Estranged siblings Beck, Ashley and Jake find themselves under one roof for the first time in years, forced to confront old resentments and betrayals, when their mysterious, eccentric matriarch, Helen, passes away. But their lives are about to change when they find a secret inheritance hidden among her possessions—the Florentine Diamond, a 137-carat yellow gemstone that went missing from the Austrian Empire a century ago.Desperate to learn how one of the world’s most elusive diamonds ended up in Helen’s bedroom, they begin investigating her past only to realize how little they know about their brave, resilient grandmother. As the Millers race to determine whether they are the rightful heirs to the diamond and the fortune it promises, they uncover a past more tragic and powerful than they ever could have imagined, forever changing their connection to their heritage and each other.Inspired by the true story of the real, still-missing Florentine Diamond, The Imperfects illuminates the sacrifices we make for family and how sometimes discovering the truth of the past is the only way to better the future.

    Dressed in couture YSL, drinking the finest champagne at trendy Balthazar, Reba, as she’s known, is the picture of a wealthy art collector. To some, the elusive Miss Farwell is a shark with outstanding business acumen. To others, she’s a heartless capitalist whose only interest in art is how much she can make.But a thousand miles from the Big Apple, in the small town of Pierson, Illinois, Miss Farwell is someone else entirely—a quiet single woman known as Becky who still lives in her family’s farmhouse, wears sensible shoes, and works tirelessly as the town’s treasurer and controller. No one understands the ins and outs of Pierson’s accounts better than Becky; she’s the last one in the office every night, crunching the numbers. Somehow, her neighbors marvel, she always finds a way to get the struggling town just a little more money. What Pierson doesn’t see—and can never discover—is that much of that money is shifted into a separate account that she controls, “borrowed” funds used to finance her art habit. Though she quietly repays Pierson when she can, the business of art is cutthroat and unpredictable. But as Reba Farwell’s deals get bigger and bigger, Becky Farwell’s debt to Pierson spirals out of control. How long can the talented Miss Farwell continue to pull off her double life?

    She’s been fired for not compromising her principles in a high-profile case and then punching her partner in the nose for the misogynistic comment he made in retort (not her finest moment). Leaving a career that gave her purpose, Amelia can only ask, What next?Let it be better than her epic failure of a fortieth birthday party: an open bar full of no-shows except for John Ellis, a total stranger and the new associate at her ex-firm. As it turns out, though, he’s very good company—and a wake-up call. With the help of John and a lot of champagne, Amelia considers the people she’s wronged, from old besties to former boyfriends to coworkers. Amelia resolves to make amends—to those who really deserve it.One apology at a time, Amelia’s looking at the choices she’s made in the past, the new ones she’s making with John, and those she’s making for herself. What next? Maybe a second chance she never expected.

    Ten supersized crises. And it’s high noon.They call her “Twigs,” because she’ll never hit five feet tall. Although she was born early, and a stiff breeze could knock her over, Twigs has a mighty spirit. She needs it, as life throws a whole bucket of rotten luck at her: Dad’s an absentee drunk; Mom’s obsessed with her new deaf boyfriend (and Twigs can’t tell what they’re saying to each other). Little sister Marlee is trying to date her way through the entire high school; Twigs’ true love may be a long-distance loser after a single week away at college, and suddenly, older brother Matt is missing in Iraq. It all comes together when a couple of thugs in a drugstore aisle lash out, and Twigs must fight to save the life of the father who denied her.

    But when Kriya vanishes without a trace, Shakti is unwittingly swept into a cataclysmic vortex of greed, lust and betrayal. Shakti meets Shiva, a struggling Silicon Valley entrepreneur, and discovers that love is an enigmatic cosmic force. Shakti and Shiva are thrust on a frantic race against time through the dark Mumbai underbelly, forbidden Thailand islands, and treacherous cliffs in the Andaman Sea, where danger lurks in every shadow. As they get closer to the truth, they realize that millions of innocent lives are at stake. Quest for Kriya is an epic saga of love, friendship and sacrifice. The journey is incredible. The emotions are real. The transformation is eternal.

    Leaving home is a way to escape her sorrow and despair following the death of her boyfriend and a testy relationship with her mother, Verity. In Scotland she encounters love and excitement but when a series of unexpected events turn her new found life on its head, she is forced to make a life-changing decision, one that will stay with her for her whole life. The Closet of Savage Mementos is drawn directly from the author's own experiences and explores heartbreak, loss, motherhood and adoption in a gripping narrative and the same expressive, emotive and exciting prose we have come to expect of Nuala Ní Chonchúir. Reviews: 'Her finest novel yet.' - The Sunday Times Ní Chonchúir manages to strike a delicate balance between passion and poetry…The Closet of Savage Mementos is a book that will appeal to, and deserves, a wide audience.’ -- Sunday Business Post 'It is raw, beautiful and compelling, a 'must read'.' - Sunday Independent mpelling and deeply accomplished, The Closet of Savage Mementos is the product of a powerful literary talent. - Cork Evening Echo About the Author: Nuala Ní Chonchúir was born in Dublin in 1970; she lives in East Galway with her husband and three children. Her fourth short story collection Mother America was published by New Island in 2012; The Irish Times said of it: ‘Ní Chonchúir’s precisely made but deliciously sensual stories mark her as a carrier of Edna O’Brien’s flame.’ Her début novel You (New Island, 2010) was called ‘a gem’ by the Irish Examiner and ‘a heart-warmer’ by The Irish Times. A chapbook of flash fiction, Of Dublin and Other Fictions, is just out from Tower Press in the US. Nuala has won many writing awards including RTÉ radio’s Francis MacManus Award, the Cúirt New Writing Prize, the Jane Geske Award (USA), the inaugural Jonathan Swift Award, the Dublin Review of Books flash fiction prize and the Cecil Day Lewis Award. She was shortlisted for the European Prize for Literature and most recently won the Gladstone’s Library Flash Fiction Prize (UK).www.nualanichonchuir.com

    Deteriorating both physically and mentally while still painfully aware of what's going on around him, Bobby continues to work on the murder mystery he was writing before his life took a sudden and unexpected turn. As Bobby strives to tie up loose ends in his final story, if just for himself and his characters, the reader is given a glimpse of the life he's left behind in the form of day-in-the-life vignettes of his family. A vibrant, original story steeped in symbolism and family ties, this haunting debut explores the subtle ways lives are connected, broken, and renewed by love.

    What Really Goes on Behind School Doors? When the classroom is no longer a safe space for her child, a grieving mother is determined to seek justice for her bullied daughter. Enter hard-charging attorneys Angela Evans and Jenny Ungerman. From the very start, the two lawyers face more than an uphill battle. An ambitious school principal is far more concerned about protecting her career than getting to the truth. She flat out denies any knowledge of the bullying and prefers to sweep everything under the rug. But just how low will she go? As the battle enters the courtroom, the attorneys fight hard to expose the truth. But will a massive coverup hinder their quest for justice?

    Grace is also the author of You Should Have Known, a book in which she castigates women for not valuing their intuition and calls upon them to examine their first impressions of men for signs of serious trouble later on. But weeks before the book is published, a chasm opens in her own life: a violent death, a missing husband, and, in the place of a man Grace thought she knew, only a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and herself.

    A golden couple, their seemingly effortless devotion has long been the envy of their circle of friends and acquaintances. Graham is a bookseller, a big, gregarious man with large appetites—curious, eager to please, a lover of life, and the convivial host of frequent, lively parties at his and Annie’s comfortable house in Cambridge. Annie, more reserved and introspective, is a photographer. She is about to have her first gallery show after a six-year lull and is worried that the best years of her career may be behind her. They have two adult children; Lucas, Graham’s son with his first wife, Frieda, works in New York. Annie and Graham’s daughter, Sarah, lives in San Francisco. Though Frieda is an integral part of this far-flung, loving family, Annie feels confident in the knowledge that she is Graham’s last and greatest love. When Graham suddenly dies—this man whose enormous presence has seemed to dominate their lives together—Annie is lost. What is the point of going on, she wonders, without him?  Then, while she is still mourning him intensely, she discovers that Graham had been unfaithful to her; and she spirals into darkness, wondering if she ever truly knew the man who loved her.

    In Hieroglyphics, she takes us on through decades, through loss, through redemption, and lands in revelation and grace. As always with McCorkle, the story feels so effortless and true that we might well miss what a high-wire act she’s performing. But make no mistake: She’s up there without a net, she never misses a step, and it’s spectacular.” —Rebecca Makkai, Pulitzer Prize finalist for The Great Believers Lil and Frank married young, launched into courtship when they bonded over how they both—suddenly, tragically—lost a parent when they were children. Over time, their marriage grew and strengthened, with each still wishing for so much more understanding of the parents they’d lost prematurely. Now, after many years in Boston, they have retired in North Carolina. There, Lil, determined to leave a history for their children, sifts through letters and notes and diary entries—perhaps revealing more secrets than Frank wants their children to know. Meanwhile, Frank has become obsessed with what might have been left behind at the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is just trying to raise her son with some sense of normalcy. Frank’s repeated visits to Shelley’s house begin to trigger memories of her own family, memories that she’d rather forget. Because, after all, not all parents are ones you wish to remember.Hieroglyphics reveals the difficulty of ever really knowing the intentions and dreams and secrets of the people who raised you. In her deeply layered and masterful novel, Jill McCorkle deconstructs and reconstructs what it means to be a father or a mother, and what it means to be a child piecing together the world all around us, a child learning to make sense of the hieroglyphics of history and memory.

    Trouble is, no one gets my jokes. And Breaks-it isn’t helping. Ha! You get it, don’t you? Brexit means everyone’s falling out and breaking up.Huxley is growing up in the suburbs of London at a time of community tensions. To make matters worse, a gang of youths is targeting isolated residents. When Leonard, an elderly newcomer chats with Huxley, his parents are suspicious. But Huxley is lonely and thinks Leonard is too. Can they become friends?Funny and compassionate, this contemporary novel for adults explores issues of belonging, friendship and what it means to trust.“Read this and feel young again” – Joe Siple, author of THE FIVE WISHES OF MR. MURRAY McBRIDE 'Moving and ultimately upbeat” – Christopher Wakling, author of WHAT I DID“A joy of a novel, with a wonderfully exuberant character in Huxley” – Sara Gethin, author of NOT THOMAS

    Her childhood home is packed solid with useless junk, her mother’s presence already fading. But within this mess, she discovers a small stash of letters—and ultimately, the truth. Forty years earlier, a young woman stumbles from a remote stone house, the night quiet except for the constant wind that encircles her as she hurries deeper into the darkness away from the cliffs and the sea. She has no sense of where she is going, only that she must keep on.

    She’s free from confinement—and ready to tell her secrets before it’s too late.She finds a willing audience in journalist Mick Anders, who is reeling after his suspension from a Boston newspaper and in town, reluctantly, to investigate a mysterious portrait of Eula that reportedly sheds tears. He crosses paths with Dr. Paloma Vega, who’s visiting Puerto Pesar with her own mission: to take care of her ailing grandmother and to rescue her rebellious younger sister before something terrible happens. Paloma and Mick have their reasons to be in the hot, parched border town whose name translates as “Port of Regret.” But they don’t anticipate how their lives will be changed forever.Moving and engrossing, this dual story alternates between Della’s dark ordeals of the 1940s and Paloma and Mick’s present-day search for answers―about roots, family, love, and what is truly important in life.

      The Van Ripper women have been the talk of Tarrytown, New York, for centuries. Some say they’re angels; some say they’re crooks. In their tumbledown “Stitchery,” not far from the stomping grounds of the legendary Headless Horseman, the Van Ripper sisters—Aubrey, Bitty, and Meggie—are said to knit people’s most ardent wishes into beautiful scarves and mittens, granting them health, success, or even a blossoming romance. But for the magic to work, sacrifices must be made—and no one knows that better than the Van Rippers.   When the Stitchery matriarch, Mariah, dies, she leaves the yarn shop to her three nieces. Aubrey, shy and reliable, has dedicated her life to weaving spells for the community, though her sisters have long stayed away. Bitty, pragmatic and persistent, has always been skeptical of magic and wants her children to have a normal, nonmagical life. Meggie, restless and free-spirited, follows her own set of rules. Now, after Mariah’s death forces a reunion, the sisters must reassess the state of their lives even as they decide the fate of the Stitchery. But their relationships with one another—and their beliefs in magic—are put to the test. Will the threads hold?  Includes an exclusive conversation between Sarah Addison Allen and Lisa Van Allen  Look for special features inside. Join the Random House Reader’s Circle for author chats and more.From the Trade Paperback edition.