Charles I of England was a Protestant, the fifteen-year-old French princess a Catholic. The marriage was arranged for political purposes, and it seemed a mismatch of personalities. But against the odds, the reserved king and his naively vivacious bride fell passionately in love, and for ten years England enjoyed an era of peace and prosperity. When Charles became involved in war with Puritan Scotland, popular hatred of Henrietta's Catholicism roused Parliament to fury. As the opposition party embraced new values of liberty and republicanism”the blueprint for the American War of Independence and the French Revolution”Charles's fears for his wifes safety drove him into a civil war that would cost him his crown and his head. Rejecting centuries of hostile historical tradition, prize-winning biographer Katie Whitaker uses a host of original sources”including many unpublished manuscripts and letters ”to create an intimate portrait of a remarkable marriage. 16 pages of illustrations

    She re-creates his unhappy youth; his reforming zeal, which paved the way for a united Germany; and his spectacular wars.

    Mary Boleyn, 'the infamous other Boleyn girl', began her court career as the mistress of the king of France. Francois I of France would later call her 'The Great Prostitute' and the slur stuck. The bete-noir of her family, Mary was married her off to a minor courtier but it was not long before she caught the eye of Henry VIII and a new affair began. Although a bright star at Henry's court, she was soon eclipsed by her highly spirited and more accomplished sister, Anne, who rapidly took her place in the king's heart. However, the ups and downs of the Boleyn sisters were far from over. Mary would emerge the sole survivor of a family torn apart by lust and ambition, and it is in Mary and her progeny that the Boleyn legacy rests.

    The two shots that rang out at Mayerling in the Vienna Woods echo still.Frederic Morton, author of the bestselling Rothschilds, deftly tells the haunting story of the Prince and his city, where, in the span of only ten months, "the Western dream started to go wrong." In Rudolf's Vienna moved other young men with striking intellectual and artistic talents—and all as frustrated as the Prince. Among them were: young Sigmund Freud, Gustav Mahler, Theodor Herzl, Gustav Klimt, and the playwright Arthur Schnitzler, whose La Ronde was the great erotic drama of the fin de siecle. Morton studies these and other gifted young men, interweaving their fates with that of the doomed Prince and the entire city through to the eve of Easter, just after Rudolf's body is lowered into its permanent sarcophagus and a son named Adolf Hitler is born to Frau Klara Hitler.

    Its very name conjures up awe-inspiring images of an age of lofty ideals in which life imitated the fantastic artworks for which it has become famous. But behind the vast explosion of new art and culture lurked a seamy, vicious world of power politics, perversity, and corruption that has more in common with the present day than anyone dares to admit.     In this lively and meticulously researched portrait, Renaissance scholar Alexander Lee illuminates the dark and titillating contradictions that were hidden beneath the surface of the period’s best-known artworks. Rife with tales of scheming bankers, greedy politicians, sex-crazed priests, bloody rivalries, vicious intolerance, rampant disease, and lives of extravagance and excess, this gripping exploration of the underbelly of Renaissance Italy shows that, far from being the product of high-minded ideals, the sublime monuments of the Renaissance were created by flawed and tormented artists who lived in an ever-expanding world of inequality, dark sexuality, bigotry, and hatred.     The Ugly Renaissance is a delightfully debauched journey through the surprising contradictions of Italy’s past and shows that were it not for the profusion of depravity and degradation, history’s greatest masterpieces might never have come into being.

    Elegant palaces, dazzling power plays, shimmering jewels, and the grandest of all-or-nothing gambles--nothing can top real-life love among the royalty. Louis XIV defied God and law, permitting his married mistress Madame de Montespan to usurp the role of Queen of France, then secretly wed her successor, Madame de Maintenon. Grigory Potemkin was a worthy equal in Catherine the Great’s bed as well as in Russia’s political arena. Dashing Count Axel von Fersen risked everything to save Marie Antoinette’s life more than once—and may have returned her passion. The unshakable devotion of the beloved late “Queen Mum” helped King George VI triumph over his, and England’s, darkest hours. And the unpretentious, timelessly glamorous—even relatable—union of Prince William and the former Kate Middleton continues to enthrall the world. Full of marvelous tales, unforgettable scandals, and bedazzled nobles who refused to rule their hearts, this delightfully insightful book is what the sweetest royal dreams are made of...

    

      Liberty and equality. Human rights. Freedom of thought and expression. Belief in reason and progress. The value of scientific inquiry. These are just some of the ideas that were conceived and developed during the Enlightenment, and which changed forever the intellectual landscape of the Western world. Spanning hundreds of years of history, Anthony Pagden traces the origins of this seminal movement, showing how Enlightenment concepts directly influenced modern culture, making possible a secular, tolerant, and, above all, cosmopolitan world.   Everyone can agree on its impact. But in the end, just what was Enlightenment? A cohesive philosophical project? A discrete time period in the life of the mind when the superstitions of the past were overthrown and reason and equality came to the fore? Or an open-ended intellectual process, a way of looking at the world and the human condition, that continued long after the eighteenth century ended? To address these questions, Pagden introduces us to some of the unforgettable characters who defined the Enlightenment, including David Hume, the Scottish skeptic who advanced the idea of a universal “science of man”; François-Marie Arouet, better known to the world as Voltaire, the acerbic novelist and social critic who challenged the authority of the Catholic Church; and Immanuel Kant, the reclusive German philosopher for whom the triumph of a cosmopolitan world represented the final stage in mankind’s evolution. Comprehensive in his analysis of this heterogeneous group of scholars and their lasting impact on the world, Pagden argues that Enlightenment ideas go beyond the “empire of reason” to involve the full recognition of the emotional ties that bind all human beings together. The “human science” developed by these eminent thinkers led to a universalizing vision of humanity, a bid to dissolve the barriers past generations had attempted to erect between the different cultures of the world.   A clear and compelling explanation of the philosophical underpinnings of the modern world, The Enlightenment is a scintillating portrait of a period, a critical moment in history, and a revolution in thought that continues to this day.Praise for Anthony Pagden’s Worlds at War, winner of the Washington Institute Book Prize   “Bold, panoramic and highly readable, at times a page-turner.”—The New York Times Book Review  “A masterpiece of stunning scope, readability, and relevance. Worlds at War makes epic battles of the past come alive as illuminations of what is happening today in Iraq, Iran, and Afghanistan.”—Strobe Talbott, author of The Great Experiment   “A grand synthesis of military and intellectual history, political philosophy and theology, Worlds at War delivers the old-fashioned pleasures of vivid prose and lively narration.”—Newsday   “Absorbing . . . Pagden writes smart, fluent, lively prose. His book is a pleasure to read.”—The Houston Chronicle  “Timely and provocative . . . enlightening.”—The Plain DealerFrom the Hardcover edition.

    A central figure of the Renaissance, no one had painted or drawn the world like him. Dürer drew hares and rhinoceroses in the way he painted saints and madonnas. The wing of a bird or the wing of an angel; a spider crab or a bursting star like the augury of a black hole, in Dürer's art, they were part of a connected world. Everything had meaning. But now he was in crisis. He had lost his patron, the Holy Roman Emperor. He was moorless and filled with wanderlust. In the shape of the whale, he saw his final ambition. Dürer was the first artist to truly employ the power of reproduction. He reinvented the way people looked at, and understood, art. He painted signs and wonders; comets, devils, horses, nudes, dogs, and blades of grass so accurately that even today they seem hyper-real, utterly modern images. Most startling and most modern of all, he painted himself, at every stage of his life. But his art captured more than the physical world, he also captured states of mind. Albert and the Whale explores the work of this remarkable man through a personal lens. Drawing on Philip’s experience of the natural world, and of the elements that shape our contemporary lives, from suburbia to the wide open sea, Philip will enter Dürer's time machine. Seeking his own Leviathan, Hoare help us better understand the interplay between art and our world in this sublimely seductive book.

    In 1941, Marie Jalowicz Simon, a nineteen-year-old Berliner, made an extraordinary decision. All around her, Jews were being rounded up for deportation, forced labor, and extermination. Marie took off her yellow star, turned her back on the Jewish community, and vanished into the city.In the years that followed, Marie lived under an assumed identity, forced to accept shelter wherever she found it. Always on the run, never certain whom she could trust, Marie moved between almost twenty different safe-houses, living with foreign workers, staunch communists, and even committed Nazis. Only her quick-witted determination and the most hair-raising strokes of luck allowed her to survive.