K. Rowling's work from a broad range of perspectives within literature, folklore, psychology, sociology, and popular culture. A significant portion of the book explores the Harry Potter series' literary ancestors, including magic and fantasy works by Ursula K. LeGuin, Monica Furlong, Jill Murphy, and others, as well as previous works about the British boarding school experience. Other chapters explore the moral and ethical dimensions of Harry's world, including objections to the series raised within some religious circles. In her new epilogue, Lana A. Whited brings this volume up to date by covering Rowling's latest book, Harry Potter and the Order of the Phoenix.

    Rowling in her 2008 Harvard commencement speech, sum up both the Harry Potter series and Travis Prinzi's analysis of the best-selling books in Harry Potter & Imagination: The Way Between Two Worlds. Great imaginative literature places the readers between two worlds - the story world and the world of daily life - and challenges readers to imagine and to act for a better world. Starting with Harry Potter's great themes, Harry Potter & Imagination takes readers on a journey through the transformative power of those themes for both the individual and for culture by placing Rowling's series in its literary, historical, and cultural contexts. Prinzi explores how fairy stories in general, and Harry Potter in specific, are not merely tales that are read to "escape from the real world," but stories with the power to transform by teaching us to imagine better. . - .[Endorsement]: . - . "Harry Potter & Imagination offers a challenging and rewarding tour of the inspirations for and meanings behind J.K. Rowling's lauded series. Travis Prinzi ably explores how the Harry Potter books satisfy fundamental human yearnings, utilize mythological archetypes, and embody their author's social vision. From Arthurian romance and Lovecraftian horror to postmodernism and political theory, Prinzi provides new insights into the Harry Potter phenomenon. Harry Potter & Imagination will not only fascinate and entertain readers, but will also convince them that fairy tales matter." [Dr. Amy H. Sturgis, editor of Past Watchful Dragons] - . - [Endorsement]: . - . "There is no more insightful commenter on the Harry Potter novels than Travis Prinzi - and Harry Potter & Imagination is an ideal showcase for his original thinking and lucid writing. This trail-blazing guidebook into the world of Harry Potter - showing the imaginative way between two worlds - is a must read." [John Granger, author of The Deathly Hallows Lectures and other books]

    James W. Thomas takes us on a tour through the Potter books in order to enjoy them in different ways upon subsequent readings. Re-readers will be pleasantly surprised at what they may have missed in the books and at what secrets Rowling has hidden for us to uncover as we revisit these stories. The professor's informal and often lighthearted discussions focus on puns, humor, foreshadowing, literary allusions, narrative techniques, and other aspects of the Potter books that are hard-to-see on the hurried first or fifth reading. Dr. Thomas's brilliant but light touch proves that a "serious" reading of literature can be fun. "What do you read after HARRY POTTER? Finally, there's a satisfying answer - you read REPOTTING HARRY POTTER for a whole new depth of appreciation and enjoyment. This book allows anyone intimidated by literature classes to sneak a seat in a class with one of those professors every student loves. You'll come away with a new depth of knowledge of Rowling's epic but also with a list of related literature you will want to read; great insights for aspiring writers too." Connie Neal, author of THE GOSPEL ACCORDING TO HARRY POTTER

    K. Rowling achieved astounding commercial success with her series of novels about Harry Potter, the boy-wizard who finds out about his magical powers on the morning of his eleventh birthday. The books' incredible popularity, and the subsequent likelihood that they are among this generation's most formative narratives, call for critical exploration and study to interpret the works' inherent tropes and themes. The essays in this collection assume that Rowling's works should not be relegated to the categories of pulp fiction or children's trends, which would deny their certain influence on the intellectual, emotional, and psychosocial development of today's children. The variety of contributions allows for a range of approaches and interpretive methods in exploring the novels, and reveals the deeper meanings and attitudes towards justice, education, race, foreign cultures, socioeconomic class, and gender.Following an introductory discussion of the Harry Potter phenomenon are essays considering the psychological and social-developmental experiences of children as mirrored in Rowling's novels. Next, the works' literary and historical contexts are examined, including the European fairy tale tradition, the British abolitionist movement, and the public-school story genre. A third section focuses on the social values underlying the Potter series and on issues such as morality, the rule of law, and constructions of bravery.

    Drawing from diverse spiritual and scholarly sources, this guide provides layers of meaning and symbolism we encounter in all seven of the novels.

    Millions of children grew up immersed in the world of the boy wizard—reading the books, dressing up in costume to attend midnight book release parties, watching the movies, even creating and competing in Quidditch tournaments. Beyond what we know of the popularity of the series, however, nothing has been published on the question of the Harry Potter effect on the politics of its young readers—now voting adults.Looking to engage his students in exploring the connections between political opinion and popular culture, Anthony Gierzynski conducted a national survey of more than 1,100 college students. Harry Potter and the Millennials tells the fascinating story of how the team designed the study and gathered results, what conclusions can and cannot be drawn about Millennial politics, and the challenges social scientists face in studying political science, sociology, and mass communication.

    Now, the experts at MuggleNet.com argue passionately about what really happened and what should have happened.•Would the series be stronger if Harry hadn’t survived?•Should we pity Voldemort or hate him?•Is Severus Snape really a hero?•Should J.K. Rowling have left Dumbledore’s gay sexual orientation a secret?•Did Harry actually die in Deathly Hallows?•Were the Slytherins too demonized, the Hufflepuffs too lame, and the Gryffindors too glorified?•Should J.K.R. write more Harry Potter novels or go out on top?

    Low road critics have pawned the bestselling novels as "the literary equivalent of fast food" and as a gateway to the occult. But no one has explained the worldwide popularity of Ms. Rowling's fiction or read it as one would read Tolkien, Hemingway, or Shakespeare. The Hidden Key takes the high road to understanding Harry Potter's success, through an exploration of the series' structure, themes, and symbolism. The astonishing conclusion of this investigation is that Ms. Rowling, demonized by some Christian critics because of the magical setting of her books, is ironically writing the most charming and challenging Christian fiction for children since Lewis' Chronicles of Narnia. The Hidden Key demonstrates that all the Potter books teach Christian doctrines- sometimes with subtlety, often baldly- in their plot, imagery and character development. Lambasted by critics who have not read her books closely or are unfamiliar with traditional Christian literature, Ms. Rowling's genius has been overlooked despite her books' success. A lover and teacher of the Great Books- including the great books he reads his seven children- Mr. Granger applies his knowledge of classical philosophy and Christian traditions to reveal the secret message that explains the magic power of Harry Potter.Find out these secrets inside:What is the hidden key to Harry Potter?Is Harry's magic dangerous- or quite the opposite?What is the evidence that Rowling is a Christian novelist?Is the author an "Inkling"? How have we been so bamboozled?Who is the real-world model for Gilderoy Lockhart?Who is Harry, really? Why does Lord Voldemort want him dead?Will Wormtail kill Voldemort as Wormtongue killed Saruman? What may happen in the upcoming Potter books?How does it all end?- an unauthorized prediction.

    There’s a famous piece of writing advice—offered by Ernest Hemingway, Stephen King, and myriad writers in between—not to use -ly adverbs like “quickly” or “fitfully.” It sounds like solid advice, but can we actually test it? If we were to count all the -ly adverbs these authors used in their careers, do they follow their own advice compared to other celebrated authors? What’s more, do great books in general—the classics and the bestsellers—share this trait?In Nabokov’s Favorite Word Is Mauve, statistician and journalist Ben Blatt brings big data to the literary canon, exploring the wealth of fun findings that remain hidden in the works of the world’s greatest writers. He assembles a database of thousands of books and hundreds of millions of words, and starts asking the questions that have intrigued curious word nerds and book lovers for generations: What are our favorite authors’ favorite words? Do men and women write differently? Are bestsellers getting dumber over time? Which bestselling writer uses the most clichés? What makes a great opening sentence? How can we judge a book by its cover? And which writerly advice is worth following or ignoring?

    With loads of quotes from interviews, you'll learn all about J. K. Rowling's life and her literary influences. Chapters on the spirituality of Potter explore the question of how Rowling's faith is reflected in the stories, what she believes about witchcraft and how the stories fit with Christian tradition. (Note: unauthorized version)

    K. Rowling's fictional universe--Provided by publisher.

    Lewis' The Chronicles of Narnia. Enchanted by its fantastic world as a child, prominent critic Laura Miller returns to the series as an adult to uncover the source of these small books' mysterious power by looking at their creator, Clive Staples Lewis. What she discovers is not the familiar, idealized image of the author, but a more interesting and ambiguous truth: Lewis's tragic and troubled childhood, his unconventional love life, and his intense but ultimately doomed friendship with J.R.R. Tolkien.Finally reclaiming Narnia "for the rest of us," Miller casts the Chronicles as a profoundly literary creation, and the portal to a life-long adventure in books, art, and the imagination.

    Lewis's classic analysis springs from the conviction that literature exists for the joy of the reader and that books should be judged by the kind of reading they invite. Crucial to his notion of judging literature is a commitment to laying aside expectations and values extraneous to the work, in order to approach it with an open mind.

    Alter takes the old yet simple step of reading the Bible as a literary creation.

    are in fact narratives of robust faith and morality ...“What Ms. Rowling has furnished us, besides what the Brits call ‘a good read,’ and a whopping good one, ... is a modern interpretation of the gospel, the wonderful news that ‘God was in Christ, reconciling the world to himself’ and making sure that the goodness of creation would never be obliterated by the forces of darkness and evil.”Since their first publication, J. K. Rowling’s Harry Potter novels have brought joy to children and adults alike. Many conservative Christians in the United States, however, have decried the books as wicked, as preaching witchcraft and the occult, and as glamorizing dishonesty. A minister in New Mexico held a “holy bonfire” on the Sunday after Christmas 2001, at which he publicly torched the Potter books, declaring them “an abomination to God and to me.”John Killinger, a Congregationalist minister and an academic in the field of contemporary literature, beautifully demolishes the objections of right-wing Christians to this bestselling children’s series. He compellingly argues that, far from corrupting children’s morals, the Potter stories actually influence young readers to follow the teachings of Jesus. He cites passage after passage to illustrate how the world of Harry Potter would be inconceivable apart from the strictures of Judeo-Christian theology and the way human existence should be approached by every follower of Jesus. Additionally, he reflects on the possibility that Harry Potter, like Dostoevsky’s Prince Myshkin and others, is a witting or unwitting Christ figure who actually battles the forces of darkness for the souls of the faithful.All through this extraordinarily well-written, compelling, and very entertaining little book, the author points out that stories like this are worth more than any sermon toward producing people who truly follow the lessons of Jesus.