From pronouns to politics to pop culture, people are finally finding a new freedom in the fluidity of identity. Now more than ever, it's important to understand, embrace, and intelligently discuss the many sides of gender.She/He/They/Me is a unique and engagingly creative take on an increasingly complex concept. A nontraditional, nonlinear structure allows readers to choose their own path, from a patriarchal culture to a scenario where sex doesn't even exist, and beyond. This method of individual exploration will help readers gain the understanding and confidence they need to engage in meaningful conversations about gender.

    . . . Using the language of the elemental world, he delineates a complex human intersection and transmutes cruelty into its opposite—a potent, lifegiving remedy.”—Alison Bechdel, author of Fun HomeFirst published in 1999, Exile & Pride established Eli Clare as one of the leading writers on the intersections of queerness and disability. With this critical tenth-anniversary edition, the groundbreaking publication secures its position as essential to the history of queer and disability politics, and, through significant new material that boldly interrogates and advances the original text, to its future as well. Clare’s writing on his experiences as a genderqueer activist/writer with cerebral palsy permanently changed the landscape of disability politics and queer liberation, and yet Exile & Pride is much too great in scope to be defined by even these two issues. Instead it offers an intersectional framework for understanding how our bodies actually experience the politics of oppression, power, and resistance. At the heart of Clare’s exploration of environmental destruction, white working-class identity, queer community, disabled sexuality, childhood sexual abuse, coalition politics, and his own gender transition is a call for social justice movements that are truly accessible for everyone.Blending prose and theory, personal experience and political debate, anger and compassion, Exile & Pride provides a window into a world where our whole selves in all their complexity can be loved and accepted.An award-winning poet and essayist, Eli Clare is also the author of The Marrow’s Telling.

    Brodell offers a series of twenty-eight portraits of forgotten but heroic figures, each accompanied by a brief biographical note. They are individuals whose gender presentation was more masculine than feminine, who did not want to enter into heterosexual marriage, and who often faced dire punishment for being themselves.Brodell's detailed and witty paintings are modeled on Catholic holy cards, slyly subverting a religious template. The portraits and the texts offer intriguing hints of lost lives: cats lounge in the background of domestic settings; one of the figures is said to have been employed variously as "a prophet, a soldier, or a textile worker"; another casually holds a lit cigarette. Brodell did extensive research for each portrait, piecing together a life from historical accounts, maps, journals, paintings, drawings, and photographs, finding the heroic in the forgotten.

    My name is Hida Viloria. I was raised as a girl but discovered at a young age that my body looked different. Having endured an often turbulent home life as a kid, there were many times when I felt scared and alone, especially given my attraction to girls. But unlike most people in the first world who are born intersex--meaning they have genitals, reproductive organs, hormones, and/or chromosomal patterns that do not fit standard definitions of male or female--I grew up in the body I was born with because my parents did not have my sex characteristics surgically altered at birth. It wasn't until I was twenty-six and encountered the term intersex in a San Francisco newspaper that I finally had a name for my difference. That's when I began to explore what it means to live in the space between genders--to be both and neither. I tried living as a feminine woman, an androgynous person, and even for a brief period of time as a man. Good friends would not recognize me, and gay men would hit on me. My gender fluidity was exciting, and in many ways freeing--but it could also be isolating. I had to know if there were other intersex people like me, but when I finally found an intersex community to connect with I was shocked, and then deeply upset, to learn that most of the people I met had been scarred, both physically and psychologically, by infant surgeries and hormone treatments meant to "correct" their bodies. Realizing that the invisibility of intersex people in society facilitated these practices, I made it my mission to bring an end to it--and became one of the first people to voluntarily come out as intersex at a national and then international level.Born Both is the story of my lifelong journey toward finding love and embracing my authentic identity in a world that insists on categorizing people into either/or, and of my decades-long fight for human rights and equality for intersex people everywhere.

    Here is a dramatic story of these people, revealing the history of the anti-gay policy pursued by the U.S. military authorities in World War II. Two 8-page photo inserts.

    But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan.The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways. Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of "the Japanese" and the Eurocentric notions of gender performance and sexuality.

    Jakobsen and Ann Pellegrini make a solid case for loving the sinner and the sin. Rejecting both religious conservatives' arguments for sexual regulation and liberal views that advocate tolerance, the authors argue for and realistically envision true sexual and religious freedom in this country. With a new preface addressing recent events, Love the Sin provides activists and others with a strong tool to use in their fight for freedom.

    The book unravels why he kidnapped a leading military figure, tried to incite rebellion, and committed suicide.Novelist, playwright, film actor, martial artist, and political commentator, Yukio Mishima (1925-1970) was arguably the most famous person in Japan at the time of his death. Henry Scott Stokes, one of Mishima's closest friends, was the only non-Japanese allowed to attend the trial of the men involved in Mishima's spectacular suicide. In this insightful and empathetic look at the writer, Stokes guides the reader through the milestones of Mishima's meteoric and eclectic career and delves into the artist's major works and themes. This biography skillfully and compassionately illuminates the achievements and disquieting ideas of a brilliant and deeply troubled man, an artist of whom Nobel Laureate Yasunari Kawabata had said, "A writer of Mishima's caliber comes along only once every two or three hundred years."

    A month later, an aggressive virus, HIV, would be identified and a climate of panic and fear would spread across the nation, marginalising an already ostracised community. Yet, out of this terror would come tenderness and 30 years later, the long road to gay equality would climax with the passing of same sex marriage.Paul Flynn charts this astonishing pop cultural and societal U-turn via the cultural milestones that effected change—from Manchester’s self-selection as Britain’s gay capital to the real-time romance of Elton John and David Furnish’s eventual marriage. Including candid interviews from major protagonists, such as Kylie, Russell T Davies, Will Young, Holly Johnson and Lord Chris Smith, as well as the relative unknowns crucial to the gay community, we see how an unlikely group of bedfellows fought for equality both front of stage and in the wings.This is the story of Britain’s brothers, cousins and sons. Sometimes it is the story of their fathers and husbands. It is one of public outrage and personal loss, the (not always legal) highs and the desperate lows, and the final collective victory as gay men were final recognised, as Good As You.

    What is at stake in male homo/heterosexual definition? Through readings of Melville, Nietzsche, Wilde, James and Proust, the author argues that the vexed imperatives to specify straight and gay identities have become central to every important form of knowledge of the 20th century.

    In his latest entertaining and thought provoking narrative travelogue, Michael Booth sets out to discover how deep, really, is the enmity between these three “tiger” nations, and what prevents them from making peace. Currently China’s economic power continues to grow, Japan is becoming more militaristic, and Korea struggles to reconcile its westernized south with the dictatorial Communist north. Booth, long fascinated with the region, travels by car, ferry, train, and foot, experiencing the people and culture of these nations up close. No matter where he goes, the burden of history, and the memory of past atrocities, continues to overshadow present relationships. Ultimately, Booth seeks a way forward for these closely intertwined, neighboring nations.An enlightening, entertaining and sometimes sobering journey through China, Japan, and Korea, Three Tigers, One Mountain is an intimate and in-depth look at some of the world’s most powerful and important countries.

    A full decade has now passed since the last update, and while the gay community has seen improved treatments for AIDS, more positive media coverage, new forums for the expression of community, and more favorable laws, there continues to be an urgent need for this book’s brand of positive and responsible advice.Invaluable not only as a sex guide but as a resource on building self-esteem, and a coming out guide for young gay men, The Joy of Gay Sex addresses the many emotional and relationship-oriented issues in gay life, from long-term couples and one-night stands, to loneliness and growing older. It also serves as a general reference on a number of diverse topics, including living wills and insurance.

    Aside from this, though, if there's one area that I'm 100% anecdotally and personally qualified to tackle, it's sexuality. If there is a 'sexuality spectrum', then I've probably existed at every point on it at some stage in my life. This book is my attempt to demystify sexuality by narrating my own, often humiliating adventures in sex, dating, gender identity, etc. and to get everyone to Just. Calm. Down. We'll talk about the pros and cons of labels, and why history contains no stories of gay people living long, happy, successful lives. Also included: sexual fluidity, gay genes, Lady Gaga and bisexual monkeys. My dream is that we get to a point where we don't even need to discuss sexuality at all. Where it's a total non-issue, and everyone's falling in love with everyone all over the place. Seeing as we're not there yet, however, I think it is incredibly important to talk about it. Openly, and without embarrassment. I hope this book is a step in that direction. ENJOY.

    The samurai emerged as a warrior caste in medieval Japan and would have a powerful influence on the history and culture of the country for the next 500 years.

    Now a major motion picture starring Nicole Kidman, Russell Crowe, and Lucas Hedges, directed by Joel Edgerton.. The son of a Baptist pastor and deeply embedded in church life in small town Arkansas, as a young man Garrard Conley was terrified and conflicted about his sexuality. When Garrard was a nineteen-year-old college student, he was outed to his parents, and was forced to make a life-changing decision: either agree to attend a church-supported conversion therapy program that promised to “cure” him of homosexuality; or risk losing family, friends, and the God he had prayed to every day of his life. Through an institutionalized Twelve-Step Program heavy on Bible study, he was supposed to emerge heterosexual, ex-gay, cleansed of impure urges and stronger in his faith in God for his brush with sin. Instead, even when faced with a harrowing and brutal journey, Garrard found the strength and understanding to break out in search of his true self and forgiveness. By confronting his buried past and the burden of a life lived in shadow, Garrard traces the complex relationships among family, faith, and community. At times heart-breaking, at times triumphant, this memoir is a testament to love that survives despite all odds.