“There are barbels in the mud. They will wake up if you step on them.” When Paul and Dominique are sent to boarding schools in Natal, their idyllic childhood on a Free State farm is over. Their parents’ leftist politics has made life impossible in the local dorp school. Angry schoolboy Paul is a promising poet, his sister his confidant. But his literary awakening turns into a descent. He flees the oppression of South Africa, only to meet his death in London. Dominique Botha’s poignant debut is an elegy to a rural existence and her brother – both now forever lost. The novel is based on true events.

    It centers around a young Nigerian woman, Ada, who develops separate selves within her as a result of being born "with one foot on the other side." Unsettling, heartwrenching, dark, and powerful, Freshwater is a sharp evocation of a rare way of experiencing the world, one that illuminates how we all construct our identities.Ada begins her life in the south of Nigeria as a troubled baby and a source of deep concern to her family. Her parents, Saul and Saachi, successfully prayed her into existence, but as she grows into a volatile and splintered child, it becomes clear that something went terribly awry. When Ada comes of age and moves to America for college, the group of selves within her grows in power and agency. A traumatic assault leads to a crystallization of her alternate selves: Asụghara and Saint Vincent. As Ada fades into the background of her own mind and these selves--now protective, now hedonistic--move into control, Ada's life spirals in a dark and dangerous direction.Narrated by the various selves within Ada and based in the author's realities, Freshwater dazzles with ferocious energy and serpentine grace, heralding the arrival of a fierce new literary voice.

    His new novel, a finalist for the Man Booker Prize and the IMPAC-Dublin Literary Award, is a clear-eyed, witty, yet deeply serious look at South Africa's political history and its damaging legacy in the lives of those who live there.The last time Silas Ali encountered Lieutenant Du Boise, Silas was locked in the back of a police van and the lieutenant was conducting a vicious assault on Silas's wife, Lydia, in revenge for her husband's participation in Nelson Mandela's African National Congress. When Silas sees Du Boise by chance twenty years later, as the Truth and Reconciliation Commission is about to deliver its report, crimes from the past erupt into the present, splintering the Alis' fragile peace. Meanwhile Silas and Lydia's son, Mikey, a thoroughly contemporary young hip-hop lothario, contends in unforeseen ways with his parents' pasts.A harrowing story of a brittle family on the crossroads of history and a fearless skewering of the pieties of revolutionary movements, Bitter Fruit is a cautionary tale of how we do, or do not, address the past's deepest wounds.

    A Man Who Is Not A Man recounts the personal trauma of a young Xhosa initiate after a rite-of-passage circumcision has gone wrong. With frankness and courage, author Thando Mgqolozana's powerful novel details the pain and lifelong shame that is experienced as a result of not just the physical trauma, but the social ostracism of being labeled 'a failed man.' He decodes the values and mysteries of this deep-seated cultural tradition and calls to account the elders for the disintegrating support systems that allow such tragic outcomes to happen. But it is also through this life-changing experience that his protagonist is forced to find his strength and humanity, and reassess what it really means to be a man.

    Rian Malan is an Afrikaner, scion of a centuries-old clan and relative of the architect of apartheid, who fled South Africa after coming face-to-face with the atrocities and terrors of an undeclared civil war between the races. This book is the searing account of his return after eight years of uneasy exile. Armed with new insight and clarity, Malan explores apartheid's legacy of hatred and suffering, bearing witness to the extensive physical and emotional damage it has caused to generations of South Africans on both sides of the color line. Plumbing the darkest recesses of the white and black South African psyches, Malan ultimately finds his way toward the light of redemption and healing. My Traitor's Heart is an astonishing book -- beautiful, horrifying, profound, and impossible to put down.

    . . . Iweala never wavers from a gripping, pulsing narrative voice. . . . He captures the horror of ethnic violence in all its brutality and the vulnerability of youth in all its innocence.”  —Entertainment Weekly  (A)The harrowing, utterly original debut novel by Uzodinma Iweala about the life of a child soldier in a war-torn African countryAs civil war rages in an unnamed West-African nation, Agu, the school-aged protagonist of this stunning novel, is recruited into a unit of guerilla fighters. Haunted by his father’s own death at the hands of militants, which he fled just before witnessing, Agu is vulnerable to the dangerous yet paternal nature of his new commander.While the war rages on, Agu becomes increasingly divorced from the life he had known before the conflict started—a life of school friends, church services, and time with his family, still intact. As he vividly recalls these sunnier times, his daily reality continues to spin further downward into inexplicable brutality, primal fear, and loss of selfhood. In a powerful, strikingly original voice, Uzodinma Iweala leads the reader through the random travels, betrayals, and violence that mark Agu’s new community. Electrifying and engrossing, Beasts of No Nation announces the arrival of an extraordinary writer.

    Khumalo’s salon, and she is secure in her status until the handsome, smooth-talking Dumisani shows up one day for work. Despite her resistance, the two become friends, and eventually, Vimbai becomes Dumisani’s landlady. He is as charming as he is deft with the scissors, and Vimbai finds that he means more and more to her. Yet, by novel’s end, the pair’s deepening friendship—used or embraced by Dumisani and Vimbai with different futures in mind—collapses in unexpected brutality.The novel is an acute portrayal of a rapidly changing Zimbabwe. In addition to Vimbai and Dumisani’s personal development, the book shows us how social concerns shape the lives of everyday people.

    Apartheid is crumbling. Nelson Mandela has just been released from prison. And Spud Milton?thirteen-year-old, prepubescent choirboy extraordinaire?is about to start his first year at an elite boys-only boarding school in South Africa. Cursed with embarrassingly dysfunctional parents, a senile granny named Wombat, and a wild obsession for Julia Roberts, Spud has his hands full trying to adapt to his new home. Armed with only his wits and his diary, Spud takes readers of all ages on a rowdy boarding school romp full of illegal midnight swims, raging hormones, and catastrophic holidays that will leave the entire family in total hysterics and thirsty for more.Winner of South Africa's Booksellers? Choice Award 2006

    He has gone on to become one of the most powerful voices for cultural freedom on the whole of the African continent today. Ndebele evokes township life with humor and subtlety, rejecting the image of black South Africans as victims and focusing on the complexity and fierce energy of their lives. "Our literature," says Ndebele, "ought to seek to move away from an easy preoccupation with demonstrating the obvious existence of oppression. It exists. The task is to explore how and why people can survive under such harsh conditions." About Njabulo Ndebele: now Chancellor of Witwatersrand University in South Africa. Ndebele began publishing these stories from exile in Lesotho during the 1980s. Ndebele is now recognised as a major voice in South Africa's cultural life. This is his only fiction collection available in Europe or North America. Ndebele's stories first began appearing in Staffrider magazine, an innovative publishing venture linked to the Soweto branch of South African PEN. Founded after the bloody Soweto riots of the mid-1970s, the magazine took as its symbol the staffriders, un-ticketed commuters from the black townships who every day clung onto or balanced on top of buses and trains to get into the cities to work. Staffrider magazine, and in particular Ndebele's stories, helped define a new tone in black South African literature that went beyond and finally overcame apartheid.

    Revolving around the everyday experiences of a group of men and women whose lives reflect the human costs of maintaining a racially divided society, in a series of vivid and compelling episodes, Alan Paton examines what happens between people when such political events overtake their lives.

    He's putting aside childish things, starting his first business serving food to the workers in Cape Town. His Pa is proud.At the same time, Mattie is pulled toward an altogether different version of masculinity, in which oiled and toned bodies cavort for him at the click of a mouse. His porn addiction threatens his relationship with his boyfriend, Jack, and imperils his inheritance.Pa’s days as a swaggering businessman are done, but even as cancer shrivels him, his ancient authority intensifies. While the family wrestles with his patrimony, around them a new South Africa moves forward, demanding they confront the challenges of the future as well as the past.

    Everyone else know Gideon Goosen as a monster: a gangster, assassin and murderer, who made a pact with the devil and deserves to live out his days in a solitary cell in Pretoria Central. How is it possible that the son of a decorated, God-fearing security policeman could fall so low? His mother blames it on his friends from the other side of the railway line in Randfontein, others on a leggy prostitute from Nigel who became his obsession. Gideon himself believes everything changed on an autumn morning when the fatal pellets from a pump-action shotgun cut short the life of an anti-apartheid activist in the driveway of his home. Set against the backdrop of the dying days of apartheid, and inspired by a true story and events that really happened, Jacques Pauw's explosive debut novel exposes the raw, seamy underworld of gangsterism and brutality when life was cheap and fear was everywhere.

    As Alison McCulloch noted in the New York Times, “Wicomb deftly explores the ghastly soup of racism in all its unglory—denial, tradition, habit, stupidity, fear—and manages to do so without moralizing or becoming formulaic.”Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission throws up information that brings into question not only her family’s past but her identity and her rightful place in contemporary South African society. “Stylistically nuanced and psychologically astute” (Kirkus), Playing in the Light is as powerful in its depiction of Marion’s personal journey as it is in its depiction of South Africa’s bizarre, brutal history.

    The year is 1794, it is the age of enlightenment, and on Vogelzang the master is conducting strange experiments in human breeding and classification. It is also here that Trijn falls in love.Two hundred years later and a thousand miles away, Sister Vergilius, a nun at a mission hospital, wants to free herself from an austere order. It is 1961 and her life intertwines with that of a gentleman farmer – an Englishman and suspected Communist – who collects and studies insects and lives a solitary life. While a group of Americans arrive in a cavalcade of caravans and a new republic is about to be born, desire is unfurling slowly.In Claire Robertson’s majestic debut novel, two stories echo across centuries to expose that which binds us and sets us free.About the author:Claire Robertson lives in Simon’s Town. She has spent the past 30 years as a journalist, reporting from South Africa, the US and USSR. She has worked in newspapers, magazines, radio and television, and now works as a senior copy editor on the Sunday Times. She has won awards for her reporting and her work is carried in several anthologies.

    Crossing various controversial, amusing and downright confusing racial divides, the title delivers a healthy dose of black – and white – humour as it explores some of the rainbow nation's defining characteristics, its many colourful characters and its myriad mysterious idiosyncrasies.