The Dorfs are "good" Germans, loyal to the new Nazi regime, and their son Erik, a promising lawyer, finds his ambitions realized in the SS at the side of the ruthless Reynard Heydrich. The Weiss family is Jewish, also seemingly "good" Germans, but doomed under the new regime and its determination to exterminate the Jewish population.

    In sixteenth-centruy Venice, celebrated physician Mateo Colombo finds himself behind bars at the behest of the Church authorities. His is a crime of disclosure, heinous and heretical in the Church's eyes, in that his research threatens to subvert the whole secular order of Renaissance society. Like his namesake Christopher Colombus, he has made a discovery of enormous significance for humankind. Whereas Colombus voyaged outward to explore the world and found the Americas, Mateo Colombo looked inward, across the mons veneris, and uncovered the clitoris. Based on historical fact, The Anatomist is an utterly fascinating excursion into Renaissance Italy, as evocative of time and place as the work of Umberto Eco, and reminiscent of the earthy sensuality of Gabriel Garcia Marquez. Perceptive and stirring, it ironically exposes not only the social hypocracies of the day, but also the prejudices and sexual taboos that may still be with us four hundred years later.

    The place is Alexandria, an Egyptian city that once housed the world's greatest library and whose inhabitants are dedicated to knowledge. But for the obsessed characters in this mesmerizing novel, their pursuits lead only to bedrooms in which each seeks to know--and possess--the other. Since its publication in 1957, Justine has inspired an almost religious devotion among readers and critics alike.

    From the master of the novel of international intrigue comes a riveting new book as timely and unsettling as tomorrow's headlines.It is summer 1999 in Russia, a country on the threshold of anarchy.  An interim president sits powerless in Moscow as his nation is wracked by famine and inflation, crime and corruption, and seething hordes of the unemployed roam the streets.For the West, Russia is a basket case.  But for Igor Komarov, one-time army sergeant who has risen to leadership of the right-wing UPF party, the chaos is made to order.  As he waits in the wings for the presidential election of January 2000, his striking voice rings out over the airwaves offering the roiling masses hope at last--not only for law, order, and prosperity, but for restoring the lost greatness of their land.Who is this man with the golden tongue who is so quickly becoming the promise of a Russia reborn?  A document stolen from party headquarters and smuggled to Washington and London sends nightmare chills through those who remember the past, for this Black Manifesto is pure Mein Kampf in a country with frightening parallels to the Germany of the Weimar Republic.Officially the West can do nothing, but in secret a group of elder statesmen sends the only person who can expose the truth about Komarov into the heart of the inferno.  Jason Monk, ex-CIA and "the best damn agent-runner we ever had," had sworn he would never return to Moscow, but one name changes his mind.  Colonel Anatoli Grishin, the KGB officer who tortured and murdered four of Monk's agents after they had been betrayed by Aldrich Ames, is now Komarov's head of security.Monk has a dual mission: to stop Komarov, whatever it takes, and to prepare the way for an icon worthy of the Russian people.  But he has a personal mission as well: to settle the final score with Grishin.  To do this he must stay alive--and the forces allied against him are ruthless, the time frighteningly short....

    In an effort to retrieve his past, he withdraws to the family home somewhere in the hills between Milan and Turin. There, in the sprawling attic, he searches through boxes of old newspapers, comics, records, photo albums, and adolescent diaries. And so Yambo relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Fred Astaire. His memories run wild, and the life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to capture one simple, innocent image: that of his first love. A fascinating, abundant novel-wide-ranging, nostalgic, funny, full of heart-from the incomparable Eco.

    Rami Elhanan is Israeli. They inhabit a world of conflict that colors every aspect of their daily lives, from the roads they are allowed to drive on, to the schools their daughters, Abir and Smadar, each attend, to the checkpoints, both physical and emotional, they must negotiate.Their worlds shift irreparably after ten-year-old Abir is killed by a rubber bullet and thirteen-year-old Smadar becomes the victim of suicide bombers. When Bassam and Rami learn of each other's stories, they recognize the loss that connects them and they attempt to use their grief as a weapon for peace.McCann crafts Apeirogon out of a universe of fictional and nonfictional material. He crosses centuries and continents, stitching together time, art, history, nature, and politics in a tale both heartbreaking and hopeful. Musical, cinematic, muscular, delicate, and soaring, Apeirogon is a novel for our time.

    I do not go out in the fog myself," notes Adam in his diary, adding, "The new creature does. It goes out in all weathers. And talks. It used to be so pleasant and quiet here." Adam has a lot to learn about Eve, and even more from her, as she names the animals, discovers fire, and introduces all manner of innovations to their garden home. Mark Twain's "translation" of the diaries of the first man and woman offers a humorous "he said/she said" narrative of biblical events. The great American storyteller found comfort and inspiration in the company of women, and his irreverent look at conventional religion is also a thoughtful -- and humorous -- argument for gender equality.

    The Ponte di Ghetto Nuovo, the bridge that leads to the ghetto, trembles under the weight of sacks of rotting vegetables, rancid fat, and vermin. Shapeless matter, perhaps animal, floats to the surface of Rio di San Girolamo and hovers on its greasy waters. Through the mist rising from the canal the cries and grunts of foraging pigs echo. Seeping refuse on the streets renders the pavement slick and the walking treacherous.  It was on such a night that the men came for Hannah.—Hannah Levi is known throughout sixteenth-century Venice for her skill in midwifery. When a Christian count appears at Hannah's door in the Jewish ghetto imploring her to attend his labouring wife, who is nearing death, Hannah is forced to make a dangerous decision. Not only is it illegal for Jews to render medical treatment to Christians, it's also punishable by torture and death. Moreover, as her Rabbi angrily points out, if the mother or child should die, the entire ghetto population will be in peril. But Hannah’s compassion for another woman’s misery overrides her concern for self-preservation. The Rabbi once forced her to withhold care from her shunned sister, Jessica, with terrible consequences. Hannah cannot turn away from a labouring woman again. Moreover, she cannot turn down the enormous fee offered by the Conte. Despite the Rabbi’s protests, she knows that this money can release her husband, Isaac, a merchant who was recently taken captive on Malta as a slave. There is nothing Hannah wants more than to see the handsome face of the loving man who married her despite her lack of dowry, and who continues to love her despite her barrenness. She must save Isaac.Meanwhile, far away in Malta, Isaac is worried about Hannah’s safety, having heard tales of the terrifying plague ravaging Venice. But his own life is in terrible danger. He is auctioned as a slave to the head of the local convent, Sister Assunta, who is bent on converting him to Christianity. When he won’t give up his faith, he’s traded to the brutish lout Joseph, who is renowned for working his slaves to death. Isaac soon learns that Joseph is heartsick over a local beauty who won’t give him the time of day. Isaac uses his gifts of literacy and a poetic imagination—not to mention long-pent-up desire—to earn his day-to-day survival by penning love letters on behalf of his captor and a paying illiterate public. Back in Venice, Hannah packs her “"birthing spoons”—secret rudimentary forceps she invented to help with difficult births—and sets off with the Conte and his treacherous brother. Can she save the mother? Can she save the baby, on whose tiny shoulders the Conte’s legacy rests? And can she also save herself, and Isaac, and their own hopes for a future, without endangering the lives of everyone in the ghetto?The Midwife of Venice is a gripping historical page-turner, enthralling readers with its suspenseful action and vivid depiction of life in sixteenth-century Venice. Roberta Rich has created a wonderful heroine in Hannah Levi, a lioness who will fight for the survival of the man she loves, and the women and babies she is duty-bound to protect, carrying with her the best of humanity’s compassion and courage.

     Set in the mythical small city of Sparta, New York, this searing, vividly rendered exploration of the mysterious conjunction of erotic romance and tragic violence in late-twentieth-century America returns to the emotional and geographical terrain of acclaimed author Joyce Carol Oates's previous bestsellers We Were the Mulvaneys and The Gravedigger's Daughter. When a young wife and mother named Zoe Kruller is found brutally murdered, the Sparta police target two primary suspects, her estranged husband, Delray Kruller, and her longtime lover, Eddy Diehl. In turn, the Krullers' son, Aaron, and Eddy Diehl's daughter, Krista, become obsessed with each other, each believing the other's father is guilty. Told in halves in the very different voices of Krista and Aaron, Little Bird of Heaven is a classic Oates novel in which the lyricism of intense sexual love is intertwined with the anguish of loss, and tenderness is barely distinguishable from cruelty. By the novel's end, the fated lovers, meeting again as adults, are at last ready to exorcise the ghosts of the past and come to terms with their legacy of guilt, misplaced love, and redemptive yearning.

    This also happens with couples--indeed, above all with couples, because lovers fear more than anything else "losing sight" of that loved one.With stunning artfulness in expanding and playing variations on the meaningful moment, Milan Kundera has made this situation--and the vague sense of panic it inspires--the very fabric of his novel. Here brevity goes hand in hand with intensity, and a moment of bewilderment marks the start of a labyrinthine journey during which the reader repeatedly crosses the border between the real and the unreal, between what occurs in the world outside, and what the mind creates in its solitude.Of all contemporary writers, only Kundera can transform such a hidden and disconcerting perception into the material for a novel, one of his finest, most painful, and most enlightening. Which, surprisingly, turns out to be a love story.

    With the ethereal tone and aesthetic styling characteristic of Kawabata's prose, The Old Capital tells the story of Chieko, the adopted daughter of a Kyoto kimono designer, Takichiro, and his wife, Shige.Set in the traditional city of Kyoto, Japan, this deeply poetic story revolves around Chieko who becomes bewildered and troubled as she discovers the true facets of her past. With the harmony and time-honored customs of a Japanese backdrop, the story becomes poignant as Chieko’s longing and confusion develops.

    His brothers and their families share in Joseph's prosperity and the farm flourishes - until one brother, scared by Joseph's pagan belief, kills the tree and brings disease and famine on the farm. Set in familiar Steinbeck country, To a God Unknown is a mystical tale, exploring one man's attempt to control the forces of nature and to understand the ways of God.

    The time is World War II. The family is the Macauley's -- a mother, sister, and three brothers whose struggles and dreams reflect those of America's second-generation immigrants.. In particular, fourteen-year-old Homer, determined to become one of the fastest telegraph messengers in the West, finds himself caught between reality and illusion as delivering his messages of wartime death, love, and money brings him face-to-face with human emotion at its most naked and raw. Gentle, poignant and richly autobiographical, this delightful novel shows us the boy becoming the man in a world that even in the midst of war, appears sweeter, safer and more livable than out own.

    But in that dark Depression year, books were hard to sell, and the novel quickly dropped out of sight, as did its twenty-eight-year-old author. Only with its paperback publication in 1964 did the novel receive the recognition it deserves. Call It Sleep was the first paperback ever to be reviewed on the front page of The New York Times Book Review, and it proceeded to sell millions of copies both in the United States and around the world. Call It Sleep is the magnificent story of David Schearl, the “dangerously imaginative” child coming of age in the slums of New York.

    But in Great Britain, it is the real football. No pads, no prayers, no prisoners. And that's before the players even take the field.Nick Hornby has been a football fan since the moment he was conceived. Call it predestiny. Or call it preschool. Fever Pitch is his tribute to a lifelong obsession. Part autobiography, part comedy, part incisive analysis of insanity, Hornby's award-winning memoir captures the fever pitch of fandom — its agony and ecstasy, its community, its defining role in thousands of young mens' coming-of-age stories. Fever Pitch is one for the home team. But above all, it is one for everyone who knows what it really means to have a losing season.