarkable adaptation of the hit television show Broadchurch tells the story of a shattered family, a reeling town, and the two imperfect detectives trying to bring them answers.

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    But that doesn’t stop her from longing to join in, especially if it means spending time with the popular boy she secretly loves, Ben Williamson. So when the opportunity for a dream escape to Surfers Paradise arrives, Poppy and her twin sister Rosemary seize it, and find themselves in the midst of the swinging sixties at last.Rosemary embraces their secret new life with a vengeance, discovering drugs, boys and radical politics in a haze of parties, music festivals and protest marches. But such freedom is stolen when Rosemary’s great love Angus is sent to Vietnam, along with Ben.Soon a war fought thousands of kilometres away will arrive on the twins’ door in the form of orphaned refugee Thuy. As many more victims begin to appear, including shattered versions of Australian soldiers, they must decide how far they will go for the men they adore, and ask themselves whether love really is all that you need."Through her sensitivity, beautiful writing and gift as a storyteller, O'Connor's readers come to know and love her characters." — Weekly Times

    But Kennedy's teenage rebellion goes too far when, after a night of partying in the woods, her best friend, Haley, is murdered, and suspicion quickly falls upon Kennedy. She can't remember anything about the night in question, and this, along with the damning testimony from a college boy who both Kennedy and Haley loved, is enough to force Kennedy to enter a guilty plea.In 2008, Kennedy is released into a world that has moved on without her. Carter has grown distant as she questions Kennedy's innocence, and begins a relationship with someone who could drive the sisters apart forever. The twins' father, Gerry, is eager to protect the family's secrets and fragile bonds. But Kennedy's return brings the tragedy back to the surface, along with a whole new wave of media. When a crime show host comes to town asking questions, believing the murder wasn't wasn't as simple as it seemed, murky memories of Haley's death come to light. As new suspects emerge and the suburban woods finally give up their secrets, two families may be destroyed again.

    The woman who lives there, Gloria, is the most glamorous neighbour on the avenue, owning a fashionable dress shop in Bexhill-on-Sea. But who is the woman who arrives in the black car most Saturdays while Gloria is at work? Sometimes she brings women to the house, and other times the women come with children.Then one night, the house burns down. In the wreckage, the bodies of Gloria and her daughter are found. Katy is sure the unexplained strangers must be responsible, until her father is arrested and charged with murder.Surely the police have arrested the wrong person? Is the rest of the street safe. Can Katy find the truth before it’s too late?

    There she will become nursery maid, chaperone and confidante to the Mitford sisters, especially sixteen-year-old Nancy - an acerbic, bright young woman in love with stories.But then a nurse - Florence Nightingale Shore, goddaughter of her famous namesake - is killed on a train in broad daylight, and Louisa and Nancy find themselves entangled in the crimes of a murderer who will do anything to hide their secret . . .'A glorious indulgence. Dazzling' - Daisy Goodwin'Inventive, glittering, clever, ingenious' - Susan Hill'Fascinating, I loved it' - Julian Fellowes'An enthralling mystery' - Juliet Nicolson'Audacious, breathtaking' - Alex Gray

    She is the beautiful young wife to handsome, charming Wall Street tycoon Henry Whittaker. She is a member of Manhattan’s social elite. She is on the board of one of the city’s most prestigious philanthropic organizations. She has a perfect Tribeca penthouse in the city and a gorgeous lake house in the country. The finest wine, the most up-to-date fashion, and the most luxurious vacations are all at her fingertips. What no one knows is that five years ago, Zoe’s life was in danger. Back then, Zoe wasn’t Zoe at all. Now her secrets are coming back to haunt her. As the past and present collide, Zoe must decide who she can trust before she—whoever she is—vanishes completely. A “dark, twisty, edge-of-your-seat suspense” (Karen Robards), The Vanishing Year combines the classic sophistication of Ruth Rendell and A.S.A. Harrison with the thoroughly modern flair of Jessica Knoll. Told from the point-of-view of a heroine who is as relatable as she is enigmatic, The Vanishing Year is an unforgettable new novel by a rising star of the genre.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    And telling the truth won't bring him back...When a baby goes missing on a lonely roadside in Australia, it sets off a police investigation that will become a media sensation and dinner-table talk across the world.Lies, rumours and guilt snowball, causing the parents, Joanna and Alistair, to slowly turn against each other.Finally Joanna starts thinking the unthinkable: could the truth be even more terrible than she suspected? And what will it take to make things right?The Cry is a dark psychological thriller with a gripping moral dilemma at its heart and characters who will keep you guessing on every page.

    Joanna Blalock’s keen mind and incredible insight lead her to become a highly-skilled nurse, one of the few professions that allow her to use her finely-tuned brain. But when she and her ten-year-old son witness a man fall to his death, apparently by suicide, they are visited by the elderly Dr. John Watson and his charming, handsome son, Dr. John Watson Jr. Impressed by her forensic skills, they invite her to become the third member of their investigative team.Caught up in a Holmesian mystery that spans from hidden treasure to the Second Afghan War of 1878-1880, Joanna and her companions must devise an ingenious plan to catch a murderer in the act while dodging familiar culprits, Scotland Yard, and members of the British aristocracy. Unbeknownst to her, Joanna harbors a mystery of her own. The product of a one-time assignation between the now dead Sherlock Holmes and Irene Adler, the only woman to ever outwit the famous detective, Joanna has unwittingly inherited her parents’ deductive genius.

    After working with the bestselling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.