Feeling terribly alone and afraid, she finds comfort in the company of a strange woman she knows only as "Miss Froy." But comfort soon turns to horror when Miss Froy mysteriously vanishes without a trace. Fearing madness, risking death, Iris desperately tries to solve the sudden disappearance of her traveling companion-a woman no one else on the journey remembers seeing at all!

    He's not one to pass up a drink - or too many - and he prides himself on being stylishly dressed for whatever occasion may present itself, no matter how debauched. Don't miss this brilliant mixture of comedy, crime, and suspense.

    Because once you hand over your life to the dice, anything can happen. Entertaining, humorous, scary, shocking, subversive, The Dice Man is one of the cult bestsellers of our time.

    from the French "D'entre les Morts" by Geoffrey Sainsbury. First published as "The Living and the Dead" in Great Britain in 1956.

    A tour de force of menace, malicious comedy, and torrential social bile, this book marks the American debut of an extraordinary writer.

    Ahead of him at the Polytechnic stretch years of trying to thump literature into the heads of plasterers, joiners, butchers and the like. And things are no better at home where his massive wife, Eva, is given to boundless and unpredictable fits of enthusiasm -for transcendental meditation, yoga or the trampoline. But if Wilt can do nothing about his job, he can do something about his wife, in imagination at least, and his fantasies grow daily more murderous and more concrete. After a peculiarly nasty experience at a party thrown by particularly nasty Americans, Wilt finds himself in several embarrassing positions: Eva stalks out in stratospheric dudgeon, and Wilt, under the inspiration of gin, puts one of his more vindictive fantasies into effect. But suspicions are instantly aroused and Wilt rapidly achieves an unenviable notoriety in the role of The Man Helping Police With Their Enquiries. Or is he exactly helping? Wilt's problem -although he's on the other side of the fence -is the same as Inspector Flint's: where is Eva Wilt? But Wilt begins to flourish in the heat of the investigation, and as the police stoke the flames of circumstantial evidence, Wilt deploys all his powers to show that the Law can't tell a Missing Person from a hole in the ground.

    K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.

    It is a farcical, eccentric and brilliantly written piece of work.

    She had been sitting quietly in a crowded Athens cafe writing to her friend Elizabeth in England, "Nothing ever happens to me..."Then, without warning, a stranger approached, thrust a set of car keys at her and pointed to a huge black touring car parked at the curb. "The car for Delphi, mademoiselle... A matter of life and death," he whispered and disappeared.From that moment Camilla's life suddenly begins to take off when she sets out on a mysterious car journey to Delphi in the company of a charming but quietly determined Englishman named Simon Lester. Simon told Camilla he had come to the ancient Greek ruins to "appease the shade” of his brother Michael, killed some fourteen years earlier on Parnassus. From a curious letter Michael had written, Simon believed his brother had stumbled upon something of great importance hidden in the craggy reaches of the mountainside. And then Simon and Camilla learned that they were not alone in their search...The ride was Camilla's first mistake... or perhaps she had unintentionally invoked the gods. She finds herself in the midst of an exciting, intriguing, yet dangerous adventure. An extraordinary train of events turned on a nightmare of intrigue and terror beyond her wildest daydreams.

    His name represents steamy, suspenseful fiction, chilling encounters on the dark and sultry landscape of urban America in the 1930s and 1940s. Here, in this special collection, are his classic thrilers, including 'Rear Window', the story of Hal Jeffries who, trapped in his apartment because of a broken leg, takes to watching his neighbours through his rear window, and becomes certain that one of those neighbours is a murderer. Also included are such haunting, heart-stopping tales as those involving a man who finds his wife buried alive; a girl trapped with a deranged murderer who likes to knife his victims while dancing; and a woman seizing her chance to escape a sadistic husband, only to find her dream go terrifyingly wrong.Rear window --I won't take a minute --Speak to me of death --The dancing detective --The light in the window --The corpse next door --You'll never see me again --The screaming laugh --Dead on her feet --Waltz --The book that squealed --Death escapes the eye --For the rest of her life

    His cold-blooded killing of a European Minister of War is an act of violence with chilling repercussions, not just for Raven himself but for the nation as a whole. The money he receives in payment for the murder is made up of stolen notes and when the first of these is traced, Raven becomes a man on the run. As he tracks down the agent who has been double-crossing him and attempts to elude the police, he becomes both hunter and hunted: an unwitting weapon of a strange kind of social justice. In doing so, he sets the stage for Greene’s next novel, Brighton Rock. This Penguin Classics edition features an introduction by Samuel Hynes.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Bored, lonely and used to getting her way, she enters a local baking contest: Surely a blue ribbon for the best quiche will make her the toast of the town. But her recipe for social advancement sours when Judge Cummings-Browne not only snubs her entry--but falls over dead! After her quiche's secret ingredient turns out to be poison, she must reveal the unsavory truth…Agatha has never baked a thing in her life! In fact, she bought her entry ready-made from an upper crust London quicherie. Grating on the nerves of several Carsely residents, she is soon receiving sinister notes. Has her cheating and meddling landed her in hot water, or are the threats related to the suspicious death? It may mean the difference between egg on her face and a coroner's tag on her toe…

    However, when questioned, Romaine informs the police that Vole returned home late that night covered in blood. During the trial, Ms. French's housekeeper, Janet, gives damning evidence against Vole and, as Romaine's cross-examination begins, her motives come under scrutiny in the courtroom. One question remains, will justice prevail?Librarian's note #1: this is the original short story. It was published in the print anthologies "The Witness for The Prosecution and Other Stories," and "The Hound of Death and Other Stories." It first appeared in "Flynn's Weekly" under the title of "Traitor Hands" in 1925. The author adapted it into a play in 1953 with additional material following the original ending, which became the basis for the 1957 film of the same name with Charles Laughton and Marlene Dietrich.

    Although he would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life. But when he opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. He and Misha have been drawn into a trap from which there appears to be no escape.

    The story of John Self and his insatiable appetite for money, alcohol, fast food, drugs, pornography, and more, Money is ceaselessly inventive and thrillingly savage; a tale of life lived without restraint, of money and the disasters it can precipitate.