The art history professor crafts jewelry as unique and weathered as the surf-tumbled sea glass she collects, while raising her daughter in a safe and loving environment—something Molly never had. But when Cassie is plagued by horrific visions and debilitating nightmares, Molly is forced to return to the one place she swore she’d never move back to—home to Pacific Grove.A riveting exploration of love, secrets, and motherhood, All the Breaking Waves is the poignant story of a woman who discovers she must confront her past, let go of her guilt, and summon everything in her power to save her daughter.

    She still loves her husband, Neal, and Neal still loves her, deeply — but that almost seems beside the point now.Maybe that was always beside the point.Two days before they’re supposed to visit Neal’s family in Omaha for Christmas, Georgie tells Neal that she can’t go. She’s a TV writer, and something’s come up on her show; she has to stay in Los Angeles. She knows that Neal will be upset with her — Neal is always a little upset with Georgie — but she doesn't expect him to pack up the kids and go home without her.When her husband and the kids leave for the airport, Georgie wonders if she’s finally done it. If she’s ruined everything.That night, Georgie discovers a way to communicate with Neal in the past. It’s not time travel, not exactly, but she feels like she’s been given an opportunity to fix her marriage before it starts...Is that what she’s supposed to do?Or would Georgie and Neal be better off if their marriage never happened?

    She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover the truth behind her identity. Dazzled by his love for her, and desperate for the scoop of a lifetime, Walser has no choice but to join the circus on its magical tour through turn-of-the-nineteenth-century London, St Petersburg and Siberia.

    Now it’s time for Harry to learn to let go…Thirty-four-year-old Harry Crane, lifelong lover of trees, works as an analyst in a treeless US Forest Service office. When his wife dies in a freak accident, devastated, he makes his way to the remote woods of northeastern Pennsylvania’s Endless Mountains, intent on losing himself. But fate intervenes in the form of a fiercely determined young girl named Oriana. She, too, has lost someone—her father. And in the magical, willful world of her reckoning, Oriana believes that Harry is the key to finding her way back to him. As Harry agrees to help the young girl, the unlikeliest of elements—a tree house, a Wolf, a small-town librarian and a book called The Grum’s Ledger—come together to create the biggest sensation ever to descend upon the Endless Mountains…a golden adventure that will fulfill Oriana’s wildest dreams and open the door to a new life for Harry.Harry’s Trees is an uplifting tale about love, loss, friendship, and redemption. Fans of Fredrik Backman’s A Man Called Ove and Gabrielle Zevin’s The Storied Life of A.J. Fikry will find in its relentless good humor a much-needed remedy for these fraught times

    When a shiver of sharks appears in the water, everyone fears for the worst. But instead, Noa is gingerly delivered to his mother in the jaws of a shark, marking his story as the stuff of legends.Nainoa's family, struggling amidst the collapse of the sugarcane industry, hails his rescue as a sign of favor from ancient Hawaiian gods - a belief that appears validated after he exhibits puzzling new abilities. But as time passes, this supposed divine favor begins to drive the family apart: Nainoa, working now as a paramedic on the streets of Portland, struggles to fathom the full measure of his expanding abilities; further north in Washington, his older brother Dean hurtles into the world of elite college athletics, obsessed with wealth and fame; while in California, risk-obsessed younger sister Kaui navigates an unforgiving academic workload in an attempt to forge her independence from the family's legacy.When supernatural events revisit the Flores family in Hawaii - with tragic consequences - they are all forced to reckon with the bonds of family, the meaning of heritage, and the cost of survival.One of Barack Obama's Favorite Books of 2020. Named one of the Best Books of 2020 by the New York Times (#30), the Guardian, the Boston Globe, Oprah Magazine, Kirkus Reviews, BBC Culture, Good Housekeeping, LitHub, Spectrum Culture, Third Place Books, and Powell's Books.

      The Van Ripper women have been the talk of Tarrytown, New York, for centuries. Some say they’re angels; some say they’re crooks. In their tumbledown “Stitchery,” not far from the stomping grounds of the legendary Headless Horseman, the Van Ripper sisters—Aubrey, Bitty, and Meggie—are said to knit people’s most ardent wishes into beautiful scarves and mittens, granting them health, success, or even a blossoming romance. But for the magic to work, sacrifices must be made—and no one knows that better than the Van Rippers.   When the Stitchery matriarch, Mariah, dies, she leaves the yarn shop to her three nieces. Aubrey, shy and reliable, has dedicated her life to weaving spells for the community, though her sisters have long stayed away. Bitty, pragmatic and persistent, has always been skeptical of magic and wants her children to have a normal, nonmagical life. Meggie, restless and free-spirited, follows her own set of rules. Now, after Mariah’s death forces a reunion, the sisters must reassess the state of their lives even as they decide the fate of the Stitchery. But their relationships with one another—and their beliefs in magic—are put to the test. Will the threads hold?  Includes an exclusive conversation between Sarah Addison Allen and Lisa Van Allen  Look for special features inside. Join the Random House Reader’s Circle for author chats and more.From the Trade Paperback edition.

    As an attractive girl, she soon catches the eye of the Prince of Wales and she in turn is captivated by his glamour and intensity.But careless talk causes trouble and soon Maria’s life takes a far darker turn. Disbelieved and dismissed she is thrown into a mental asylum, shut away from the real world with only her needlework for company.Can a beautiful quilt, discovered many years later, reveal the truth behind what happened to Maria?

    I was born part precious metal, part pirate."), an orphaned girl who is taken in by blind Mr. Pew, the mysterious and miraculously old keeper of a lighthouse on the Scottish coast. Pew tells Silver stories of Babel Dark, a nineteenth-century clergyman. Dark lived two lives: a public one mired in darkness and deceit and a private one bathed in the light of passionate love. For Silver, Dark's life becomes a map through her own darkness, into her own story, and, finally, into love.One of the most original and extraordinary writers of her generation, Jeanette Winterson has created a modern fable about the transformative power of storytelling.

    On a summer evening in 1931, Lilly Blackwood glimpses circus lights from the grimy window of her attic bedroom. Lilly isn't allowed to explore the meadows around Blackwood Manor. She's never even ventured beyond her narrow room. Momma insists it's for Lilly's own protection, that people would be afraid if they saw her. But on this unforgettable night, Lilly is taken outside for the first time--and sold to the circus sideshow. More than two decades later, nineteen-year-old Julia Blackwood has inherited her parents' estate and horse farm. For Julia, home was an unhappy place full of strict rules and forbidden rooms, and she hopes that returning might erase those painful memories. Instead, she becomes immersed in a mystery involving a hidden attic room and photos of circus scenes featuring a striking young girl. At first, The Barlow Brothers' Circus is just another prison for Lilly. But in this rag-tag, sometimes brutal world, Lilly discovers strength, friendship, and a rare affinity for animals. Soon, thanks to elephants Pepper and JoJo and their handler, Cole, Lilly is no longer a sideshow spectacle but the circus's biggest attraction. . .until tragedy and cruelty collide. It will fall to Julia to learn the truth about Lilly's fate and her family's shocking betrayal, and find a way to make Blackwood Manor into a place of healing at last. Moving between Julia and Lilly's stories, Ellen Marie Wiseman portrays two extraordinary, very different women in a novel that, while tender and heartbreaking, offers moments of joy and indomitable hope.

    . . Two years have done little to ease veterinarian Audra Hughes's grief over her husband's untimely death. Eager for a fresh start, Audra plans to leave Portland for a new job in Philadelphia. Her seven-year-old son, Jack, seems apprehensive about flying--but it's just the beginning of an anxiety that grows to consume him.As Jack's fears continue to surface in recurring and violent nightmares, Audra hardly recognizes the introverted boy he has become. Desperate, she traces snippets of information unearthed in Jack's dreams, leading her to Sean Malloy, a struggling US Army veteran wounded in Afghanistan. Together they unravel a mystery dating back to World War II, and uncover old family secrets that still have the strength to wound--and perhaps, at last, to heal.Intricate and beautifully written, The Pieces We Keep illuminates those moments when life asks us to reach beyond what we know and embrace what was once unthinkable. Deftly weaving together past and present, herein lies a story that is at once poignant and thought-provoking, and as unpredictable as the human heart. "An expertly woven and richly satisfying work of historical fiction that will touch any reader who has experienced love, loss, tragedy, or the impact of family secrets." --The Boston Globe

    Emerging from London’s psychedelic scene in 1967 and fronted by folk singer Elf Holloway, guitar demigod Jasper de Zoet, and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief, blazing journey from the clubs of Soho and drafty ballrooms to Top of the Pops and the cusp of chart success, and on to glory in Amsterdam, prison in Rome, and a fateful American fortnight in the autumn of 1968.David Mitchell’s captivating new novel tells the unexpurgated story of Utopia Avenue; of riots in the streets and revolutions in the head; of drugs, thugs, madness, love, sex, death, art; of the families we choose and the ones we don’t; of fame’s Faustian pact and stardom’s wobbly ladder. Can we change the world in turbulent times, or does the world change us?

    This vivid portrayal of the universal search for love brings with it a darker tale, heartbreaking in its poignancy.

    . .Barbara Parker is Miss Blackpool of 1964, but she doesn't want to be a beauty queen. She wants to make people laugh.So she leaves her hometown behind, takes herself to London, and overnight she becomes the lead in a new BBC comedy, Sophie Straw: charming, gorgeous, destined to win the nation's hearts.

    Hopscotch is the dazzling, freewheeling account of Oliveira's astonishing adventures.The book is highly influenced by Henry Miller’s reckless and relentless search for truth in post-decadent Paris and Daisetz Teitaro Suzuki’s modal teachings on Zen Buddhism.Cortázar's employment of interior monologue, punning, slang, and his use of different languages is reminiscent of Modernist writers like Joyce, although his main influences were Surrealism and the French New Novel, as well as the "riffing" aesthetic of jazz and New Wave Cinema.In 1966, Gregory Rabassa won the first National Book Award to recognize the work of a translator, for his English-language edition of Hopscotch. Julio Cortázar was so pleased with Rabassa's translation of Hopscotch that he recommended the translator to Gabriel García Márquez when García Márquez was looking for someone to translate his novel One Hundred Years of Solitude into English. "Rabassa's One Hundred Years of Solitude improved the original," according to García Márquez.

    Years after Patrick’s death, ninety-year-old Emma still has the painting hanging over her bed at their country home as a testament to their love.To Emma’s granddaughter, Laura, the portrait is also a symbol of so much to come. The masterpiece is serving as collateral to pay Laura’s tuition at a prestigious music school. Then the impossible happens when an appraiser claims the painting is a fraud. For Laura, the accusation jeopardizes her future. For Emma, it casts doubt on everything she believed about her relationship with Patrick. Laura is determined to prove that Patrick did indeed paint the portrait. Both her grandmother’s and Patrick’s legacies are worth fighting for.As the stories of two women entwine, it’s time for Emma to summon up the past—even at the risk of revealing its unspoken secrets.