Dick Award finalist* Locus Recommended Reading Here are 33 weird, wonderful stories concerning men, women, teleportation, wind-up cats, and brown paper bags. By turns whimsical and unsettling—frequently managing to be both—these short fictions describe family relationships, bad breakups, and travel to outer space.    Vukcevich's loopy, fun-house mirror take on everyday life belongs to the same absurdist school of work as that of George Saunders, David Sedaris, Ken Kalfus, and Victor Pelevin, although there is no one quite like him. Try one of these stories, it won't take you long, but it will turn your head inside out.Contents:By the Time We Get to Uranus (1998)The Barber's Theme (1995)Beatnicks with Banjoes (2001)Finally Fruit (1997)Pretending (2001)Mom's Little Friends (1992)No Comet (1994)There Is Danger (1993)Pink Smoke (2001)Season Finale (1995)The Sweater (2001)Home Remedy (1996)A Breath-Holding Contest (1991)Fancy Pants (2000)In the Refrigerator (2001)The Perfect Gift (1994)Message in a Fish (2001)Catch (1996)The Finger (1995)Rejoice (1999)My Mustache (1993)We Kill a Bicycle (1995)A Holiday Junket (1998)Giant Step (1994)Quite Contrary (1994)Doing Time (1992)The Next Best Thing (1998)Beastly Heat (1999)Ceremony (1991)Poop (2000)White Guys in Space (1996)Whisper (2001)Meet Me in the Moon Room (1998)

    More than 300,000 listeners tune in to this offering weekly to hear spellbinding tales read aloud by an assortment of terrific actors. By turns funny, moving, romantic, and surreal, each of the tales on this magical lineup is filled with unexpected twists and turns. Stephen Colbert performs Ray Bradbury’s tale about a room that can take one anywhere in the world—sometimes with dangerous consequences. From a romance between a mermaid and an imp to a wonderful ghost story about a trinket with terrible powers, this eclectic collection also features narratives by W. W. Jacobs, Andrew Lam, Saki, and T. C. Boyle as well as performances by John Lithgow, James Naughton, Daniel Gerroll, and René Auberjonois.01 Andrew Lam's "The Palmist", performed by James Naughton02 Ray Bradbury's "The Veldt", performed by Stephen Colbert03 W. W. Jacobs' "The Monkey's Paw", performed by John Lithgow04 Saki's "The Occasional Garden", performed by Daniel Gerroll05 Donald Barthelme's "The Balloon", performed by Maria Tucci06 Kevin Brockmeier's "The Year of Silence", performed by Anthony Rapp07 Jonathan Safran Foer's "The Sixth Borough", performed by Jerry Zaks08 Aimee Bender's "Drunken Mimi", performed by Bernadette Quigley09 Haruki Murakami's "The Little Green Monster", performed by Dana Ivey10 T. C. Boyle's "Swept Away", performed by René Auberjonois

    The essays were written during a difficult time in Twain's life; he was deep in debt and had lost his wife and one of his daughters. The book consists of a series of short stories, many of which deal with God and Christianity. Twain penned a series of letters from the point-of-view of a dejected angel on Earth. This title story consists of letters written by the archangel Satan to archangels, Gabriel and Michael, about his observations on the curious proceedings of earthly life and the nature of man's religions. By analyzing the idea of heaven and God that is widely accepted by those who believe in both, Twain is able to take the silliness that is present and study it with the common sense that is absent. Not so much an attack as much as a cold dissection. Other short stories in the book include a bedtime story about a family of cats Twain wrote for his daughters, and an essay explaining why an anaconda is morally superior to Man. Twain's writings in Letters From the Earth find him at perhaps his most quizzical and questioning state ever.

    A Hollywood icon, Ringwald defined the teenage experience in the eighties in such classic films as Pretty in Pink, The Breakfast Club, and Sixteen Candles. Ringwald brings that same compelling candour she displayed in her film roles to the unforgettable characters she has created in this series of intertwined and linked stories about the particular challenges, joys and disappointments of adult relationships. Her characters grapple with infertility and infidelity, fame and familial discord, in a magnificent debut that will resonate broadly with readers - from fans of Melissa Banks to Meg Wolitzer to Lorrie Moore.

    “As soon as you complete a description of what a good story must be, a new example flutters through an open window, lands on your sleeve, and proves your description wrong,” writes Anthony Doerr about the task of selecting The Best American Short Stories 2019. The year’s best stories are a diverse, addictive group exploring everything from America’s rich rural culture to its online teen culture to the fragile nature of the therapist-client relationship. This astonishing collection brings together the realistic and dystopic, humor and terror. For Doerr, “with every new artist, we simultaneously refine and expand our understanding of what the form can be.”  The Best American Short Stories 2019 includes Nana Kwame Adjei-Brenyah, Jamel Brinkley, Jeffrey Eugenides, Ursula K. Le Guin, Manuel Muñoz, Sigrid Nunez, Saïd Sayrafiezadeh, Jim Shepherd, Weike Wang, and others.

    Now Megan Mayhew Bergman, author of Birds of a Lesser Paradise, resurrects these women, lets them live in the reader's imagination, so we can explore their difficult choices. Nearly every story in this dazzling collection is based on a woman who attained some celebrity—she raced speed boats or was a conjoined twin in show business; a reclusive painter of renown; a member of the first all-female, integrated swing band. We see Lord Byron's illegitimate daughter, Allegra; Oscar Wilde's troubled niece, Dolly; West With the Night author Beryl Markham; Edna St. Vincent Millay's sister, Norma. These extraordinary stories travel the world, explore the past (and delve into the future), and portray fiercely independent women defined by their acts of bravery, creative impulses, and sometimes reckless decisions.The world hasn't always been kind to unusual women, but through Megan Mayhew Bergman's alluring depictions they finally receive the attention they deserve. Almost Famous Women is a gorgeous collection from an "accomplished writer of short fiction" (Booklist).

    In this new Harper Paperback edition, all four shows are compiled into one phenomenally entertaining volume.Mambo Mouth (1991), Leguizamo's first show, was an off Broadway sensation. Leguizamo's portrayal of seven different Latino characters earned him both Obie and Outer Critics Circle awards. His follow up, Spic–O–Rama (1993), a "dysfunctional family comedy," presents 24–hours in the life of one family. It enjoyed a sold–out run in Chicago before relocating to New York where it won its creator a Drama Desk Award. Freak (1998), Leguizamo's Broadway debut, is his own coming–of–age story. A "demi–semi–quasi–pseudo–autobiography," the show was a critical and commercial success and won an Emmy when it was shown on TV. Sexaholix: A Love Story (2001), based on the sold–out national tour of John Leguizamo Live! was nominated for an Outer Critics Circle Award as well as a Tony Award.Alternately hilarious and poignant, always candid and searingly intelligent, The Works of John Leguizamo is a must–have for fans of this inimitable performer.

    Illustrator and writer's Carolyn Marie Castagna's first shared short story.A small icicle hanging from a roof peers inside a window at a small reading room, and learns about magical human qualities, and the importance of the one most special human feeling.

    A free short story taken straight from the pages of THE MONSTER’S CORNER, an all original anthology from some of today’s hottest supernatural writers, featuring stories from the monster’s point of view.SPECIMEN 313 is the story of a meat-eating plant named Max, surviving in the greenhouse with his mad doctor keeper when he gets a new female neighbor.

    As with her acclaimed novels Nobody Is Ever Missing and The Answers, she gives life to a group of subtly complex, instantly memorable characters whose searches for love, struggles with grief, and tentative journeys into the minutiae of the human condition are simultaneously gripping and devastating. The characters in Certain American States are continually coming to terms with their place in the world, and how to adapt to that place, before change inevitably returns. A woman leaves her dead husband’s clothing on the street, only for it to reappear on the body of a stranger; a man reads his ex-wife’s short story and neurotically contemplates whether it is about him; a young woman whose Texan mother insists on moving to New York City with her has her daily attempts to get over a family tragedy interrupted by a mute stranger showing her incoherent messages on his phone. These are stories of breakups, abandonment, and strained family ties; dead brothers and distant surrogate fathers; loneliness, happenstance, starting over, and learning to let go. Lacey’s elegiac and inspired prose is at its full power in this collection, further establishing her as one of the singular literary voices of her generation.

    Ranging from the prophetic to the surreal, these stories demonstrate Stanislaw Lem's vast talent and remarkable ability to blend meaning and magic into a wholly entertaining and captivating work.

    . . A fat little mafioso is going to war--in the clean, well-mannered streets of Minneapolis . . . A Jewish boy watches with wonder the rise and fall of a Hebrew school rebel--and sees the sadness at the heart of his own family. . . . Welcome to the world of Ethan Coen, one half of the filmmaking team that has unleashed a visionary, brutal, and uproarious portrait of America in such screen classics as "Fargo" and "Raising Arizona." Now Ethan Coen translates that vision to the printed page--in fourteen keenly imagined, sharply etched short stories. Blending parody with pathos, making the heinous heartbreaking, Coen demonstrates his unique gift for stunningly inventive narrative, brutal irony, offbeat characters, and crackling dialogue, delivering everything you would expect from such an original imagination.

    Caitlin R. Kiernan has added a new voice to the world of horror and supernatural writing. Her stories consistently make it into The Years Best Fantasy and Horror and The Mammoth Book of Best New Horror. Her writing is unique, thought provoking, and leads you to places that you fear, yet find fascinating.

    It is the finest collection yet from a contemporary master of the form.Beginning with the sudden terror of a family caught up in shocking sectarian violence, and ending with the whiteout of an Iowa blizzard and the fear of losing your way very far from home, this collection is about bonds made and broken, secret and known. In the extraordinary story "Up the Coast," a landscape painter discovers a place that makes her, finally, feel whole, only to have that communion shattered by an arbitrary act of aggression that will resonate throughout her life.Written with effortless skill and empathy, these stories are hauntingly real. MacLaverty's perfect attention to every detail, every nuance of idiom and character, remakes the world for us here on the page.

    They unite into a richly peopled vision of a country that is both a crucible of history and a maze of contemporary confusions. Meet Dr Shah who has never been to India and Mrs Kaminski, on her way to Poland via A meet Holly and Polly who have come to their own Anglo-Irish understanding and Lily Hobbs, married to a shirt; Charlie and Don who have seen the docks turn into Docklands; Mr Wilkinson the weirdo next door; Daisy Baker who is terrified of Yorkshire; and Johnny Dewhurst, stranded on Exmoor. Graham Swift steers us effortlessly from the Civil War to the present day, from world-shaking events to the secret dramas lived out in rooms, workplaces, homes. With his remarkable sense of place, he charts an intimate human geography. In doing so he moves us profoundly, but with a constant eye for comedy. Binding these stories together is Swift's grasp of the universal in the local and his affectionate but unflinching instinct for the story of us all: an evocation of that mysterious body that is a nation, deepened by the palpable sense of our individual bodies finding or losing their way in the nationless territory of birth, growing up, sex, ageing and death.